artist

[Frank Dicksee, R.A. [Sir Francis Bernard Dicksee, artist and illustrator.]] Autograph Letter Signed to ‘Mrs Sturgis’ (George Meredith’s daughter), commiserating with her over her illness, and accepting an invitation.

Author: 
Frank Dicksee, R.A. [Sir Francis Bernard Dicksee (1853-1928), artist and illustrator] [George Meredith and his daughter Marie Eveleen 'Mariette' Sturgis]
Publication details: 
5 April [no year]. On letterhead of Greville House, 3 Greville Place, St John’s Wood, N.W. [London]
£65.00

See his entry in the Oxford DNB. 2pp, 12mo. On bifolium with mourning border. In good condition, lightly aged, and folded once for postage. The recipient is the novelist George Meredith's daughter Marie Eveleen (Mariette; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Addressed to ‘Mrs Sturgis’ and signed ‘Frank Dicksee’. He is sorry to hear of her illness, but ‘fortunately the summer is coming & long before it is here I trust you will be yourself again’.

[Solomon J. Solomon, RA, English artist.] Signed Autograph Inscription for an autograph hunter.

Author: 
Solomon J. Solomon [Solomon Joseph Solomon] (1860-1927), English painter of Jewish extraction, Fellow of the Royal Society, President of the Royal Society of British Artists
Solomon
Publication details: 
14 October 1894; on letterhead of 60 Finchley Road, N.W. [London]
£45.00
Solomon

See his entry in the Oxford DNB. On 9.5 x 10 cm piece of paper, laid down on 11 cm square piece of card. In good condition, lightly browned and aged. The letterhead is printed in red. The inscription reads ?Faithfully yours / Solomon J Solomon?.

[William Brodie, Scottish sculptor who made the Greyfriars Bobby Fountain in Edinburgh.] Autograph Signature to conclusion of a letter.

Author: 
William Brodie (1815-1881), Scottish sculptor, creator of the Greyfriars Bobby Fountain in Edinburgh, brother of the sculptor Alexander Brodie (1830-1867)
Publication details: 
No place or date.
£25.00

See his entry, and that of his brother, in the Oxford DNB. 11 x 6 cm rectangle of paper, cut from the end of a letter, laid down on 13.5 x 7 cm piece of thicker paper. Reads: ‘[...] will see to them for you. / Kind regards to all / Thine / W. Brodie’.

[Dr Innocenz Grafe [Dr I. Grafe], Viennese art historian; Rembrandt.] Typed Letter Signed, asking art historian Giles Robertson, on behalf of Prof. Otto Benesch and his publishers Phaidon, if he will assist with ‘stylistic revision’

Author: 
Dr Innocenz Grafe [Dr I. Grafe], Viennese art historian, translator and book editor, primarily with the London firm Phaidon [Giles Henry Robertson (1913-1987), Italian Renaissance expert]
Publication details: 
11 May 1954. On letterhead of Phaidon Press Ltd, Publishers, 3 Cromwell Place, London SW7.
£80.00

Grafe’s putative intelligence work during the war is referenced in Helen Fry’s ‘The Walls Have Ears | The Greatest Intelligence Operation of World War II’ (2019). He worked as translator and editor from as early as 1950 (for Phaidon) and 1986 (for Thames and Hudson). Nigel Spivey, in his ‘Phaidon 1923-98’ (1999), describes how, during the ‘Harvey Miller period’ at the firm, ‘Steady editorial continuity within the workforce at Cromwell Place was provided by an ex-Viennese scholar called Innocenz Grafe (who for a perhaps obvious reason preferred to be known as simply ‘Dr G.’ ’.

[R. J. Burn [Rodney Joseph Burn], English painter.] Three Autograph Letters Signed and one unsigned, to ‘Mr Lawrence’, regarding his work, his studio and ‘Mr Daniel’ [Sir Augustus Moore Daniel], the new Director of the National Gallery.

Author: 
R. J. Burn [Rodney Joseph Burn] (1899-1984), English painter, Member of the Royal Academy, senior tutor at the Royal College of Art [Sir Augustus Moore Daniel (1866-1950)]
Publication details: 
One dated 10 September 1928, the others without year, but around the same time. All from 2 Hill Way, Highgate N.6. [London]. One also with ‘Studio address / 7 Park Hill studios / Park Hill road / Hampstead’.
£150.00

After serving in the Great War, Burn (son of Sir Joseph Burn) studied at the Slade between 1918 and 1922, winning six prizes. After teaching in London at the Royal College, and in Boston, he offered his services to the war effort. After the war he went back to the Royal College, as a senior tutor. The four ot the items here are in fair condition, lightly worn and discoloured. Each is folded once for postage. Although only one is dated, the others appear to date from around the same time. ONE (‘Monday’): 1p, 4to. Unsigned.

