DUBLIN

The 1812 HMS Dublin was the third Royal Navy ship of that name. At the time of this document she was a 40-gunner, and the flagship of the Commander-in-Chief of the South American station Vice-Admiral Sir Graham Hamond (1779-1862). See the entries on Barton, Hamond and Tait in O’Byrne’s ‘Naval Biographical Dictionary’ (1849), and Hamond’s in the Oxford DNB. 1p, landscape foolscap 8vo. Aged and creased. Docketed on reverse: ‘Dublin / Treasure conveyed. / 31. March 1838. / E1/1 / Entd 2d. April. / W Let’.

One page, cr. 8vo, fold marks, faint foxing, good condition. See Image. Text: It is delightful to read that August Manns [conductor - see Wiki] is still remembered. I was born within sight of the Crystal Palace and can even remember the great fire on one Sunday afternoon when part of the 'Tropical End' was burned to the ground. Those Courts [with?] the fine casts of statues of all periods taught me how to look at their originals in many places.

For most of his life Palmer was Vicar of Holy Trinity Church, South Woodford. He was the father of the composer Geoffrey Molyneaux Palmer. 1p, 12mo. In good condition, lightly aged. Folded once for postage. Signed ‘A. Smyth Palmer’. He offers to supply a copy of his ‘Word-hunter’s Note-book’ at a cheaper price than it can be got from the publisher Trübner. ‘I am sorry I cannot help you to A.K.HB’s address - He is a clergyman (I think) of the Church of Scotland - probably “N. B.” [i.e. addressing the letter with this abbreviation for ‘North Britain’] would find him.’

Within a couple of years of his death Norbury’s nickname was given as ‘the hanging judge’ (see ‘The Georgian Era’, vol.2, 1833), and yet no mention is made of the fact in his entry in the Oxford DNB. The present document is 1p, 4to. On the recto of the first leaf of a bifolium. In fair condition, lightly aged.

See the two men’s entries in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. Addressed to ‘Dear Mr Paxton’ and signed ‘Morpeth’. Much of the letter comprises a twenty-three line quotation from a letter Morpeth has received ‘from a great friend of mine in Dublin, Mr Hamilton’ (After the transcription of Hamilton’s letter Morpeth gives his name as ‘William Tighe Hamilton Esqre [1807-1886] / Donnybrook / Dublin’.

An attractive item on four unpaginated folio pages, in a bifolium. Uncommon. In fair condition, lightly aged and creased, but not folded. Drophead title: ‘No. 8 (New Series) August 1935. / A Broadside / Editors: W. B. Yeats and F. R. Higgins; Musical Editor, Arthur Duff.

An attractive item on four unpaginated folio pages, in a bifolium. Uncommon. In fair condition, lightly aged and creased, but not folded, with small closed tear at head of first leaf. Drophead title: ‘No. 7 (New Series) July 1935. / A Broadside / Editors: W. B. Yeats and F. R. Higgins; Musical Editor, Arthur Duff.

See his entry in the Oxford DNB. Unsigned, but in Lynd’s hand and from the Lynd family papers. 6pp, 4to, on six leaves of ruled paper, twenty-six lines to a page. In fair condition, lightly aged, with dog-eared corners. Lynd’s handwriting is execrable, and he employs a number of abbreviations of common words, such as ‘and’, ‘the’, ‘of’. Begins: ‘[...] found expression in literature. / As I have suggested, however, it is in the art of conversation rather than the art of literature that the Irish comic spirit has found its fullest expression.

2pp., 12mo. On leaf with mourning border. In good condition, lightly-aged, with neat repair to a short closed tear. He is returning a memorandum, 'which is quite correct & may be acted on', and has made a payment of £380 to his account with Drummonds Bank.

8pp., folio. Unopened. On aged high-acidity paper, with wear along central vertical fold, and chipping to extremities. The article is unsigned, and covers the whole of the front page and p.5 (which is headed 'Ireland won't be fooled again.') and ends on p.6. An inflammatory piece of writing, as the following paragraph indicates: 'Good-bye, Tommy! | Firstly, the army of occupation has been taken from Ireland. Dozens of ships were steaming in and out of Dublin Bay for a week, taking away the men who held this country for England before Mr. Redmond offered Mr.

