Dr John Propert (1792-1867), founder of the Royal Medical Benevolent College, Epsom [now Epsom College]
New Cavendish Street, Portland Place, W. [London]. February 1859.
3pp., 4to. Bifolium. In good condition, on lightly-aged paper, with traces of mount adhering to the blank reverse of the second leaf. The First page is headed, in fancy type, 'ROYAL MEDICAL BENEVOLENT COLLEGE. | EPSOM.', beneath which is an engraving of the College. The prospectus is presented in the form of a letter, and is dated 'Febry. 1859' and signed (as a 'faithful fellow-laborer') by Propert in light-blue ink.
12mo, 10 pp. Text clear and complete. On aged and worn paper, with pin holes and a spike hole. Includes list of the 'Board of Management for 1907', accounts, 'Statement of Accounts, December 21st, 1901, to December 20th, 1906. Compiled by Mr. J. M. Longley, Treasurer and Chairman of the Finance and General Purposes Committee.' Also 'Report Presented at the Half-Yearly General Court, 27th Dec., 1906.' The 'Result of Poll', 'December Election, 1906', by Courtney, contains lists naming 'Successful Candidates' and 'Unsuccessful Candidates'.
Henry Colburn (1784-1855), bookseller and publisher; Sir Martin Arthur Shee (1769-1850), President of the Royal Academy; Peter North; Dominic Colnaghi (1790-1879), printseller
On one side of a piece of paper roughly 8 x 12.5 cm. Good, lightly aged. Reads ' Henry Colburn | 13 Gt Marlborough Street | Martin Arthur Shee | Peter North 22 Soho Square | Dominic Colnaghi'. Fragment of docketed manuscript record of the case on the reverse: '<...> 830 | <...>nes O'Connor | <...>ent Case | <...>y 12th. 1841'.
Dame Laura Knight (1877-1972), English impressionist painter [The Artists' General Benevolent Institution]
2 June 1937; 5 Vigo Street, London, W.1. [printed by Vacher & Sons, Ltd., Westminster House, S.W.1]
On blue paper 10 x 18 cms. Good, with trace of previous white paper mount on reverse. Printed receipt, filled in in manuscript. Reads 'No.  5, VIGO STREET, | W.1. | [June 2nd 1937] | Received a DONATION of [One Guinea] | from [The Misses Ruck] | for the ARTISTS' GENERAL BENEVOLENT INSTITUTION. | £ :  | [-] | [next word deleted] Secretary | [next two lines cyclostyled in purple ink] most gratefully | Laura Knight'.
Andrew Robertson, Dominic Paul Colnaghi, Martin Henry Colnaghi, Rudolph Ackermann, [C] Turner, Samuel Woodin
Date and place not stated.
On a piece of aged, creased paper roughly five inches square, with some fraying to extremities. Reads '<...> an artist. & his case as one <...> | Andrew Robertson | D Colnaghi | M. H. Colnaghi | R Ackermann | CTurner | John | Saml Woodin'. Rudolph Ackermann (1764-1834), bookseller; Dominic Paul Colnaghi (1790-1879), print dealer; M. H. Colnaghi (1821-1908), picture dealer and collector; Andrew Robertson (1777-1845), Scottish miniature painter. From a collection of material relating to the Artists' General Benevolent Fund.
The Booksellers' Provident Institution [Thomas Bolton, wood engraver; William Henry Prior (c.1812-82), illustrator]
Landscape. Dimensions of paper roughly nine inches by thirteen and a half. Trimmed. Clear image on aged and foxed paper. Captioned 'This ENGRAVING of the BOOKSELLERS' PROVIDENT RETREAT at Abbots Langley, Herts, erected upon ground presented by JOHN DICKINSON, ESQ.
Pickersgill (1782-1875) and Uwins (1782-1857) were both English artists who exhibited at the Royal Academy. Very good, on a piece of grey paper roughly two inches by four. From a collection of Autograph Signatures cut from petitions to the Artists' General Benevolent Fund. Blank reverse.
Behnes (died 1864) was a sculptor, and Robins (1778-1847) a flamboyant auctioneer. Very good, on piece of paper roughly two inches by three and a half. From a collection of Autograph Signatures cut from petitions to the Artists' General Benevolent Fund. Blank reverse.
British artist (1787-1849). Dimensions of paper roughly four and a half inches by two. Folded three times. Good, but on slightly discoloured paper. Reads 'I have the honor to be | Gentlemen | Yours faithfully | [signed] Wm.. Etty.' From a collection of material relating to the Artists' General Benevolent Fund.
24 June 1825; 16 Buckingham Street, Portland Road.
British miniature-painter (1761-1835). Dimensions of paper roughly seven and a half inches by one and a quarter. Good, on good-quality laid paper, but slightly creased and grubby at sides. Reads '[Signed] Charles Hayter 16 Buckingham Street | Portland Road | June 24. 1825'. Docketed to the right of signature and address. From a collection of material relating to the Artists' General Benevolent Fund.