[Henry Jutsum, landscape painter.] Autograph Note Signed, directing ?Mr. Vaughan? [Thomas Vaughan, Clerk of the Royal Academy] to ?deliver to Mr Green? his ?picture not received for the Exhibition?.

Author: 
Henry Jutsum (1816-1869), landscape painter [Thomas Vaughan, Clerk of the Royal Academy, London]
Jutsum
Publication details: 
?174 Edgware Road / Maida Hill / 27 April 1832?. [London]
£80.00
Jutsum

An uncommon signature. See his entry in the Oxford DNB. On one side of 18 x 10 cm piece of paper. Discoloured and worn, with spike hole. Good firm signature, full of character. Reads: ?174 Edgware Road / Maida Hill / 27 April 1832 / Please deliver to Mr Green or [aide? drdee?order?] my picture not received for the Exhibition / Henry Jutsum / To / Mr. Vaughan / Royal Academy?. See Image.

[Frank Holl, RA, painter and illustrator.] Autograph Letter Signed, to ?Mrs. Calkin?, regarding the borrowing of her son George's rifle, bayonet and sheath for a painting, and the health of his father the engraver Francis Holl.

Author: 
Frank Holl [Francis Montague Holl], (1845-1888), RA, painter and illustrator [his father Francis Holl, engraver]
Publication details: 
17 November 1879. 4 Camden Square, N.W. [London]
£45.00

See his entry in the Oxford DNB. The letter is addressed from the house of Frederick Goodall (also see ODNB), which at other times was occupied by Laurence Alma Tadema and James Murray. 2pp, 12mo. On the first leaf of a bifolium. In good condition, lightly aged. Addressed to ?My dear Mrs. Calkin? and signed ?Frank Holl?. Twenty-six lines of text in a hurried hand. He thanks her for her ?kind trouble - & for the rifle which my model called for and brought with him this morning?. He is sorry that her son George has been injured.

[Kathleen Epstein and Jacob Epstein, sculptor] Autograph Letter Signed Kathleen & Epstein, To 'Sheridan', text in Kathleen's hand, signed by both. See image.

Author: 
Kathleen Epstein and Jacob Epstein, sculptor.
Epstein
Publication details: 
[Address embossed in red] 18 Hyde Park Gate, Kensington, SW7. Knightsbridge 7968. 7 May 1957.
£150.00
Epstein

Two pages, 8vo, good condition. Text: Thank you for your kind thought in reserving seats for us at your wedding. I shall certainly be there & and there is a chance (but I'm afraid a very slight one) that Epstein will down tools just for that one morning but the compulsion to work every [underlined] morning is very strong. Perhaps I can persuade him to declare a one day strike on June 1st. | It sounds such an auspicious date. I do hope it will prove a very happy one. | With best wishes from us both | Kathleen & Epstein.

[James Abbott McNeill Whistler, painter] Autograph Card Signed J McN.Whistler to Monsieur Francis Howard, mainly asking for a reply to his enquiry referring to a distinguished sculptor

Author: 
James Abbott McNeill Whistler (1834 – 1903), American painter in oils and watercolor, and printmaker.
Whistler
Whistler2
Publication details: 
110 Rue du Bac, Paris, postmark undeciphered [1899?].
£800.00
Whistler
Whistler2

Postcard (Carte Postale), 14 x 9cm, shade of green, somewhat grubby and crumpled, smudged. See Images. Text: I sent you a letter some weeks ago - making a proposal with reference to a distinguished Sculptor here [Auguste Rodin perhaps]. Did my letter reach you? !! I regret that I shall not be able to be present at the meeting of 7th - I also wrote as you requested to Gilbert, R.A. | Very faitfully yours | J McN. Whistler. The card is addressed to Monsieur Francis Howard, The Exhibition of International Art, Prince's Skating [Club?] Knitsbridge [sic] S.W. London || Angleterre. See Images.

