Art and Architecture

Autograph Letter Signed "W E Frost" to F. S. Ellis, bookseller and author.

Author: 
William Edward Frost, artist
Publication details: 
8 Southampton Street, Fitzroy Square, London, 9 Nov. 1860.
£85.00

One page, 8vo, minor defects, text clear and complete, except were a spike-hole cuts out a letter. He enjoyed looking through Ellis's catalogue but "I regret the names of Stothard and Blake do not occur more frequently - I beg to enclose a list of a few works I am seeking and shall feel greatly obliged if by any means you could procure them for me." Note: He formed a large collection of engravings after the works of Thomas Stothard, R.A., and prepared, in conjunction with Mr.

Autograph Letter Signed ('C. L. Eastlake') to Miss [?] Rogers.

Author: 
Sir Charles Lock Eastlake (1793-1865), English painter and President of the Royal Academy
Publication details: 
15 May [year not stated]; 13 Upper Fitzroy Street [London].
£56.00

Two pages, 12mo. On gray paper. Good, though lightly ruckled and aged. He thanks her for the 'information about the silk', and accepts her invitation. He haad intended to call on her the day before, but was prevented by the weather.

Engraving of bearded man walking while reading a book.

Author: 
John Thomas Smith (1766-1833), artist and antiquary
Publication details: 
London Published as the Act directs December 31st 1815 by John Thomas Smith No 4 Chandos Street Covent Garden.'
£80.00

On wove paper roughly eleven inches by seven and three-quarters; dimensions of print roughly seven inches by four and a half. Image clear and unaffected, on paper aged and creased, with some staining to extremities. Smith's monogram in bottom left-hand corner. The figure is formally dressed, in frock-coat and stockings, with his hat tucked under his left arm. Clearly a portrait, but of whom is uncertain: it is not among the six works by Smith catalogued by the National Portrait Gallery. A charming evocation of print culture in the early part of the nineteenth century.

Keepsake, limited to two hundred copies, with signed illustration of 'L'abbaye en 1368' by Beaudouin.

Author: 
Fernand De Nobele, French bookseller; Josephine Beaudouin (c.1910-2005), French illustrator
Publication details: 
1969; Paris.
£120.00

Beautifully printed bifolium on thick wove paper. Dimensions of leaf roughly thirteen inches by ten; dimensions of illustration roughly nine and a half inches by eight. Tissue guard. Recto of first leaf and verso of second blank. Letterpress on verso of first leaf reads 'Fernand De Nobele, libraire pres St-Germain-des-Pres, vous adresse ses meilleurs voeux pour l'annee 1969. | [L'abbaye en 1368]'. Illustration signed at foot 'Josephine Beaudouin', with the limitation '190/200'. For De Nobele - President of ILAB between 1965 and 1967 - see Anthony Rota's 'Books in the Blood' (2002).

Steel engraving by de Mare, after drawing by Rochussen, printed by Brugman, of 'Eene Dames Kunstbeschouwing in de Kunstzaal der Maatschappij: "Arti et Amicitiae."

Author: 
Charles Rochussen (1814-94), Dutch painter; Johannes de Mare, Dutch engraver; J. F. Brugman, Dutch printer
Publication details: 
[Amsterdam: circa 1880?]
£75.00

Paper dimensions roughly ten and a half inches by eleven and a half; print dimensions eight and a half inches by ten and a half. Aged and with three inch strip, roughly half an inch wide, torn away from surface of print in top left-hand corner. Depicts a crowded and rather grand hall, containing a long horseshoe-shaped table around which are crowded connoisseurs of both sexes contemplating engravings and illustrated books or engaged in discussion. Arti et Amicitiae is an Amsterdam society of artists and art lovers, founded in 1839.

Five Typed Notes Signed (all 'Fabian G Trollope') to G. K. Menzies, Secretary, Royal Society of Arts.

