E. J. Sullivan [Edmund Joseph Sullivan] (1869-1933), English book illustrator [H. G. Wells; The Pall Mall Budget, London]
Undated [five of the illustrations appearing in the Pall Mall Budget, London, in May and June 1894.]
The six illustrations and seven pages of text totalling 13pp., 4to (22.5 x 18cm), on seven leaves of laid paper removed from an album. On aged brittle paper, with chipping and slight loss to the edges. The illustrations are simple sketches, indicating the layout of the page, with titles and occasional words of text by Sullivan. Five of the six designs are for the Pall Mall Budget: 'The Thumbmark by H. G. Wells' (28 June 1894), thumbmarks around title and a newspaper seller with headline reading 'Anarchist Outrage'; 'The Stolen Bacillus by H. G.
Alec Clifton-Taylor, architectural historian [John Dugdale (1905-1963), Labour politician, Parliamentary and Financial Secretary to the Admiralty under Clement Attlee, 1945-1950; Royal Navy]
Undated, but with covering signed page, on British Government letterhead, with alternate title: 'Mediterannean Tour | January, 1946'.
 + 26pp., foolscap 8vo. On twenty-seven leaves held together with a brass stud. In good condition, on aged and worn paper. The covering page is headed with the embossed government letterhead (lion and unicorn in oval) and has the words 'Mediterannean Tour | January, 1946' in the centre, with the signature 'Alec Clifton-Taylor' in blue ink in the bottom right-hand corner. The twenty-six pages of text, carrying a few minor autograph corrections by Clifton-Taylor, are headed with the full title.
[Maison des Magasins Réunis, Parisian department store, founded in 1866; 'Fabien Fabiano' [pen name of Jules Coup de Fréjac (1883-1962)]
Maison des Magasins Réunis, Place de la République, Faubourg du Temple, Rue de Malte, Paris, France. [Paris. Imp. Henon, 11, rue Stendal. 10-12.] 1913.
4to. In red cloth binding, gilt, with the department store's logo on the front board and endpapers. In very good condition, on aged paper, with empty wallet on rear pastedown. Green cloth bookmark with printed advertisement 'pour la Toilette des Dames'. An attractively-designed volume, with a marked Art Nouveau feel, the highlight of which is the set of twelve full-page illustrations of the seasons on art paper by Fabiano.
Mrs Patrick Campbell [nee Beatrice Stella Tanner] (1865-1940), English actress [Sir Edward Burne-Jones (1833-1898); Lawrence William Hodson (1865-1934) of Compton Hall]
Campbell's note on letterhead of 33 Kensington Square, London; in envelope postmarked 26 June 1899. The copy letter to Wallis from the Royal Hotel, Southport, 9 April 1899.
Both items in good condition, on lightly-aged paper. ONE. Autograph note. 1p., 12mo. In envelope with stamp and postmark, addressed by Campbell to 'Lawrence W. Hodson Esq | Compton Hall. | near Wolverhampton'. The note reads: 'Dear Mr. Hodson. | I shall be very happy to see you on Thursday at 4 o'c. I consider it most kind of you to consider the matter at all. | Yours very truly | B S Campbell'. TWO. Secretarial letter or copy. 2pp., 12mo. Bifolium. In a neat close hand, with what purports to be the signature of 'Beatrice Stella Campbell', but is not.
Eric Gill [Arthur Eric Rowton Gill] (1882-1940), British sculptor, artist and typographer [Lawrence William Hodson (1865-1934), art connoisseur; Father Bernard Delaney (1890-1959), OP]
On letterheads of Ditchling Common, Sussex. 3 November 1920 and 10 March 1921.
Both items in fair condition, on lightly aged and creased paper. The second letter addressed by the secretary on the reverse, with four torn stamps and postmarks, to 'Mr. Lawrence Hodson | Bradbourne Hall | Ashbourne | Derbyshire'. The 'set of stations' referred to in the first letter is likely to have been based on those executed by Gill in stone in Westminster Cathedral, and completed in 1918. Letter One (3 November 1920): 1p., 12mo.