[John Singer Sargent, American expatriate artist] Autograph Note Signed John S Sargent to a Mrs Sturgis, declining an invitation

Author: 
John Singer Sargent, (1856 – 1925), American expatriate artist.
Sargent
Publication details: 
[Printed address] 33 Tite Street, Chelsea, S.W., No Date.
£450.00
Sargent

One page, 12mo, bifolium, second leaf laid down on part of an Album page, good condition. A scrawl. See Image. Text: I regret [so much?] not being able to accept your invitation - I have already booked myself elsewhere for that Sunday. | With best regards | Yoiurs sincerely | John S. Sargent. Note: Sargent's letter to a Mrs Sturgis has been extracted from an Album which mainly contains letters from distinguished writers (Hardy, George Eliot, Henry James, etc) to fellow author, George Meredith, or his daughter.

[A trip up the Nile by a gentleman-artist, 1864.] Manuscript agreement between Thomas Kennet Were and Fairman & Co. of Alexandria, to charter a dehabeah for a four-month trip up the Nile, signed by him, certified by the consul's clerk, with receipts.

Author: 
Thomas Kennet Were (1838-1916) of Sidmouth, traveller and gentleman-artist [Fairman & Co. (latterly Kelson, Hankey & Cie.), Alexandria, Egypt]
Publication details: 
Agreement and certification dated from Alexandria, Egypt, 9 December 1864; receipt for balance dated 17 April 1865. Separate receipt for payment in account, 9 December 1864.
£120.00

The University of Wyoming American Heritage Center has mounted a ‘traveling exhibit’ of watercolours and diaries from Kennet Were’s 1868-9 journey across the United States, a long account of which he published in the Gazette (‘Nine Months in the United States’) on his return. Were’s obituary in the Transactions of the Devonshire Association, vol. 48, (1916), p. 54, describes him as one of Sidmouth’s ‘most respected inhabitants’ and ‘the prime mover in movements for the improvement of the resort and a supporter of all good causes’, but does not refer to his artistic activities.

[Lady Burne-Jones [Georgina Burne-Jones, née Macdonald], wife and biographer of Pre-Raphaelite artist Sir Edward Burne-Jones.] Her calling card (‘Lady Burne-Jones’) with autograph addition.

Author: 
Georgina Burne-Jones [née Macdonald, known as ‘Georgie’], Lady Burne-Jones (1840–1920), wife and biographer of Pre-Raphaelite artist Sir Edward Burne-Jones
Publication details: 
Without date or place.
£220.00

See her entry by Jan Marsh in the Oxford DNB, added in 2022 after the publication of Marsh’s ‘Pre-Raphaelite Sisters’ (2019). 9 x 5.5 calling card, engraved in copperplate. In fair condition, lightly aged. Laid out in the customary fashion, with centred ‘Lady Burne-Jones.’, and at bottom left: ‘The Grange, / 49, North End Road, / West Kensington, W.’ In her autograph at head: ‘with sincere thanks / from’, and beneath her engraved name ‘& family’. See image.

[Arthur Young, lexicographer and adjuster of averages, Dundee.] Autograph Letter Signed, as ‘one of the proprietors’ of the London Institution, regarding forthcoming lectures by ‘Mr. J. Z Bell’ (the artist and fellow-Dundonian John Zephaniah Bell).

Author: 
Arthur Young, compiler of the 1846 ‘Nautical Dictionary’; Adjuster of Averages, Dundee; a proprietor of the London Institution [John Zephaniah Bell (1794-1883), Scottish artist]
Publication details: 
'43 Arundel Square (N) / 18 May 1863'.
£56.00

Young was the author of a well-received nautical dictionary (1846; second ed. 1863). His authorship of the present letter is established from the ‘List of Presents / Received for the General Library’, in the Journal of the London Institution, November 1872: ‘MARITIME LAW. Reports of Maritime Law Cases, 1868. 8vo. From Arthur Young, Esq., Prop., Lond. Inst.’ (The work was compiled by Young himself.) Like the subject of this letter J. Z. Bell, Young hailed from Dundee, and since Bell's mother's maiden name was Anna Young, it may be that Young and Bell were kinsmen, perhaps cousins. 1p, 12mo.

[One Victorian painter writes to another.] Autograph Letter Signed from James Sant, RA, to George Lance, regarding a portrait over which he has been ‘going hard’.

