LIONS

Beautiful stitched pamphlet, with three gorgeous colour natural history prints by Wadsworth, comprising frontispiece and one other full-page print, and double-page print incorporating the words of the title. Near fine. Text unpaginated, printed on eleven pages, over eight leaves of green laid paper. Numbered 44 on the colophon, which carries the device of the Rampant Lions Press, and is signed 'Richard Wilbur' and 'Charles E.

A very nice artefact relating to a beautiful Rampant Lions production, published in 1975. Printers' dummy, produced to indicate the intended layout of the book, consisting of duplicated typed leaves, with emendations and printing instructions in manuscript, showing the intended arrangement of the 125 pages of letterpress (and including an alternative version of p.78), with eleven illustrations loosely interleaved. In good condition, lightly aged and worn.

1p, 12mo. On bifolium. Printed on grey-blue paper, with letterhead printed in orange-red, without Landseer's name, but with his stag's head motif. In fair condition, lightly aged and worn, with thin strip from stub mount adhering to blank second leaf. Folded twice. The recipient is not named. Apparently referring to his bronze sculptures of the four lions at the base of Nelson's column (installed in 1867), the letter reads: 'My Dear Sir | Many thanks for your obliging Note and kind attention to the Lions Heads – I can't leave home Tomorrow before 4. oc when I shall go to B.

2pp., 12mo. On bifolium. In fair condition, lightly aged, with minor damage in margin at the gutter of the second leaf caused by removal from stub. Addressed to 'Sir Edwin Landseer RA | &c &c'. A week from the writing of the letter Frith is expecting 'a few artists & others to tea-supper smoke-whist &c'. He explains that the group usually meets 'about eight supper at ten or half past. We should all be pleased if you can be induced to give us the pleasure of your company.

Good, bold underlined signature in brown ink on 4 x 6 cm piece of paper. In good condition, with light signs of age and wear. Laid down on piece of thick paper, on the reverse of which are traces of grey paper mount. Presumably cut from a letter.

Simpson was a native of Carlisle in Cumbria, and came to London in the early years of the twentieth century, where he was encouraged by Frank Brangwyn to take up etching. In 1918 he was made official artist with the new Royal Air Force. The National Portrait Gallery has eight of Simpson's works, but none of the present six, which are all in the style of the artist's portrait ('ink, irregular') of the Earl of Halsbury, present in the Gallery's collection.Each of the six caricatures is printed in black within a 17 x 12 cm border.

LETTER: One page, quarto. Somewhat aged and creased. An attractive item in Carter's disciplined calligraphic hand. A damning assessment of Craig's son Edward Anthony Craig ('Edward Carrick', 1905-98). '[...] If you know him, you presumably also know what you are taking on! We had some dealings with Teddy over possibly printing old EGC's engravings of Robinson Crusoe, but Teddy sold them, [...] My impression is that the old rogue manufactured archives in order to sell them to someone - preferably twice.

Unbound. Large Octavo bifolium on grey wove paper. Good only, with creasing to corners (that would carefully iron out), and some marking to front cover. Title in large gold letters on front, details of edition on versos of both leaves, and specimen page on recto of second leaf. Illustration ('The author | A reproduction of Tegetmeier's frontispiece') on Arches paper (twelve and a half inches by nine wide) loosely inserted, together with printed 'Book order' leaf.