PAINTER

Postcard with painting of Rialto Bridge by Canaletto. Postmarked 1970. Ruckled with damp but entirely legible. An amusing communication, beginning 'Thought I would let you know that we were not involved in the great tornado that sunk a voporetto [sic] on Lirica 4, and that the Hotel alla Fava is still very comfortable.' Refers to the Lambs' 'self-contained eyrie' and 'the weak fast coffee which tastes of mud; but clearly and obviously isn't'.

Three pages, small octavo. Good, though a little aged. He is having an exhibition of his 'new Mexican things [...] and teaching a small class' in Savannah. He is pleased that Woodward is going to Chapel Hill ('They need a breath of fresh air.'). The rest of the letter consists of an interesting assessment of the artistic situation in the area, beginning, 'In N.

English glass painter and novelist (1875-1923). All five items in very good condition, and all but the third and fifth stamped and docketed. ITEM ONE: two pages, 4to. He will be 'delighed and honoured by reading a paper before the R.S.A.' Gives a choice of dates and states 'I shall want a lantern.' He wants 'to draw the Society's attention to the fact that the various processes in making a modern window follow the developments of stained glass from the 11th (or perhaps the 9th) century to the beginning of the 15th.' Explains his thesis in some detail, and discusses possible titles.

Miniature painter and chemist (1802-75) with Carlisle and Newcastle connections. The recipient (1794-1860) was a miniature-painter and member of the Royal Academy. Both letters in poor condition, on discoloured, worn and stained paper, but with no loss to text. In LETTER ONE (two pages, 12mo) he states his willingness to meet Ross 'to talk over the matter to whicy your letter of yesterday refers', undertaking to 'enage with Mr. Thorburn to meet us'.

British miniature-painter (1761-1835). Dimensions of paper roughly seven and a half inches by one and a quarter. Good, on good-quality laid paper, but slightly creased and grubby at sides. Reads '[Signed] Charles Hayter 16 Buckingham Street | Portland Road | June 24. 1825'. Docketed to the right of signature and address. From a collection of material relating to the Artists' General Benevolent Fund.

English painter (1880-1952) and member of the International Socialist Organization. All items in good condition, though variously grubby or discoloured with age, lightly creased or with pin holes to corners. All items signed either 'T C Dugdale' or 'T. C. Dugdale'. Several items docketed and/or bearing the Society's stamp. LETTER ONE (typed, 23 June 1925, one page, 12mo, on letterhead '9 AVENUE STUDIOS, 76 FULHAM ROAD, LONDON, S.W.3.'): He hopes to 'be able to accept your invitation to act as Judge in the same section as last year'. Asks for the date.

Painter and art historian (1918-91). The two items are both very good, attached to one another by a staple in a corner. The copy of Samson's letter (one page quarto, very good, on yellow paper) explains that the Society is 'endeavouring to arrange a course of three Cantor Lectures next Spring on modern philosophies - art, architecture and music', and invites him to deliver the first of these. Gives details of the fee, dates, etc. Gowing's letter: one page, octavo. 'I am honoured by your invitation to give the first of the Cantor Lectures next year. But I must refuse it - I'm very sorry.

British artist (1840-1916). One page, 12mo. Folded twice. Very good, on somewhat discoloured paper with crease to one corner. Reads 'I return you the cards signed. I regret I cannot do a sketch as it has rained requests of a similar nature this Xmas & I am now obliged to refuse with many thanks for all your good wishes'. Signed 'James Linton'.

Two pages, 8vo, browned and with tear at fold, but text clear and complete. He describes how someone called to ask him to buy benefit tickets for a charitable purpose. He declined on principle, but noticed later an address and decided to write to that address to explain that he would wish to help anyone in whom his correspondent took an interest. He encouraged another visit from the original agent. [Presumably the fact that Ross (DNB) was a fellow-artist influenced his course of action.]

English equestrian artist (1753-1812). 1 page, 8vo. In poor condition: creased, frayed and torn. He has that morning received from his correspondent's servant 'the sum of sixteen Pounds nine shillings payment for your Pictures'. He will send them 'by the first conveyance' and hopes they will please. 'If any alteration should be necessary should be glad to make it at any time'. Signed 'J. Boultbee'. A postscript states that he has returned 'by your servant the Ballance from the Bill of twenty Pounds'. Docketed on reverse with date of receipt, sum paid to 'J.

Victorian landscape and genre painter. The conclusion of a letter cut away for the signature: 'the Silk covering with the Red but I believe they could be changed for blue if preferred | I have the honour to be | Madam | Your obedient Servent | J. J. Chalon'. Slightly discoloured by the glue with which it was stuck to the album.

Antony Vandyke Copley Fielding. Watercolour artist (1787-1855). One page, 12mo. "My dear Miss Coates, / Pray be so good as to give my kind Compliments to your mama, & say that I shall have great pleasure in coming to Bedford Place on Tuesday eveg. & with my best remembrance to your Aunt Julia, & many thanks to you for your obliging note, / I remain / very sincerely yours / Copley Fielding". One very small hole at head and slight creasing, but in good overall condition.

Painter (1785-1841), two pages, 12mo, bifolitate leaf (damaged (adress intact), staining but text clear and complete. Text as follows: "Dear Macdonald/ I forgot to say yesterday that if you wanted a table for the room you should send to Mr Demoy Duke Street. I beg you will see about the bills at Reynells[?], and let me know what you did about the advertising last night and the night before. Put down in the list of subscribers the name of Samuel Whitbread Esq. 35 Dover Street. Proof. [name and following underlined].

English artist. 'Life has been one continual rush since we returned from the States. I have been hoping for a chance to get down to see you. When you are in Town & this way do call in & see us.' Describes a window memorial in a church, dedicated to 'your dear Father'. 'How lovely to think of the two dear souls their memories yet more precious as the years advance'.

English portrait painter (1782-1875). In good condition. Dimensions approximately 4 1/2 inches square, cropped and with some loss of text after signature. Attached to larger piece of grey paper. Reads 'My dear Sir Martin | I accept with great pleasure your kind invitation for Wednesday the 29 Inst. | Ever yours faithfully | H. W. Pickersgill'.

Costume architect and archaeologist (died 1950). He was delighted to hear from him again, and is glad that his mother is still with him. "I may be free from my refugee after Christmas: then my one spare room would be free. You might be disposed to come down for a night [...] May the bold venture be a gigantic success".