3 ALsS, all on letterheads of Coombe Bissett, Salisbury; 27 April and 25 May 1947, and 11 Oct. 1949, total 5pp., 12mo and 8vo. The first letter begins 'My sister Dorothy has told me of your idea of having a drawing of your husband. I shall be pleased to undertake this, though I regard it as the most exacting branch of my trade.' Describes in detail what the process would entail. The second cancels a sitting, 'Owing to a muddle about the future to which I am especially liable'.
2 ALsS, 7 Porthmeor Studio, St Ives, Cornwall; 15 Feb. 1916, 4pp., 4to; Wharf Studio, St Ives; 11 Dec. 1917. 4pp., 12mo.First: Beginning by thanking SL 'for "The Chorus". I feel a wretch beyond redemption & there are not enough excuses in St. Ives to meet the case - I had to get those two big portraits finished & off to the Nat. Portrait Soc: & a nightmare of a time it was I thought - I would never pull them out of Hell's seventh Ditch and up to Bond St - but there they are it appears'.
ALS, on letterhead of 28 Mallord Street, Chelsea; 11 March 1923. Regarding an invitation, he cannot 'promise to come' as he is 'going to America very soon and in consequence my time is very crowded; - in addition, I am preparing for an exhibition at the end of the month'. With note by MG concerning the Lynd's home at 32 Queen's Gate.
Elizabeth Yeats (1868-1940), sister of W. B. Yeats, printer and publisher.
Cuala Industries, Ltd, Churchtown, Dundrum, Co. Dublin; 23 November 1917
ALS, on letterhead of Cuala Industries, Ltd, Churchtown, Dundrum, Co. Dublin; 23 November 1917, 2pp., 12mo. She asks SL to thank RL for working a notice of the book she is sending 'into column so well. Since that we have got a good many orders from quite fresh people. So it has already borne fruit - I am sending you our newest illuminated poem - I wish I could send it framed - but the difficulties of sending glass is [sic] great now - I am getting boxes'.
Lieut-Col. Robert Batty (1789-1848), English army officer and artist, son-in-law of John Barrow, Secretary of the Admiralty.
Manuscript inventory: dated June 1919. Printed auction catalogue: Christie, Manson and Woods, London, 1887.
Both items in fair condition, on lightly-aged paper. Item One: Pencil inventory of 'RB | Select Books' - i.e. volumes of drawings by Richard Batty, dated June 1919. 3pp., 8vo, with separate inventory on last page headed 'Book of Engravings | In Drawing Room'. Bifolium. The first item in the list of 'Select Books' reads 'no Cover 1817 April Lyons Genoa Florence Rome (May) to 24 June'. Last entry on p.3: '1832 IV, thick 26 Decr Dawlish & 23 Jany | Coaxden [sic] Hall May 23 | Chard Torquay (July) Plymouth Falmouth | Lands End St Michaels M[oun]t 15 July 1833'.
Sir Geoffrey de Bellaigue (1931-2013), Surveyor of the Queen's Works of Art, 1972-1996 [Queen Mary's Dolls' House]
On letterhead of the Lord Chamberlain's Office, St James's Palace. 31 August 1973.
2pp., 4to. 20 lines of text. Good, on lightly-aged paper. Signed 'Geoffrey de Bellaigue'. He writes that he has had a reply to a letter (he has written to the Queen) 'concerning the miniature book entitled "Statesmen" which you purchased at the sale at Sothebys on 17 July 1972 (Lot 636)'.
Harry Hall (1816-1882), English equestrian painter, chief artist of The Field [Dominic Colnaghi (1790-1879), London printseller; Sam Darling; Rudolph Ackermann]
'Newmarket Sunday Morning [no year]'.
4pp., 12mo. On bifolium. Good, on lightly-aged paper. The last page docketed in pencil: 'Animal Painter | To D. Colnaghi'. He apologises for the fact that 'the portrait of Sam Darling that I have begun with a view of sending it up to you is but scarcely indicated and I amsure would rather lead you wrong than otherwise. He gave me but a short squint at his mug and went away with a promise to return but did not do so.