Author: 
James Sant (1820-1916), RA, English portrait painter noted for his portraits of children [George Lance (1802-1864), English still-life painter]
Publication details: 
7 March 1856; [?].
£50.00

See the two men’s entries in the Oxford DNB. 2pp, 12mo. On the first leaf of a bifolium, the second leaf being blank, apart from the end of the signature ‘Jas Sant’, which has extended across from the bottom right corner of the reverse of the first leaf. In good condition, lightly aged, with the reverse of the second leaf laid down on a rectangle of grey paper cut from a leaf of an album. Addressed to ‘G. Lance Esqr.’ The letter begins: ‘My Dear Sir / My best thanks for your note. Depend upon it I will look to myself and in doing so look to yr.

[Sir John Rothenstein, art historian and Director of the Tate Gallery, London.] Autograph Letter Signed to Philip Dosse, publisher of ‘Art and Artists’, regarding difficulties in his reviewing Holroyd and Easton’s books on Augustus John.

Author: 
Sir John Rothenstein [Sir John Knewstub Maurice Rothenstein] (1901-1992), art historian and Director of the Tate Gallery, London [Philip Dosse (c.1924-1980), publisher of ‘Art and Artists’]
Publication details: 
9 May 1974; on letterhead of Beauforest House, Newington, Dorchester-on-Thames, Oxford.
£45.00

See his entry in the Oxford DNB. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The present item is 2pp, 8vo. In good condition, lightly aged. Folded once for postage. Signed ‘John Rothenstein’.

[Donald Maxwell; Inscribed to the Dean of Rochester; drawing added by Maxwell] A Painter in Palestine : Being an Impromptu Pilgrimage through the Holy Land with Bible and Sketch-Book / by Donald Maxwell ; with a Foreword by the Dean of Rochester

Author: 
Donald Maxwell
Askelon
Publication details: 
London; John Lane: The Bodley Head, 1921.
£320.00
Askelon

[xxii.164.[4 list of other works by author]. With illustrations, 10 plates and 36 Line Sketches, Maps and Plans. Condition mainly good but ink stain and some light rucking on cover. WITH (on a front free ep); original drawing by Maxwell of The Streets of Askelon with inscription to the Dean Of Rochester, To the Dean of Rochester | A little memento of Palestine with all good wishes from the painter, | Rochester May 1921. SEE IMAGE.

[Henry Hawkins, English artist.] Autograph Letter Signed to William Loney of Macclesfield, regarding a ‘successful’ portrait he is painting of ‘Mr Roe’, and upsetting a bottle of varnish over a letter.

Author: 
Henry Hawkins (c.1796-c.1881), English landscape artist and portraitist [James Holmes (1777-1860), miniature and genre painter; William Loney, Macclesfield surgeon]
Publication details: 
No date [franked 3 July 1838]. 11 Bulstrode Street, Manchester Square [London].
£75.00

An uncommon signature of a neglected artist. Hawkins was a founding member of the Society of British Artists, exhibiting there prolifically from 1824 to 1881. He also showed at the Royal Academy eight times between 1822 and 1849. (See Holmes's entry in the Oxford DNB.) On 14 cm square piece of watermarked wove paper, cut from a frank. The letter is written on the reverse of the cover, which is laid out in the customary way: ‘London third July 1838 / Wm. Loney Esq / Macclesfield.’ With red dated postmark, and signed in the customary way at bottom left: ‘John [Baron?]’.

[William Westall, artist and engraver.] Autograph Letter in the third person to ‘Miss Macirone’ [the composer Clara Angela Macirone], anticipating ‘the greatest pleasure’ in attending her morning concert.

Author: 
William Westall (1781-1850), ARA, artist and engraver, who in his youth travelled to Australia as artist on Matthew Flinders’ HMS Investigator [Clara Angela Macirone (1821-1895), pianist and composer]
Publication details: 
7 June 1847; 7 Pavilion Place, Battersea.
£50.00

See his entry in the Oxford DNB. 2pp, 12mo. In fair condition, lightly aged and worn. Folded twice for postage. Begins: ‘Mr. Westall presents his compliments to Miss Macirone & begs to assure her how very much obliged to her he feels for the honor she has done him in sending him two tickets for her morning concert’. He will have ‘the greatest pleasure in attending’ the concert, and is ‘quite sure he shall be very much delighted’.

[John Jackson, Northumbrian wood engraver who was apprenticed to Bewick.] Autograph Letter Signed to the printers and publishers Vizetelly, Branston & Co, asking to be sent four copies of ‘The Young Lady’s Book’ (presumably containing his work).

