Ern Shaw (1891-1986), cartoonist and illustrator from Hull, Yorkshire [ Marcus Adams (1875-1959)), children's photographer, patronised by the British Royal Family ]
On his letterhead, Hassall House, 29 West End Road, Cottingham, Hull. 4 January 1954.
1p., 4to. In good condition, lightly aged. He is enclosing 'Squeaker Toys', which are 'a few of a large series which I designed for a toy Firm'. He thinks they may assist Adams 'to get interesting "expressions" on the faces of some of your less sophisticated sitters!' He concludes: 'They would be a variation of the old request to "Watch for the dickey bird."' Adams was Britain's foremost children's photographer, patronised by the Royal Family, and was famed for his Dover Street studio disguised as a children's playroom, complete with toys.
Connie Christie [ Constance Mary Charlotte Christie ] (1908-1989), Australian children's writer and illustrator [ Marcus Adams (1875-1959)), children's photographer patronised by British royalty ]
9 Millah Road, Balwyn, Victoria, Australia, on her illustrated letterhead. Undated.
1p., landscape 12mo. In fair condition, on lightly aged and creased paper. Letterhead in brown and black, with childlike self-portrait with dripping pallette. She is enclosing 'a few of my small picture books', thinking that they 'would be entertaining in a waiting room' Adams was Britain's foremost children's photographer, patronised by the Royal Family, and was famed for his Dover Street studio disguised as a children's playroom, complete with toys. From the Adams family archive.
Marcus Adams (), royal photographer [ Neville Chamberlain [ Arthur Neville Chamberlain ] (1869-1940), British Conservative Prime Minister ]
Without place or date. (Late 1930s.)
Neither print is ascribed, but in an unpublished typescript in the Adams Papers, Rosalind Thuillier (author of a 1985 monograph on Adams) quotes her husband Gilbert Adams (Marcus's son) as follows: 'Another phase of his activities as a photographer was into a device called "photo sculpture". [...] At the time of Munich he went round to the photo-sculpture's studio, and I accompanied him, to photograph Neville Chamberlain. Neville Chamberlain was photographed in this way and some many hundreds of these casts were made of him.
Will Till (c.1893-1971), photographer, 'the greatest South African pictorialist' [ Marcus Adams (1875-1959), English royal photographer ]
On letterhead of Will Till, Hon. F.R.P.S., "Bryro", 3 Grays Terrace, Kensington, Johannesburg, South Africa. 2 July 1956.
4pp., 4to. In good condition, lightly-aged and worn. Long closely-written letter, friendly and informative. Topics include the breaking of his right arm, the weather in Johannesburg ('I do not take my landscapes in winter - but our Transvaal summer is my time to operate with the camera to record the trees - the clouds & all the mood that goes with it'), Adams's support for 'the London Salon panel of prints'.
Walters Anson [ Minnie Walters Anson ] (1875-1959), RMS [ Royal Miniature Society ], miniaturist [ Lambeth School of Art ], wife of artist Chris Adams (1867-1960), brother of Marcus Adams
Both on her letterhead ('WALTERS ANSON, R.M.S.'), 48 Parkstone Avenue, Parkstone, Dorset. 6 and 11 February 1950.
Both letters 2pp., 12mo. Both in good condition, lightly-aged, the second with the first page lightly crossed through in pencil. The letters relate to work done for the firm of her brother-in-law Marcus Adams (described in his Times obituary as 'the outstanding child photographer of his day and photographer to the Royal Family for more than 30 years'), at 43 Dover Street, Mayfair. She begins the first letter by explaining that she has 'endeavoured to make the Woodall miniature like the snapshot, but unless they are really satisfied I had better do another.
Raphael Tuck & Sons Ltd, Moorfields, London publishers known for their postcards [ Gustave Tuck; Sir Reginald Tuck; Marcus Adams (1875-1959), royal photographer; Bertram Park (1883-1972) ]
All nine on letterhead of 'Raphael Tuck & Sons, Ld., Raphael House, Moorfields, London, E.C.2. Dating from between 1928 and 1935.
11pp., 4to. Five are signed by Gustave Tuck, three by Desmond A. Tuck and one by Sir Reginald Tuck (the three men being named on the letterhead, together with Sir Arthur Conan Doyle, as the company's directors). Four are addressed to Adams personally, four to his firm (with one for the attention of 'Miss Dorothy Clarke'), and one to Bertram Adams, another royal photographer, with whom Adams shared premises at 43 Dover Street, Mayfair. The ornate letterhead, printed in brown, carries royal warrants and an engraving of Raphael House. On aged and worn paper, with slight damp staining.