Author: 
Fabian George Trollope (1872-1960) of Trollope & Sons, 'Artists in Decoration since A.D. 1778. Branch of Trollope & Colls Ltd.' [London Architecture]
Publication details: 
20 March 1923, 4 November and 14 December 1927, and two of 18 June 1931; letter 1 on letterhead of Trollope & Colls, Ltd., letters 2 to 5 on letterhead of Trollope & Sons'.
£100.00

All items one page, quarto, and all very good. Two docketed and one bearing the Society's stamp. Letter 1: He will be pleased to attend a committee meeting. Letter 2: He has 'a long-standing engagement' and will be unable to attend 'the Architectural Decoration Committee'. Along with Godfrey Giles he has 'had a long discussion' with Mr. Grigsby 'with reference to the conditions of the Lewis Berger Scholarship'. Letter 3: He knows 'Professor Richardson very well, and this is just the information which I am requiring. I will send my man on to see the secretary as you suggest'.

Miniatura or The Art of Limning

Author: 
Edward Norgate
Publication details: 
Oxford, 1919
£40.00

Ed. from the Manuscript and collated with other manuscripts by Martin Hardie, Ist edition, 8vo, pseudo-vellum binding, clear wrapper sl. torn, generally very good condition.

Portrait, 'Engraved by H. Meyer, from an original Drawing by J. Jackson'.

Author: 
Thomas Fanshaw Middleton (1769-1822), D.D., F.R.S., Lord Bishop of Calcutta [Henry Hoppner Meyer; John Jackson]
Publication details: 
[London; 1815.]
£45.00

Dimensions of paper approximately 36 x 25 cms. Good, though lightly foxed and with corners a little dog-eared. His Lordship, in full-sleeved clericals, is seated, and bare-headed, looking to his right with a piercing stare. Dated 1815 by the National Portrait Gallery.

Autograph Letter Signed ('S. Kato') in English to [?] Beaufort.

Author: 
Shozo Kato (of Osaka, Japan, and 8 New Oxford Street, London, England), dealer in 'Japanese & Chinese Works of Art' [Japanese; Oriental art]
Publication details: 
3 April 1919; on business letterhead.
£28.00

One page, octavo. On aged, grubby paper with minor staining at foot. He has spent 'all his monney for prints & Books I bought at Sale last Week. I have no balance in my Bank at all. (ganz nichts) if you are not inconvenient [sic] Please bring some L. S. D. on Saturday next'. Postscript: 'My business is Ratton N. B. G.' It is thought that Kato obtained a large portion of the Japanese prints for Sir Edmund Walker's celebrated collection.

Albert Rutherston: A Catalogue of the Illustrated Books, Periodicals, Pamphlets, Christmas Cards, Pantomimes, Diaries and Almanacks, Pattern Papers, Ornaments and Autographed Letters in the Collections of Manchester Polytechnic Library.

Author: 
Ian Rogerson [Albert Rutherston (1881-1953), artist and illustrator; Sir William Rothenstein]
Publication details: 
Manchester: Manchester Polytechnic Library, 1988.
£10.00

Quarto: ix + 21 pages. Stapled. In original cream wraps, with colour cover illustration by Helen Taylor. Full-page reproduction of drawing of Rutherston by his brother Sir William Rothenstein. Introduction places Rutherston in the tradition of Edward Gordon Craig and Claud Lovat Fraser. Copies of the second edition (1992) recorded by COPAC, but not at BL or Bodley.

The Eric Gill Workshops.

Author: 
Denis Tegetmeier; Laurence Cribb [Eric Gill]
Publication details: 
Pigotts, North Dean, High Wycombe'; 'December 5 | 1940'.
£125.00

Leaflet. Two pages, 12mo. Tasteful bifolium on cream wove paper. Unbound. Good, though a tad grubby. Gill woodcut (roughly two inches by one and a half) on front: two hands around the front of a large 'V' with rest of word 'Veritas' on stem and cross at head. Apparently numbered in pencil bottom-right of woodcut 579.

Letter in secretarial hand signed by Webb ('Aston Webb') to Alice Bertha, Lady Gomme (1852-1938).

Author: 
Sir Aston Webb (1849-1930), English architect, best-known for Admiralty Arch, the Victoria Memorial and his work on Buckingham Palace
Publication details: 
1 March 1912; on letterhead '19, QUEEN ANNE'S GATE | WESTMINSTER | LONDON, S.W.'
£38.00

One page, octavo. Good, on lightly aged and creased paper. 'Pray use me as you think fit on Monday March 4th. & I will do what I can | Perhaps you would not mind telling me if it is to be in reply to a toast & if so what & also whether decorations are worn. I imagine it is more or less of a private dinner & therefore they will not be'.