Edwin Howland Blashfield (1848-1936), American artist, President of the National Institute of Arts and Letters [Augustus Thomas (1857-1944), American playwright; American Academy of Arts and Letters]
On his letterhead of 48 Central Park South, New York City. 14 November [1915?].
1p., 12mo. 25 lines, neatly and tightly written. In good condition, lightly-aged, and with pin hole to one corner. Blashfield declares himself 'much disappointed' that Thomas will not be presiding 'at the joint meeting on the 17th. Nov.', stating that he has been urging 'from the beginning' that Thomas should 'so preside'.
[Sir James Bourchier Innes (1883-1950), 14th Baronet of Balveny and Edingight, in the Parishes of Grange and Fordyce and the County of Banff, Scotland]
Dated June 1920.
On one side of a piece of thin light-brown card, 41.5 x 31cm. In very good condition. What appears to be the calligrapher's tiny monogram in the bottom right-hand corner. A striking document which has, despite the date, a strangely 'New Age' feel about it. Illuminated in a range of pastel colours, picked out in gold, around the text at the head and down the margins, with illustrations of a church, a mountain and, at the head, the Innes family home. The calligraphy has a modern feel to it, with Celtic influences.
[Lucien Achille Mauzan (1883-1952), French Art Deco poster designer and decorative illustrator]
[Imprimerie Dardelet, Grenoble.] No date [1980s?].
8pp., 4to. In stiff printed wraps. Printed in black and white. Photographic portrait of the artist tipped-in as frontispiece, twenty illustrations in text, and loosely inserted in a wallet at the rear a facsimile (2pp., 8vo) of an article from the Argentine Magazine, Christmas 1929: 'How MAUZAN makes lively posters' by A. Lancelotti. Cover carries image of smiling fat black man shining his foot with a shoebrush, above facsimile of Mauzan's signature. Scarce: does not appear to be present in the Bibliotheque Nationale.
George Cruikshank (1792-1878), English caricaturist and illustrator
Undated, but on paper with watermarked date 1824.
In ink on both sides of a 4to leaf of wove paper, watermarked 'J GREEN & SON / 1824'. None of Cruikshank's drawing or writing is affected, but one corner of the leaf has been cut away, and there is another thin strip cut from another. Fair, on aged paper. One page carries a full-length drawing of a bearded athletic man in shorts and sandals, making a sweeping theatrical gesture with his right hand, and holding a spear in his left. Beneath the drawing is Cruikshank's signature, and a study of the left foot.
John Carter (1748-1817), English architect and draughtsman
All 54 captioned as 'Engrav'd & Pub'd' by John Carter between January 1786 and January 1791, successively at Wood Street and College Street, Westminster; and Hamilton Street, Hyde Park Corner; from drawings made by him between 1766 and 1785.
All 54 are printed on paper 12 x 9 cm. Each is captioned and numbered in roman numerals, with the first as III and the last as XCVII. Carter published his 'Views of Ancient Buildings in England' between 1786 and 1793, and the six volumes contained a total of 120 views. Those LACKING from this collection, in arabic numerals, are 1, 2, 6-10, 15, 16, 18, 19, 21, 26, 36-38, 43, 48, 53, 57-59, 63-66, 69-71, 73, 75, 76, 78, 81-84, 90-94, 96, and 97-120.
Glyn Philpot [Glyn Warren Philpot] (1884-1937), painter and sculptor [Ernest Frederick Gye (1879-1955), diplomat]
One dated 1927 and another 1931; the others undated. Three from Lansdowne House, Holland Park, the others from London and Paris.