Author: 
John Jackson (1801-1848), Northumbrian wood engraver, apprenticed to Thomas Bewick, whom he left after a quarrel, going to work under William Harvey in London
Publication details: 
'[70?] Clarendon st [London] / Monday Morng [1829?]'.
£120.00

See his entry in the Oxford DNB. 1p, 12mo. On recto of the first leaf of a bifolium, the verso of the second leaf of which carries the address to ‘Messrs Vizetely [sic] Branston & Co / 135 Fleet St’. The firm, who traded between 1827 and 1837, were not only ‘engravers and oriental printers’, but publishers too: the item referred to in this letter, ‘The Young Lady’s Book’, had two editions published in 1829 and a third in 1832, and Jackson presumably contributed work. In fair condition, discoloured and worn.

[Robert E. Groves, marine and landscape artist.] His Autograph Signature to typed announcement giving details of a meeting to promote the foundation of ‘A Bird Sanctuary for Lymington’.

Author: 
Robert E. Groves [Robert Emmanuel Groves] (1866-1944) marine and landscape artist [bird sanctuary at Lymington, Hampshire; British Seagull, outboard motor manufacturer]
Publication details: 
No date, but after Groves moved to Lymington in the early 1930s.
£56.00

A good illustrated article on Groves and his boats is to be found in the magazine ‘The Gull’, March 2013, pp.19-26 (available online), emphasizing his ‘brilliant line drawings in British Seagull’s early post-war advertising’. 1p, 4to. In fair condition, lightly aged. Neatly folded twice. Twenty typed lines beneath the heading ‘A Bird Sanctuary for Lymington.’ Some lines and passages lightly underlined in red pencil. Signed at foot by Groves, as ‘Organiser and (Sec: pro-tem)’. Begins: ‘An Important Meetings is to be held in / The Assembly Room. Angel Hotel. Lymington. / on / Friday.

'Gluck' [English artist Hannah Gluckstein].] Typed Letter Signed

Author: 
‘Gluck’, pseudonym of Hannah Gluckstein (1895-1978), English artist, lover of Constance Spry, Edith and Shackleton Heald, whose painting ‘Medallion’ is seen as an iconic depiction of Lesbianism
Publication details: 
7 July 1959; on letterhead of The Chantry House, Steyning, Sussex.
£80.00

See her entry in the Oxford DNB. 1p, 4to. In fair condition, aged and creased. Folded twice for postage. She begins by thanking her for her letter on her ‘portrait in the Daily Express’, which ‘is not finished yet and I have possibly another two months to do on it, but the Daily Express (because of the Liberace case) thought it would be nice to do it so I had to accede to their request’. Referring to her campaign to improve the quality of British paints she states that her ‘trouble with my paints is not yet over.

[George Cruikshank, ‘the modern Hogarth’, nineteenth-century caricaturist and illustrator, associated with Charles Dickens.] Six original engravings, including illustrations of raucous scenes of life in London.

Author: 
George Cruikshank (1792-1878), 'the modern Hogarth', nineteenth-century British caricaturist and illustrator, associated with Charles Dickens
Publication details: 
All six from Cruikshank’s ‘Comic Almanac’, 1845.
£60.00

The six items - all from Cruikshank’s ‘Comic Almanac’ for 1845 - are in fair condition, lightly aged, and have all been trimmed, with diagonals cut from the corners resulting in minor loss. The last has a small amount of loss to the bottom left-hand corner from removal from a mount. All six are signed in type by Cruikshank at bottom left. They are captioned: ‘Flying Artillery’ (gentlemen on bended knee, declaring their love to ladies, while Cupids shoot arrows from overhead), ‘The Day After - “St.

[Thomas Balston, publisher, painter and scholar of book production and illustration.] Autograph Letter Signed to ‘Mr. Tyrrell’, regarding the return of an engraving he has had photographed.

Author: 
Thomas Balston (1883-1967), director of publishers Duckworth and Co, painter and scholar of English book production and illustration, recipient of Military Cross, champion of wood engraving
Publication details: 
10 December 1918; on letterhead of Flat 64, 3 Whitehall Court, SW1 [London].
£50.00

1p, 12mo. In fair condition, lightly aged and creased, with one dog-eared corner. He writes that he has ‘had the engraving photographed’, and can ‘return it together with the casting’, with ‘very many thanks to you for being so kind as to lend it to me’.