English architect (1788-1863). Paper dimensions roughly seven inches by one and a quarter. Good, though somewhat grubby. From a collection of material relating to the Artists' General Benevolent Fund. Reads '<...> a necessity | C. R. Cockerell. | 10 Sepr. 1833. | 89 Eaton Square.' and on reverse '<...> | and relief, from the Benevolent Society of Artists | I am the Widow of the late Henry Landseer who died [^ on the 25 of July] after an Illness of only a few Hours. leaving myself and Two Infant Children totally destitute. - | <...>'
Stanfield was a marine and landscape painter (1793-1867); Meredith was employed by the auctioneers Machin and Debenham of King Street. Paper dimensions roughly five and a half inches by four inches. Folded twice. Grubby and lightly creased, with dog-eared corners. Reads '[signed] Michael Meredith | No 6 Blomfield St | Finsbury Circus | [signed] C Stanfield R A | Mornington Place | Novr. 20th. 1825. From a collection of material relating to the Artists' General Benevolent Fund.
George Clint, Dominic Paul Colnaghi, Philip Audinet.
Without date or place [but 1837 or before].
The artist Clint (1770-1854), the printseller Colnaghi (1790-1879) and the engraver Audinet (1766-1837). Paper dimensions roughly four and a half inches by three inches. Good clear signatures, but on paper somewhat grubby and creased. Reads 'D: Colnaghi | Geo Clint ARA | Philip Audinet'. From a collection of material relating to the Artists' General Benevolent Fund.
The engraver and painter Ward (1769-1859) and the artist Jackson (1778-1831). Dimensions of paper roughly five inches by two inches. Good. From a collection of material relating to the Artists' General Benevolent Fund. The reverse reads '<...> <...> | Daughters of the late Robert <...> | Painter Engraver & Publishe <...>'. Clearly a petition on behalf of the two women, and with Georgiana Dodd's cropped signature above those of 'James Ward R.A. | John Jackson R.A.'.
Denham was an artist (exhibited 1796-1858) and Wyatville (1766-1840) the architect best known for his transformation of Windsor Castle. Paper dimensions roughly four and a quarter inches by two and a half. Good. From a collection of material relating to the Artists' General Benevolent Fund. Reads '- J. C. Denham | 73 Pall Mall | J Wyatville', and on reverse, '<...> is, that I am now much <...> of my apartment, and of whic <...> help, from your <?> <...> most distressing kind - <...> every power, to obtain <...>, which, I am now down <...>'.
Colnaghi was a member of the notable family of English printsellers. Hall (1800-89) was an author and editor. Paper dimensions roughly five inches by three inches. Good. From a collection of material relating to the Artists' General Benevolent Fund. Reads '<...> Paul Dominic Colnaghi Esq | | S. C. Hall. | '.
Sir Francis Legatt Chantrey, William Frederick Witherington, John Jackson, James Lonsdale, Thomas Christopher Hofland, Robert Balmanno
Without place or date (but before 1831).
Four noted British artists of the earlier part of the nineteenth-century: Witherington (1785-1865), Jackson (1778-1831), Lonsdale (1777-1839), and Hofland (1777-1843), together with the sculptor Chantrey (1781-1841), and the art critic and connoisseur Balmanno (1780-1861), who left England for America in the early 1830s. Paper dimensions roughly three inches by four. Creased, and on paper discoloured with age, with show-through from remains of seal under Chantrey's signature. Reads 'J Chantrey | W. F. Witherington | John Jackson | James Lonsdale. | T. C. Hofland | Robert Balmanno'.
English sculptor (1799-1872). Paper dimensions roughly seven and a half inches by one and a quarter. Good. Reads '| <...> | To be | Gentn | Your obt Sert | Richd Westmacott | S. Audley St | 1st. Decr 1837.' Fragment of docketting on reverse. From a collection of material relating to the Artists' General Benevolent Fund.
Behnes (died 1864) and Westmacott (1799-1872) were both sculptors. Paper dimensions roughly four and a half inches by three inches. Folded three times. Good, though a shade grubby. Reads 'I believe the above statement to be quite correct | [signed] Richd Westmacott | William Behnes | Feb. 27/40.' Docketed on reverse. From a collection of material relating to the Artists' General Benevolent Fund.
British sculptor (died 1864). Paper dimensions roughly five inches by two inches. Good, but on slightly discoloured paper. Reads 'I have the Honor to be | Gentlemen | Your Obedient Humble Servant | [signed] William Behnes'. From a collection of material relating to the Artists' General Benevolent Fund. Behnes ended his days in considerable distress.
Alfred Edward Chalon, John James Chalon, Andrew Geddes, Andrew Robertson
Without place or date, but pre
All four are notable British artists of the first half of the nineteenth-century: A. E. Chalon (1780-1860), J. J. Chalon (1778-1854), Geddes (1783-1844), Robertson (1777-1845). Paper dimensions roughly four and a half inches by five and a half. Grubby and discoloured with age, and with some wear and creasing to edges. Signatures read ' R: Jackson [perhaps John Richardson Jackson, mezzotint engraver, 1819-77] | Alfd. Edwd Chalon | Jno. Jas. Chalon | Andw. Geddes | A. Robertson'.