The seven items in fair condition, on lightly-aged paper and with the last two with wear to extremities. ONE: 15 June 1929; on letterhead of Lansdowne House, Lansdowne Road, Holland Park. 1 p, 4to. Accepting a dinner invitiation. 'I wish we did not meet so seldom, and after this long gap I hope we shall see each other more often'. TWO: 10 January 1931; on letterhead as One. 2 pp, 12mo. He is 'going to work in Paris a good deal this year - and shall often have occasion to take unfinished - or finished - things - pictures drawings - small sculpture to & fro between here & Paris'.
William Brockedon (1787-1854), English painter [Robert Cole, FSA, London solicitor and autograph collector]
19 August 1844; 29 Devonshire Street, Queen Square [London].
12mo, 2 pp. 21 lines. Text clear and complete. Good, on lightly-aged paper. He thanks him for his 'letter (Copy of Flora Macdonald)', and asks which letters he gave him 'of travellers'. 'Richard Lander I cannot give you. Of John I can & of poor Stothard - who was murdered at Bokarra [Bokhara] & of [Alexander] Burnes - but my impression is that I gave you those'. He has 'not heard again from ' and thinks that 'Miss Cole had better have the ring in her own possession - tis better than nothing'.
Banks and Miles, designers and typographers [Colin Banks (1932-2002); John Miles; Monty Shaw [Montague Shaw; the Post Office; British Telecom; London Underground]
Dating from between 1988 to 1991.
Monty Shaw's 'Banks and Miles: Thirty Years of Design Evolution' was supposedly published by Lund Humphries (London) in February 1993 but no copy can be found on the internet (one listed on WorldCat appears to be a ghost).. This collection, in a buff card folder, contains material relating to Shaw's monograph, grouped as follows: ONE.
[Ernest Brown & Phillips Ltd, The Leicester Galleries, Leicester Square, London; Ethelbert White; Jacob Epstein]
March 1950; Claridge, Lewis & Jordan Ltd., 68-70 Wardour Street, W.1. [London]
16mo, 8 pp. On art paper. In yellow printed wraps printed in orange. Good, with minor spotting around staples. Thirty-six items by White on pp.2-5, preceded by a biographical note. Twenty-five items by Epstein on pp.6-7, headed by 'LAZARUS (Carving in Hopton Wood stone)'. Scarce: only two copies on COPAC, and none on viaLibri.
Robert Macaulay Stevenson (1854-1952), Scottish artist, associated with the 'Glasgow Boys' school [David Sassoon (1888-1978), Kirkcudbright artist]
'Kirkcudbright | Yuletide 1934'.
Dimensions of card 14.5 x 11 cm. Bifolium. Good, on lightly-aged paper. Cloudy print of landscape on recto of second leaf, signed in pencil 'R Macaulay Stevenson'. Neat pen inscription on recto of first leaf: 'My dear brother-artist Sassoon and dear Madame Sassoon this is just from Stansmore and myself to wish you a Merrie Christmas and a Happy New Year | [signed] R Macaulay Stevenson | Kirkcudbright | Yuletide 1934'.
Sir William Rothenstein (1872-1945) [Thomas Way (1837-1915), lithographic printer; Thomas Hardy]
[Print published in 1898; drawing dated 1897.] ['T. WAY, IMPT. LONDON'.]
Printed in black and white on piece of paper approximately 24.5 x 27.5 cm. In good condition, on lightly-aged paper. Tipped in into modern white card mount with window frame. From his series of 'English Portraits' (1898). A facsimile of Rothenstein's initials and his dating are in the bottom left-hand corner of the engraving ('W. x R 97'), with Way's slug in the bottom right-hand corner. Fine representation of Hardy, staring warily at the viewer with hands in pockets.
Burlington Engraving Co. Ltd [The Connoisseur] [antique German glass]
Executed for the Connoisseur magazine, April 1937.
The eight proofs, each 24 x 38 cm, some with tissue guards, are bound into a blue folder with triangular printed Burlington Engraving label. In pencil on the folder: 'Connoisseur | April 1937 | German Enamelled Glasses | 4 colour'. In fair condition, on lightly worn and aged paper. The final illustration (first in the folder) shows the six glasses, enamelled in various colours, against a black background.
