AUSTRIA

8 x 11 cm collotype print on 9 x 14 cm postcard, with caption (‘Richard Tauber / als Schubert / im “Dreimädlhaus”’) and publication details in blank space at foot. Tauber has signed emphatically, between two lines, at the foot of the card: ‘Richard Tauber / 1931 / London’. In good condition, lightly aged, but with dink to bottom-left corner, affecting neither image nor signature. Depicts Tauber, in the character of a bespectacled Franz Schubert, seated before a dark background. Scan on application.

In fair condition, lightly aged and creased, laid down on part of page from album. Folded for postage. Neatly written. Reads: ‘6 Oct 1867 / Mr Pauer begs to inform Mrs Paget that the Austrian Piano maker will attend to her Piano tomorrow or Wednesday / In haste.’

Grafe’s putative intelligence work during the war is referenced in Helen Fry’s ‘The Walls Have Ears | The Greatest Intelligence Operation of World War II’ (2019). He worked as translator and editor from as early as 1950 (for Phaidon) and 1986 (for Thames and Hudson). Nigel Spivey, in his ‘Phaidon 1923-98’ (1999), describes how, during the ‘Harvey Miller period’ at the firm, ‘Steady editorial continuity within the workforce at Cromwell Place was provided by an ex-Viennese scholar called Innocenz Grafe (who for a perhaps obvious reason preferred to be known as simply ‘Dr G.’ ’.

See his entry in the Oxford DNB. 3pp, 12mo. On bifolium. In good condition, lightly aged. He thanks him for ?letting me try the little horse which I returned to Banks?s. I wrote to them to say that I found him too small for the Victoria. This & his taking too much interest in the subterranian openings alone prevented me from keeping him at once for a hack as his paces & temper seemed to me perfect.? He sends his compliments to Bristow?s family, ?if they should still recollect me - and the terrible ascent on the ?Monks cap? - never to be attempted again by me -?.

In 1809, at the Battle of Aspern, the author of this work, the Archduke Charles, became the first man to defeat Napoleon Bonaparte. In 1814 his ‘Grundsätze der Strategie, erläutert durch die Darstellung des Feldzuges von 1796 in Deutschland’ was published in three volumes in Vienna. A French translation appeared in 1841, but there is no record of an English one (although JISC does throw up a work with a similar title published by ‘A Kearsey’ in 1928, the only copy it lists being in the National Army Museum).

Pauer, who had studied piano with Mozart’s son, gave daily recitals during the Great Exhibition of 1862, and was later appointed Professor at the newly-formed Royal College of Music (later the Royal College of Music), also working at Cambridge University. 2pp, 16mo. In good condition, lightly aged. Folded twice. Reads: ‘Dear Miss Alain / I do not see any chance of being able to arrange for the lessons you desire to take. I need not tell you that I am sorry that I cannot fulfil your wish. / In haste yrs truly / E Pauer’.

The Pulskys had fled Austria-Hungary during the Hungarian Revolution of 1848, and while in London the Countess had published her well-received ‘Memoirs of a Hungarian Lady’. They would only be allowed back under an imperial amnesty in the year after this letter in 1866. The recipient, Sabilla Novello, was the daughter of London music publisher Vincent Novello, and sister of Alfred and Clara Novello [the ‘Countess Gigliucci’ referred to in the letter], all three of whom have entries in the Oxford DNB. 4pp, 12mo. On bifolium.

Boehm had executed a bronze bust of Wolseley two years before. It may be that the present letter is in response to congratulations from Boehm on his forthcoming elevation to the viscountcy, with occurred 28 September 1885. 1p, 12mo. Folded once. In good condition, with unobtrusive folds to two corners. Reads: ‘Dear Lord Wolseley | Many thanks for your kind note & the Norfolk jaquet which arrived safely this morning | Yours sincerely & obliged | J. E. Boehm’.

1p, 4to. In good condition, lightly aged. Written in a clear and attractive hand. The recipient is not named. Begins: 'My dear & ever-honoured Friend! | Some business of great importance kept me nine days absent from this Capital. At my return I found your most obliging Letter of the 7th. instant, & was exceedingly delighted with your Kindness. You are indeed a matchless Nobleman.' He asks if the recipient is acquainted with Prince Charles of [Cunandia?], adding: 'I swear you knew the strangest varlet that ever was. It is pity.