Print headed 'Termina diocletians', showing ruined Roman arches with figures in the foreground.

Author: 
Hieronymous Cock (c.1510-1570), Flemish northern renaissance engraver
Publication details: 
No date; place not stated. 'H. Cock excudebat' in top right-hand corner.
£120.00

On piece of aged, laid paper roughly six inches by eight and a quarter wide. Two inch closed tear at head, and three-quarters of an inch closed tear, with a little loss, to the right. Quarter-inch hole towards top right-hand corner, in sky above archway. Mounted on piece of grey paper. Negligible wear to bottom left-hand corner.

Cheque endorsed on reverse "Edmund Dulac"

Author: 
Edmund Dulac, book illustrator.
Publication details: 
London, 27 July 1923
£120.00

National Provincial and Union Bank of England, made out to Dulac for £21 by "R. Grahame Smith", stamped by two banks and attractively fra\med so that both front and back of cheque (i.e. the signature) may be seen.

Engraving by Lewis, after Cooke, of 'CALAIS PIER'.

Author: 
Edward William Cooke (1811-80), marine painter; Charles George Lewis (1808-80), engraver
Publication details: 
Without date or place.
£265.00

On India paper roughly three and a half inches by six and a half wide, mounted on a thick piece of wove paper ten inches by fourteen and a half. Cooke's name is engraved on the illustration, and printed on the mount are the title, Lewis's name and a double ruled border. Good clear impression. The mount is a tad grubby, with foxing to the extremities. Atmospheric representation of a populated pier snaking to the left, with a number of sailing ships and a row boat taking advantage of the low tide nearby. No reference found.

Typewritten 'List of chief and under gravers to the Mint', signed in autograph.

Author: 
Charles Anthony, Fellow of the Royal Society of Edinburgh [THE ROYAL MINT; NUMISMATICS]
Publication details: 
04/06/37
£67.00

Four pages, on four A4 leaves. Entirely legible, though dogeared and with some wear to extremities. Rust staining from paperclip. Complete from 1066 to 1937, beginning with the Cuneators and giving dates of Chief and Under Gravers together with Remarks on each individual. Dated and signed by Anthony.

Illustration entitled 'THE ROLL OF FAME. 1800-1900.', with key.

Author: 
Linley Sambourne [Punch, or the London Charivari; Caricature]
Publication details: 
Dated in facsimile October 1899.
£45.00

Sambourne (1844-1910) contributed illustrations to Punch for more than forty years. On good laid paper, dimensions roughly 22 inches by 17 1/2. With facsimile signature and date. Folded twice. Slightly discoloured and a little creased, but suitable for framing. Depicts Mr Punch, with his dog Toby, sitting atop a pile of the 'evolutions of the century' (including a bicycle and typewriter), and waving to 116 of the century's worthies, including Bismark, General Tom Thumb and the jockey Fred Archer, but without Karl Marx.

Engraved bookplate headed 'LA FELICITA' DELLE LETTERE'.

Author: 
Antonio Visentini (Venice, 1688-1782), Italian (Venetian) engraver
Publication details: 
Without date or place, but with 'Ant. Visentini Inu. Del. et Sculpsit.' at foot.
£180.00

Dimensions of plate roughly four and a half inches by six and a half wide. Dimensions of paper roughly five inches by seven wide. Clear image on stained, grubby laid paper. Shows mythological figure with helmet and shield holding up a book, within a monumental border with coins, ivy, statuary, etc. This bookplate has been found in conjunction with another reading "Ex Libris Alexandri Torrigiani Med. Doct. Coll. Parmensis", and this may provide a clue to the provenance.

Autograph Note Signed (F Matania) to unnamed correspondent.

Author: 
Chevalier Fortunino Matania (1881-1963), Italian artist
Publication details: 
Without date or place.
£78.00

One page, quarto. On lightly creased, aged paper with a few closed tears. Rust marks from paperclip at head. Reads 'Il triangolo della perfezione arte scienza ad amore | [signed] F Matania'.

Portrait entitled 'Thomas Hearne.', engraved by William Daniell after a drawing by George Dance.