Carte-de-Visite, c.10 x 6cm, sl. grubby but a good image. Name of subject (apparently) written on reverse in pencil, Mrs Magrath. A similar item at the V & A is described as an albumen print. Louis Werner appears in the Dictionary of Irish Artists. Apparently ill health drove him from portrait painting to photography.

Both letters 2pp, 12mo. In good condition, lightly aged. Cole's handwriting is difficult. The recipient is not named. The first letter, 34 lines long, concerns a bill which Cole has drawn on the recipient of the letter. It is coming due, and he is uncertain whether it is for £90 or £100. He asks him to withhold payment for a while, as 'Lent is always a dead time with me'. He is 'going to try the experiment of Mr Butter for 6 nights', and has 'good hopes of the result'. The second letter begins: 'My dear Sir | I have made most liberal offers to Farren, Mrs. Nesbitt & Mr.

Both letters 2pp, 12mo. In good condition, lightly aged. Cole's handwriting is difficult. The recipient is not named. The first letter, 34 lines long, concerns a bill which Cole has drawn on the recipient of the letter. It is coming due, and he is uncertain whether it is for £90 or £100. He asks him to withhold payment for a while, as 'Lent is always a dead time with me'. He is 'going to try the experiment of Mr Butter for 6 nights', and has 'good hopes of the result'. The second letter begins: 'My dear Sir | I have made most liberal offers to Farren, Mrs. Nesbitt & Mr.

Written at a crucial time in the run-up to the foundation of the Abbey Theatre. As Horniman's entry in the Oxford DNB states: 'In 1903 Yeats lured Annie to Dublin where he hoped her backing for productions by the Irish Literary Theatre would bring more of his poetic dramas to the stage. To her delight Yeats invited her to design his play The King's Threshold. Annie soon realized she was administrator rather than artist, and the atmosphere of an amateur company directed by three playwrights—Yeats, Lady Gregory, and J. M. Synge—was never congenial.

3pp., 12mo. On bifolium. In good condition, lightly aged. Folded once. With date stamp of the RSA, and endorsement in blue pencil. He is writing to inform Wood that 'a relative of mine has written a paper on a subject of importance regarding the connection of fat [containing glycerin] with manufacture of explosives in Germany - and showing how that Country is approaching a crisis - when her supply of fat will be approaching exhaustion'.

Two pages, 12mo, fold marks, one edge stained and roughened (perhaps blank second leaf of bifolium removed, and item tipped into album), text clear as follows: "The points which are partally fixed in Ireland extend to the southward as far as Bray Head on the East Coast. And they can be given to the Admiralty Surveyor if required in the course the present year. The North East Coast is already surveyed, and may be copied by the Admiralty surveyors at any time.

According to his entry in the Oxford DNB, 'In 1844 Lover abandoned miniature painting as a result of failing eyesight but continued to paint and exhibit landscapes. He invented a new form of entertainment which he called Irish Evenings, a monologue of songs, recitations, and stories, all of his own composition. These he performed at the Princess's Concert Rooms, London.' Between 1846 and 1848 he toured North America with great success. 3pp, 12mo. Bifolium. In good condition, lightly aged, with minor traces of mount adhering to blank reverse of second leaf. Folded twice.

4pp, 16mo. Bifolium. In good condition, lightly aged. Folded once. With embossed armorial letterhead. Good firm signature: 'Clara Novello.' An interesting letter, casting light on the practical arrangement of musical concerts in Victorian Britain and Ireland. The recipient is not named, and the letter begins: 'Dear Sir, | I have not heard from Mr. Bussell of your Concert, but on receipt of your favor of the 15th. consider myself engaged to Belfast for the 1st.

The recipient was a brother of the geologist and inventor Robert Were Fox the Younger (1789-1877), whose magnetic dip compass, constructed in the previous year, is the 'instrument' referred to at the end of the letter. (Fox's compass was used by Sir James Clark Ross on his Antarctic expedition, and was later used to discover the position of the South magnetic pole.) 1p, 4to. In fair condition, aged and creased, with traces of paper mount adhering to one edge, and repair to a closed tear with archival tape. Several folds.

1p, 4to. In good condition, with slight creasing to extremities, on a leaf of 'Onion Skin' paper. A sixteen line poem in three stanzas, beneath which is written, boldly and in pencil: 'W B. Stanford | Trinity College | Dublin'. The poem is one of Stanford's best and best-known, and features in Donagh MacDonagh's 'Poems from Ireland' (1944) and Brendan Kennelly's 'Penguin Book of Irish Verse' (1970). The present version exhibits no variations from the text printed by Kennelly.

