[Robert Graves (1798-1873), ARA, engraver; Daniel Maclise (1806-1870), RA, artist; Charles Dickens; Lumb Stocks (1812-1892), RA, steel engraver]
Dimensions of engraving 12 x 10cm. Paper size 24 x 16cm. Mount size 50 x 34cm. In fair condition, lightly aged and worn, with no foxing. Card mount with light spotting and wear to extremities. No engraved text whatsoever. Stocks has written in light pencil at the foot of the paper: 'Chas. Dickens | Painted by D. Maclise R.A Engd. by Robt. Graves ARA'. Surprisingly scarce.
Lumb Stocks RA (1812-1892), English steel engraver [J. M. W. Turner; John Martin; John Baylis Allen; John Cousen; Charles Rolls; David Roberts; George Cattermole; A. E. Chalon; Finden; Charles Heath]
Publishers (all London): Art Union of London; Baldwin & Cradock; P. & D. Colnaghi; Fisher, Son & Co.; Hamilton, Adams; Hurst, Robinson & Co.; Robert Jennings; Longmans; W. Marshall; William Pickering; John Sharpe; Whittaker. Between 1826 and 1863.
For a full list of named engravers, artists and publishers, see below. Lumb Stocks was, as the Oxford Dictionary of National Biography points out, 'one of the most influential exponents of steel line engraving, and his death left the Royal Academy without an engraver in its ranks'. He bequeathed his collection of prints to the British Museum;; the present collection was retained by the family, and purchased from the estate of Harold Carpenter Lumb Stocks (1884-1956), organist of St Asaph Cathedral.
Gwynn Parry Jones (1891-1963), Welsh tenor; Sir George Thomas Thalben-Ball (1896-1987), Anglo-Australian organist [Harold Carpenter Lumb Stocks (1884-1956), organist of St Asaph Cathedral]
Neither item with place. Thalben-Ball's signature dated 22 May 1941.
On one side of a 16 x 20 cm piece of light-green paper, removed from an album. In good condition, lightly-aged. Thalben-Ball's signature is the upper of the two, and reads 'To | [bar of music in 3/4 time] | G. G. Thalben-Ball | 22. v. 41'. Parry's signatuer is towards the centre of the page, and simply reads 'Parry Jones.' From album which also contained the signatures of many performers at the Denbigh Eisteddford in 1939.