Guttman was, as one of his wife's letters in this collection states, Fry's 'prophet' in Holland, supporting his work from the earliest days. In 1961 Guttman directed the world premiere of Fry's 'Curtmantle' at Tilburg, and in 1981 he directed a production of 'The Lady's not for Burning' in Vienna. The collection is in good condition, with light signs of age and wear. The letters are all in English, long and intimate, addressed to 'Kit' and sometimes to 'Phyl', i.e. Fry's wife Phyllis.

On thin 12.5 x 10.5 cm piece of paper. In good condition, lightly aged, with thin strip of paper from mount adhering to the blank reverse. Evidently in response to a request for an autograph, Priessnitz has placed his signature ('V. Prießnitz.') at the centre, with curling flourishes above and below. The signature is enclosed with neat ruled lines at the edges of the paper.

2pp., 12mo. In envelope, with postmarks, addressed to 'Herrn Julius Bondi | Sekretär | in Salzburg | Schlachtofgasse 19'. Both items in good condition, lightly aged, with minor staining from mount labels. Both letter and envelope carry Defregger's printed monogram 'F v D'. The item is offered with an English translation, according to which Defregger claims that demand for his pictures 'has never before been so high as in recent years', and that he has 'totally sold out of them apart from my personal collection'. He is also 'very much behind' with commissions as a result of his eye problems.

14 x 11.5 cm Christmas card, with illustration of cherubs singing and message in German on cover. In good condition, lightly aged and worn. The message, written in red ink, reads: 'Love and all best wishes for Christmas and New Year, your| Ljuba and Karl' Eleven-word postscript in German, signed 'Ljuba'. Regarding 'Karl', see Welitsch's obituary in the New York Times (6 September 1996): 'In 1956, when she was 43, Miss Welitsch caused a stir in Vienna when she married Karl Schmalvogel, a 29-year-old traffic policeman who had assisted her after an accident a year earlier.

The two signatories sign on separate sides of a 13.5 x 16.5 cm leaf of faded pink paper torn from an autograph album. In good condition, lightly aged. Schnabel's large firm signature is on the recto: 'Artur Schnabel | 19. X. 1934'. Goossens signs in a large bold hand on the reverse: 'Yours sincerely | Léon Goossens | 1934'. A small photographic portrait of Goossens, cut from a newspaper, has been tipped-in at bottom left, and another party (presumably the recipient) has written the word 'ABERDEEN.' at bottom right.

3pp., 4to. Bifolium. In good condition, lightly aged and worn. With a couple of minor emendations. At top left of first page Elliot has written 'Copy'. Docketed on reverse of second leaf: 'Austrian Emigration'. Begins: 'In the Austrian Code (Decree of 1832) Emigration is treated of under a distinct head. | Every Austrian Subject removing to a foreign state or remaining abroad sine animo revertendi, as the Scotch wd. express it, is held to be an Emigrant.' Most of the third page is taken up with a precis of two points 'From Proclamation of Feb.

Printed on one side of a 30 x 20 cm. piece of deckled-edge laid watermarked paper. In good condition, lightly aged and worn. Hapsburg double-eagle at head, with 'N. 18205 | 2042' at top left. Fifteen lines of text, followed by 'Zara 3 Settembre 1845. | CAVALIERE DI TURSZKY GOVERNATORE. | NOB. de FLUCK | I. R. Consigliere di Governo.' The governor orders that in future the city of Split will be regarded as an open city rather than a walled one. 'Delle esistenti fortificazioni saranno soltanto da conservarsi il Forte Grippe e le due batterie di S.

Six of the letters are in autograph, the rest are typewritten, as are the carbons of the five letters from Tauber. Letters and copies total 49pp. All substantial letters, with content. The following description is divided into four parts. ONE: Thirteen letters, and a copy of one by Tauber, dating from between 1932 and 1934, all relating to the film industry. Correspondents are: Crescendo Theaterverlag, Berlin (regarding 'Die Dubarry'); Sonor-Film-Verwertungs, Berlin; Bosna-Film, Zagreb; Slaviafilm, Prague; and five letters, all from 1934, concerning the film 'Blossom Time', from the firm B.