1p, 12mo. In good condition, on lightly-creased grey paper. Addressed to 'Dear Prof Brunbaugh'. He explains that Brunbaugh's letter of 19 September 'went into a large collective envelope marked “For attention”', adding 'You can guess what that means. It is lucky ever to have come out.' He has 'made a copy of a short poem' for Brunbaugh, and hopes that he will go and see him when he next comes to Ireland.

1p, 8vo. In fair condition, lightly aged. Folded twice. The letter reads: 'Dear Wilson. | I have just returned from U.S.A. & am going next Monday or Tuesday to Donegal for a much needed holiday. I expect to be away a month. If your friend is in Dublin when I come back I will be glad to see him But in a month I will be out of the world. | Yours ever | AE'

On one side of 7 x 11.5 cm piece of watermarked laid paper, cut from the letter's envelope, in his bol hand. In fair condition, though somewhat ruckled and aged. Entirely in O'Donnell's hand, and laid out in the customary fashion, with the signature 'Daniel O Connell' between two lines at bottom left. Addressed: 'Dublin December Sixteen [corrected by O'Connell 'eighteen | D O C'] | 1834 | Messs Cox & Co | Army Agents | Craigs Court | London'.

The signature ('Robert S Ball') is on a 3.5 x 11 cm slip of paper, laid down on a piece of light-grey paper cut from an album, with the letterhead 'OBSERVATORY, | CAMBRIDGE' on a second slip laid down on the same piece. In good condition, lightly-aged.

1p, 12mo. In fair condition, lightly aged. Reads: 'Palace Dublin | Sept 28/74 | Madam | I send you the autograph which you desire. | Yr. obedt. Servt | Richd. C. Dublin | Miss Julia Glover'.

1p., 4to. In good condition, lightly aged, with punch holes at margin. MacEntee begins his letter to Hickey: 'In the tribute which “The Statist” pays to the late Hilaire Belloc a reference is made to his essay on usury. I read this some time ago but cannot recall the title of the volume in which it appeared. I should be grateful, indeed, if you would be kind enough to make good the lacuna by supplying the missing title.' He congratulates Hickey 'on the article itself'.

1p., 4to. In fair condition, lightly aged. She thanks her for her 'tribute to my book', adding: 'Fancy you thinking that I lived in Australia! My brother to whom I gave a dedication lives there. I never get further than Monkstown which is part of Dunlaoghaire.' She ends by observing that Cond's letter 'seems to have been a long time travelling'. Beatrice Coogan was the daughter of a policeman, a Dublin socialite who was crowned Dublin's Civic Queen of Beauty in 1927. She was the author of 'The Big Wind', won the Frankfurt Book Fair’s 'Novel of the Year' in 1969.

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper. The letter begins: 'Mr. [ Park? ], the Artist, of Dublin, has this day written me word that he has some intention of coming to settle in London in the ensuing winter.' He urges Spencer to 'get him to deliver a course of Lectures on Painting at the Surrey Institution. From speeches which I have heard him deliver, I should think his language & delivery well calculated for the purpose & likely to render him popular.' He explains that he is prevented from writing himself by a 'complaint in my eyes'.

Six substantial ledgers (the heaviest 37 x 41 x 8 cm, and the widest 39 x 52 x 3 cm), containing itemised accounts providing a mass of information regarding the tobacco industry and economic history in Ireland, and one of Dublin's notable employers, whose sales in the 1950s were in the tens of millions. (On 9 December 2004 the Irish Times described the closure of the plant as marking 'the end of an era'. The firm's first Dublin factory, at 56-75 Botanic Road, was constructed by G. & T. Crampton in 1923, and is now the Botanic Business Centre.

2pp., 4to. Closely written, with forty-three lines of text, in a somewhat difficult hand. In fair condition, on aged and worn paper with closed tear and creasing at head of leaf. The letter is written to a relation, after Flood has been shown a letter by 'yr Cousin, L[ad]y Flood', in which the recipient complains of having been 'injur'd or slandered'. It is Flood's intention in the letter to show that 'the business &c has been wholly misunderstood'. He also states that 'the view of imploying you proceeded from friendship strengthened by connexion'.