[ Jacques-Philippe Voïart [ Voiart ] or his wife Élise Voïart (1786-1866) ] Firmin Didot, Paris printer [ Pierre-Paul Prud'hon [ Prudhon ] (1758-1823), French painter ]
A Paris, chez Firmin Didot, Rue Jacob, No 24; Chez Boulland et Ce, Libraire, Rue du Battoir, No 12. 1824.
46pp., 8vo. Stitched and in original plain grey wraps. Aged and worn, in fraying wraps. The pamphlet is anonymous, but carries the following inscription in pencil on the half-title: 'hommage | a Mademoiselle Bergeret | Artiste, de la part de l'Auteur. | Voïart'. The only copies on COPAC at the V & A, and the British Library. This copy lacks the lithographed frontispiece portrait of Prud'hon, by Voïart, present in the copy in the Bibliothèque Nationale, which is ascribed to the wife, whereas other authorities ascribe the work to the husband.
Firmin Didot (1764-1836), French engraver, printer and type founder
Gravé, fondu et imprimé par le traducteur. À Paris, À la Librairie de Firmin Didot, Rue de Thionville. 1806.
 + 264pp., 8vo. In original purple wraps lacking spine label. A landmark work in the history of printing. In fair condition, on aged and dogeared paper, with damp staining to the first few leaves, and front cover of the wraps detached. Pp.246-264 carry Didot's 'Note Bibliographique et Typographique', with the engraving on p.263 of the Estienne device, to indicate that it is possible to print both text and 'taille douce' on the same page.
[Pierre Didot, l'ainé, printer; Musée national du Luxembourg, France ]
A Paris, de l'Imprimerie de P. Didot l'Ainé, Imprimeur de la Chambre des Pairs de France, rue du Pont de Lodi, no 6. 1814.
12mo, 72 pp. Stitched. In remains of original grey wraps, with front wrap present (though worn at extremities), but only a trace of rear wrap remaining. Text clear and complete. On aged paper with many dog-eared corners. An ephemeral item by one of the greatest of French printers: COPAC only lists three copies, at Oxford, University College London, and the Victoria and Albert Museum. None of these record the misprint in the title of 'les Galerie' for 'les Galeries', and it is not present in the Harvard copy either.
Paris, 19 Rue des Missions, le 11 Juin 1877. En francais.
Printer ("electrotype"). Four pages, 8vo, a few letters masked by a strip of brown paper on the last page, mainly good condition. A stamp (timbre) is stuck top left of page 1, with the image of an electrotype machine surrounded by the name "Victor Coblence" and the word "electrotypie". The contents of the letter indicate a close business relationship and contain many technical (printing) terms. In the first paragraph he discusses Sutton & Co and "la caisse renfermant la forme [a?] la cliche".