Author: 
George Dance the Younger (1741-1825), English architect and surveyor [William Daniel (1769-1837), English artist and engraver; Thomas Hearne (1744-1817), English watercolour artist]
Publication details: 
Geo. Dance delt. Jany. 11. 1795. Published by Willm. Daniell, No. 9 Cleveland Street Fitzroy Square London, Decr. 15. 1809. Wm. Daniell Fecit.'
£76.00

Dimensions of paper roughly eleven and a half inches by eight wide. A good clean impression on grubby and lightly foxed paper. A meticulous head and shoulders view of a seated Hearne, in profile, facing to his left. One of the 72 engravings from chalk portraits by Dance of his friends which were published between 1808 and 1814.

Proof engraving of 'Harrietta Bowdler' by Scriven, after a drawing by Slater.

Author: 
Harrietta Bowdler (nee Hanbury, died 1829) of Eltham, Kent (wife of John Bowdler the elder, 1746-1823) [Joseph Slater (c.1779-1837), artist; Edward Scriven (1775-1841), engraver]
Publication details: 
Without date or place. [London: Colnaghi & Co., July 1830?] 'J. Slater. delt. 1817. Edwd. Scriven. sculpt.'
£80.00

The word 'Proof' is engraved in the bottom right-hand corner. Dimensions of paper roughly ten inches by seven and a half. Good clean image on lightly aged paper. Head and shoulders portrait, in which a dolorous old biddy in cap stares vacantly at the viewer. Presumably a companion piece to an engraving in the National Portrait Gallery by Isaac W. Slater of a drawing by Scriven of Henrietta Maria Slater, published by Colnaghi in July 1830. This item is not present in the National Portrait Gallery online catalogue.

Engraving, with portrait of the artist, of Carracci's funeral memorial.

Author: 
Annibale Carracci (1560-1609)
Publication details: 
[Circa 1690?]
£86.00

Dimensions of print roughly ten inches by six and a half wide. Mounted on a slightly larger piece of laid paper. Rubbed, worn and heavily aged, with small wormhole at foot. Ornate tomb with sphinxes, ivy, masks, palette, laurel wreath, etc. Central head and shoulders image of Carracci, above caption 'ANNIBALI CARRACCIO BONON. AETATIS SVAE ANN.XLIX Romae MDCXLVI'. 'A. Del.' in bottom left-hand corner. This is NOT the engraving by Pietro Aquila, after Carlo Maratta, in Aquila's 'Galeriae Farnesianae Icones' (1674).

Coloured lithographic portrait engraving of 'THE RIGHT HONBLE. WILLIAM PIT. | From an original drawing by the late Mr. Sayers in the possession of Francis Turner Esqr. | Drawn on Stone by R. J. L. [i.e. Richard James Lane]'.

Author: 
William Pitt the younger [James Sayers (1748-1823), artist; Richard James Lane (1800-72), line engraver and lithographer; Graf & Soret]
Publication details: 
(not Published) | Printed by Graf & Soret.'
£450.00

EXCESSIVELY RARE. Apparently not present in the National Portrait Gallery collection. The portrait is on a piece of India paper roughly four and a half inches by three and a half wide, mounted on a piece of thick wove paper roughly eleven inches by eight and a half wide. The mount bears the text. Good, though somewhat grubby, and with the mount lightly creased and foxed. While Sayers is best-known as a Pittite caricaturist this image is certainly not a caricature.

Engraving of four portraits, entitled '(Bucks have at you all or who's afraid)'.

Author: 
John Kay (1742-1826), Scottish miniature painter and caricaturist [Dr Eiston; Hieronymo Stabilini; Francis McNab; Captain McKenzie]
Publication details: 
[Edinburgh]; 1786.
£25.00

Plate size roughly four and a half inches by four and a quarter wide, on paper six inches by five wide. 'Kay fecit' in bottom left-hand corner and date in bottom right. Good clean image on aged paper with some wear to blank border. The figures are identified in pencil at foot as 'McNab, K. McKenzie, Easton [^surgeon in the army] & Stabilini'. They are named as Eiston, Stabilini, McNab and McKenzie' by the National Portrait Gallery.

Autograph Card Signed ('Lamb') to Ian Treg. Jenkyn, Slade School of Fine Art, University College London.