4pp., 4to. Bifolium. In fair condition, on aged and worn paper, with creases unobtrusively repaired with archival tape. A long letter, addressed to an unnamed English recipient (perhaps the editor of an literary journal) interested in news of Austrian literary culture. The letter contains references to: 'the polyglott Georgian', 'the new litterary [sic] gazette', 'Mr.

The three items in fair condition, on aged and worn paper. ONE: TLS by 'Douglas Woodruff'. 1p., 4to. The letter begins testily: 'Dear Sir, | I was rather puzzled to receive your letter in the form of a carbon copy. As you may imagine, we are not fond of letters that are circulated. I have now read it in Truth, although presumably the opening paragraph refers to the Tablet.

All items in good condition, lightly aged and worn. ONE: Autograph Score. 7pp., 4to. On printed music paper. Sewn into green card printed wraps. Title: 'Henry Purcell | "Fantazia In Nomine" | (1680) | in seven parts for strings (viola da gamba a. s. on) | Adaptation for 12 parts for the 12 Cello-players of the Berlin Philharmonic Orchestra from the original manuscript in The British Museum, London, from Martin Fischer | (This is my first version of the adaptation) | Meinem lieben Freund Richard Hutchins, Waynflete, England, in Dankbarkeit zugeeignet. Berlin, 1976/77'.

1p., 12mo. In fair condition, on lightly-aged paper. The receipt reads: 'Pour l'exposition de M. Gambart: | un tableau par T. Schmitson de Vienne representant des chevaux sortant de l'abreuvoir | prix (nette) frcs. 1500. - | Londre, le 30: Juin 862 | Charles Sedelmeyer | m[archan]d. de tableaux de Vienne'. Sedelmeyer has written some calculations in the bottom right-hand corner, and at the foot: 'Received back the above | Sedelmeyer'.

The four prints are in good condition, on aged paper. Each of the four engravings is on india paper, laid down on a piece of good thick laid paper of dimensions 19.5 x 28 cm. Printed beneath each image is 'Photogravure R.

Only edition. The dimensions of the volume, which is bound in grey paper printed wraps, are roughly 29.5 x 24 cm. It consists of 25 unpaginated leaves and a frontispiece (sometimes lacking). The other illustrations are eight tipped-in plates and a facsimile of a music score. Some ruckling to the wraps, otherwise a good copy on lightly-aged paper. Striking woodcut on front cover, 13 x 16 cm, showing and old Jew with a boy before a table with two candles. An attractive work, delicately and sensitively illustrated with images of Jews at prayer.

On one side of a piece of laid paper, 11 x 18 cm. Laid down on a slightly larger piece of paper. Good: lightly aged with three neat vertical folds. Reads 'Oh! land of beauty - sun-lit Italy! How often do I fondly think of thee, | And of the days gone by . . . . . ! | [signature] A. Maffei | April 14th | 1866.'

On a leaf from an autograph album, 11 x 17 cm. Good, on lightly aged paper. First line by Landauer. Reads 'With best wishes | [signed] Walter Landauer | [signed] Maryan Rawicz'.

The sepia photograph, 10 x 7 cm, is a head and shoulders shot of Aslan staring at the viewer in the character of Hamlet holding Yorick's skull. It is neatly mounted on a leaf of cream paper (24 x 20 cm) removed from an album. The whole attractive and in good condition. In a firm, bold hand Aslan has written, across the page beneath the photograph: '"Zu was für schnöden Bestimmungen | wir doch kommen, Horatio"! - | (Hamlet) | Ein Erinnerung | [signed] Raoul M. Aslan: | Wien, Oktober 1923. -'

Quarto: 40 pp. In original printed wraps, decorated with various facsimiles. Facsimiles in text, and portrait of Beethoven on rear inner wrap. Good, on browned paper. Sections on painters, writers, poets, architects, sculptors, musicians. Nods towards the American market, with some entries in English and Dollar conversions. Together with Nebehay's attractive bifoliate trade card, carrying a photograph of his premises.