Sir William John Newton (1785-1869), miniature painter to King William IV and Queen Victoria [Richard Westmacott (1799-1872); Burrell & Valpy, architects]
19 October 1864; 6 Argyle Street, London.
12mo, 3 pp. Text clear and complete. Fair, on aged paper. 'Mr Westmacott [the sculptor Richard Westmacott the younger?]' has called on him, and he has 'shown him the settlement all down my Wall - I told him that you had seen it but did not contemplate any immediate danger - he said that Mr Valpy [Henry Valpy (fl.1851-1885) of the architects Burrell & Valpy] was out of town'. Westmacott will write to Valpy, as he thinks there ought to be 'a conference with' Lakyn, who 'should be requested to make a report'.
Four folding leaves (6 pages of print, probably mimeographed or similar), 12mo, unpaginated but apparently complete, one staple, illustrated cover with title as above, damage to spine, closed tears, contents good, two minor changes (including imitate changed to mitigate). Two galleries are mentioned in the text (containing works), the Wavertree Gallery, Bowring Gallery, and the Prince George Gallery. Wavertee suggests Liverpool, but I aait ilumination as to place. However the only copy recorded on COPAC and WorldCat finds itself in Cardiff (minimally described).
J.-B. Champromy, Fabricant à Saint-Étienne, Portraits et Cravates en Soie [Exposition Universelle, Paris, 1878; Adolphe Thiers]
[Exposition Universelle, Paris, 1878.]
[Stevengraph] Piece of silk, 7 x 11 cm, woven in red, white, blue, black and gold. Portrait of a bespectacled Thiers in an oval, draped with two French flags, with decorations including a quill and a book, and topped by castellated coronet and banner reading 'A. THIERS'. Woven beneath the portrait is 'LIBERATEUR DU TERRITOIRE | 1ER PRESIDENT DE LA REPUBLIQUE'. Laid down on original printed bookmark, reading 'EXPOSITION UNIVERSELLE | 1878 | GALERIE DU TRAVAIL | METIERS POUR RUBANS | PORTRAITS ET CRAVATES EN SOIE | J.-B. CHAMPRONY | FABRICANT A SAINT-ÉTIENNE'.
[Montague Shaw, production manager, Faber & Faber Ltd; Jan Tschichold, typographer for Penguin Books]
Dimensions 29 x 12 cm. Pasteboard mount, 31 x 14.5 cm. In blue, black and white. In good condition on lightly-aged paper. In front of a background of ricketty railings, a jolly bespectacled penguin [with Tschichold's sprightly eyes], with a Penguin book under his left arm, and preceded by a letter P and followed by an n, drags a bespectacled, bearded man (looking a little like a young Michael Bentine) towards the right of the drawing.
[Pierre Didot, l'ainé, printer; Musée national du Luxembourg, France ]
A Paris, de l'Imprimerie de P. Didot l'Ainé, Imprimeur de la Chambre des Pairs de France, rue du Pont de Lodi, no 6. 1814.
12mo, 72 pp. Stitched. In remains of original grey wraps, with front wrap present (though worn at extremities), but only a trace of rear wrap remaining. Text clear and complete. On aged paper with many dog-eared corners. An ephemeral item by one of the greatest of French printers: COPAC only lists three copies, at Oxford, University College London, and the Victoria and Albert Museum. None of these record the misprint in the title of 'les Galerie' for 'les Galeries', and it is not present in the Harvard copy either.
Herbert Read (1893–1968), poet, literary critic, and writer on art.
[Headed] 9 Tipperlin Road, Edinburgh, 2 June 1932.
One page, 12mo, good condition. ( Iwill try my hand at [Coventry] patmore, & am rather glad it is Patmore instead of Thomson, because he has so much more positive values. And I will try & get the essay done by June 21, though your brother in his original letter said June 30, which is rather better. I agree to the rate of payment, & though I don't press it, should be glad of payment on acceptance because I have to put other work aside to do the essay."