Author: 
Lynton Harold Lamb (1907-1977), British painter, book illustrator and designer
Publication details: 
[Venice; 1970].
£85.00

Postcard with painting of Rialto Bridge by Canaletto. Postmarked 1970. Ruckled with damp but entirely legible. An amusing communication, beginning 'Thought I would let you know that we were not involved in the great tornado that sunk a voporetto [sic] on Lirica 4, and that the Hotel alla Fava is still very comfortable.' Refers to the Lambs' 'self-contained eyrie' and 'the weak fast coffee which tastes of mud; but clearly and obviously isn't'.

Original ink caricature by Furniss of Haggard in the character of Don Quixote.

Author: 
Harry Furniss (1854-1925), Anglo-Irish Punch illustrator [Sir Henry Rider Haggard (1856-1925), English author; Don Quixote]
Publication details: 
Without date [but circa 1887?] or place.
£225.00

On paper roughly four and a quarter inches by three and a quarter wide, with corners snipped to make an irregular octohedron. Good clear illustration on ruckled, aged paper. Tipped onto a larger piece of aged glue-stained paper. An amusing caricature showing Haggard astride Rozinante, in a full suit of armour, with an inkpot and quill pen as hat, holding a lance inscribed 'LITERATURE' in one hand, and a baby wrapped in a large roll of paper inscribed 'SHE M.S.' in the other. Unsigned, and attributed to Furniss in pencil on mount.

Typed Letter Signed ('P. Morley Horder') to W. Perry, Secretary, Royal Society of Arts.

Author: 
Percy Richard Morley Horder (1870-1944), English architect
Publication details: 
3 March 1931; on letterhead 5 Arlington Street, St. James's.
£23.00

One page, 12mo. Very good; lightly creased with staple holes to one corner. 'I beg you to publish the letter which I have addressed to the Journal. There is no point in withholding it.' Horder, who designed Lloyd George's house, as well as Mallory Court and Greys, is, according to one authority, 'one of a group of early twentieth century architects who were highly influential in re-introducing the romantic vernacular styles of the Elizabethan period. Many of his homes were in the style of Edwin Lutyens, having gables, stone dressings, mullioned windows and inglenooks.'

Autograph Letter Signed ('Mark Batten') to J. Samson, Registrar, Royal Society of Arts.

Author: 
Mark Wilfrid Batten (1905-1993), English sculptor and stone carver
Publication details: 
6 May 1960; on letterhead 'CHRISTIAN'S RIVER DALLINGTON HEATHFIELD SUSSEX'.
£28.00

One page, quarto. Very good, with staple holes in one corner. He thanks Samson for his letter 'about the enquiry from the Esso Petroleum Company concerning a sculptured commemorative tablet. I should be pleased to take part in any limited competition for this project and could carry out the work this year if I were commissioned to do so within the scheme of my existing commitments.' The context is explained by an accompanying photocopy of a carbon of a typed letter (one page, quarto) of 5 May 1960 from Samson to the sculptor Professor R. Y.

Autograph Letter Signed to unnamed male correspondent.

Author: 
George William Frederick Villiers, 4th Earl of Clarendon (1800-70)
Publication details: 
Grosvenor Crescent; 11 July 1852.
£36.00

Three pages, 12mo. Good. He did not receive the letter till his return from the continent the previous week. '"The Grove" is a comfortable mansion but there is nothing in any way remarkable about it - Clutterbuck's history of Hertfordshire contains all that is known respecting the persons who have possessed it. There is a fine collection of pictures, many of them by Vandyke & Sir P. Lely, wch. belonged to the Chancellor Clarendon & of them you will find an accurate description in the 3d. Vol. of the "Clarendon Gallery" published a few months ago by my sister Lady Theresa Lewis.

Autograph Letter Signed to 'Mrs. Samuel'.

Author: 
Edward Tennyson Reed (1860-1933), Punch cartoonist
Publication details: 
20 December [no year]; on letterhead '17, FITZ-GEORGE AVENUE, | WEST KENSINGTON, | W.'
£56.00

One page, 12mo. Good, if a little aged and lightly creased. He apologises for the delay in 'sending the drawing that now I ask you to please me by accepting' (not present). He asks her to accept it as a present for 'that almost superannuated festivity' of Christmas. 'I send you a coat-of-arms as that includes a certain amount of letterpress which you will I think prefer to a simple drawing'. He has delivered all the drawings bought by Mrs Samuel's friend and has received his thanks.' Signed 'E. T. Rees'.

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