Will Day [ Wilfred Ernest Lytton Day ] (1873-1936), cinema historian, showman and dealer in film equipment [ Marcus Adams (1875-1959), royal photographer ]
On letterhead of Will Day, Ltd, Wireless Apparatus, 19 Lisle Street, Wardour Street, W.C., London. 22 May 1928.
1p., 4to. In good condition, on lightly-aged paper. Ornate letterhead printed in red and black, with engraving of a rising sun ('The Mark of Excellence'). Addressed to 'Messrs. Marcus Adams Ltd. | Child Photographers, | 43, Dover Street, | W.1.' The letter begins: 'I have in hand the production of a film somewhat of a national character, including all the episodes in the reigns of our Royal Family, from Queen Victoria's Diamond Jubilee onwards, and I thought it would be a very nice idea to finish the film with a short length of little Princess Elizabeth.
Bertram Park [ Bertram Charles Percival Park ] (1883-1972), British photographer, author and horticulturalist [ Marcus Adams (1875-1959), royal photographer; his son Gilbert Adams (1906-1996) ]
Either on letterheads of 43 Dover Street, Mayfair ('Studios: Bertram Park, Marcus Adams Ltd., Yvonne Gregory, James Vintner.'), or the Old Shooting Box, Eastcote High Road, Pinner, Middlesex. One dated 1950, the rest from between 1954 and 1962.
Thirteen Typed Letters Signed: seven to Marcus Adams, four to Gilbert Adams, and one apiece to 'Miss Farr' and 'Mr Murray'. Totalling 16pp., and with eight on Dover Street letterheads, and five on Park's personal Pinner letterheads. Five signed 'Bertram', one 'B.P.'', the other seven 'Bertram Park'. The thirteen items in good condition, with light signs of age and wear.
Walton Adams [ Arthur Walton Adams ] (1842-1934), pioneering British photographer, co-inventor of the dry-plate process, father of Marcus Adams (1875-1959) and grandfather of Gilbert Adams (1906-1996)
Without place or date, but written after May 1932, when he was living in Caversham, Reading, Berkshire.
4pp., 8vo, paginated 1-4. On two bifoliums. Aged and worn, but with the text clear and complete. From the Adams family papers, which also include an extensive archive of Walton Adams's papers relating to the British Israelites. An interesting artefact relating to an important figure in the history of British photography. (See also his obituary in The Times, 15 June 1934.) Untitled and unsigned, the unpublished account begins: 'As I am now over 90 years of age I believe that I am the oldest living British photographer, my first Studio was opened in 1864'.
Walter Crane (1845-1915), English artist and book illustrator [ 'W. J. L.', poet; Marcus Ward & Co., Belfast publishers ]
'ENT[ERED AT] STA[TIONERS] HALL MARCUS WARD & CO.' Undated.
On 6.75 x 10.25 cm card. In good condition, lightly aged and worn. Crane's illustration is printed in gold, blue, red, pink and brown, with the caption at foot, encased in a characteristic decorative border reading 'MAY NEW YEAR BRING FROM LOVERS TRUE | LOTS OF VALENTINES FOR YOU!' A winged Cupid in doorway to the right, dressed in blue cap and suit with knickerbockers and red stockings, delivers letters to three girls and a baby in a bath chair. Outside the border, at foot: 'ENT STA HALL MARCUS WARD & CO.' Printed in lilac on reverse is the poem by 'W. J.
[circa 1870?] Undated. 'LONDON | MARCUS WARD & CO. | & ROYAL ULSTER WORKS. BELFAST. ['ENTD. STA. HALL.' (i.e. 'Entered at Stationers' Hall']
Landscape, on one side of a piece of thick paper 24 x 30.5 cm. The print itself is 22 x 27.5 cm. The print is clear and entire on lightly-aged paper, with wear to extremities and some repair to reverse, to which a tissue guard has been attached. Enclosed within a decorative border of birds and flowers printed in burgundy, brown and gold, is a delicate illustration (9 x 15 cm), somewhat akin to a Baxter print, showing a sylvan scene with two young lovers in seventeenth-century attire.
Raphael Tuck & Sons, Fine Art Publishers, London [Walter Besant; Marcus Stone]
London: Messrs. Raphael Tuck & Sons, Fine Art Publishers, 72/73 Coleman Street, City. 
On one side of a piece of paper roughly 24 x 14.5 cm. With card backing. Good, though lightly aged. Headed by the Royal warrant, the top-half of the handbill features, in a variety of types and point sizes, the announcement of Tuck and Sons' intention to award 'Upwards of 4,000 prizes, of the value of 3,000 guineas, and a number of judges' diplomas', with Besant and Stone as judges. The lower part has two columns featuring fifteen testimonials, by newspapers ranging from 'Windsor and Eton Gazette' to the 'Sheffield Telegraph'.