[John Bacon [John Collingwood Bacon; Brontes, English artist.] Long Autograph Letter Signed to ‘Miss Sprott’, making detailed and percipient criticisms of four books on the Bronte sisters that she has lent him.

Author: 
John Bacon [John Collingwood Bacon] (1882-1950), English artist [the Bronte sisters]
Publication details: 
17 December 1947, with postscript of 2 January 1948; The Distaff Cottages, Newport, Essex.
£180.00

6pp, 12mo, on two bioliums. A long letter, neatly and closely written. In stamped envelope, with stamps and postmark, addressed to ‘Miss Sprott / Magavelda / Blakeney / Holt [Norfolk]’ and signed ‘John Bacon’. The letter and envelope are in fair condition, on slightly discoloured paper and with short closed tears along the folds made for postage. He begins: ‘Dear Miss Sprott.

[Ruth Mercier, nineteenth-century Franco-Swiss artist.] Autograph Note Signed (in her name and on behalf of Rozalia de Jackowska), in French, to ‘Monsieur et Madam Earle’. Incorporating an original ink drawing by her of a walking stick

Author: 
Ruth Mercier (fl.1880-1915), nineteenth-century Franco-Swiss landscape artist who painted Venice [her friend Rozalia de Jackowska]
Mercier
Publication details: 
25 December 1889.
£220.00
Mercier

1p, 16. On the recto of the first leaf of a bifolium of grey paper, with simple drawing in the same ink as the text of a straight plain walking stick stuck in the ground and running up the left-hand margin, with the handle hooked to the right at the top with the dating to its right. In good condition, lightly aged. Reads: ‘le 25 Decembre 89.

[Carl Haag, Bavarian-born orientalist watercolour painter to the Duke of Saxe-Coburg and Gotha.] Autograph Letter in the third person to ‘Mr. & Mrs. Arbuthnot Guthrie’

Author: 
Carl Haag [Johann Carl Haag] (1820-1915), Bavarian-born orientalist watercolour painter and naturalized British subject, court painter to the Duke of Saxe-Coburg and Gotha
Publication details: 
‘5 November [no year] - Monday -’. On letterhead of 16 New Burlington Street, W. [London]
£30.00

As a naturalized British subject, resident in England from the 1850s to 1903, Haag has an entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded twice for postage. Reads: ‘Mr. Carl Haag presents his compliments to Mr. & Mrs. Arbuthnot Guthrie, and very much regrets not being able to accept their polite invitation for Wednesday next, having already accepted a previous engagement for that day.’

[Philip Hermogenes Calderon, genre painter and Keeper of the Royal Academy.] Autograph Letter Signed to ‘Miss Towgood’ [Mary Ethel Young Towgood], student at the RA Schools, asking for names of authors of ‘Cartoons’ and ‘Creswick’.

Author: 
Philip H. Calderon [Philip Hermogenes Calderon] (1833-1898), British historical genre painter of Franco-Spanish descent, Keeper of the Royal Academy [Mary Ethel Young Hunter [née Towgood] (1878-1936)]
Publication details: 
20 November 1896; on letterhead of Burlington House, Piccadilly [London].
£50.00

See his entry in the Oxford DNB. 2pp, 12mo. On a leaf of grey paper. In good condition, lightly aged. The recipient was studying at the Royal Academy Schools. Begins: ‘Dear Miss Towgood / Thanks for your letter and enclosed statement by Mr Percy Young.’ He asks to be sent ‘the names of the authors of the various “Cartoons” and “Creswick”’, so that he may have all his material ‘ready for the Council on Tuesday next’. He intended to ask her for the names in ‘the Schools’ (of the Royal Academy at Burlington House), ‘but a sudden attack of Influenza confines me to my room by the Doctor’s order’.

[Richard Redgrave, RA, landscape artist, as Keeper of Paintings at South Kensington Museum [now Victoria and Albert.]] Autograph Letter Signed declining to buy a painting as it is a portrait and they are in any case short of gallery space.

Author: 
Richard Redgrave (1804-1888), RA. English landscape artist, first Keeper of Paintings at the South Kensington Museum [now the Victoria and Albert], and Surveyor of the King’s Pictures
Publication details: 
22 March 1859; on letterhead of the Science and Art Department, South Kensington, London W.
£85.00

Redgrave’s entry in the Oxford DNB praises his ‘exceptional administrative skill’, and states that ‘Redgrave and Cole supervised the new South Kensington Museum (now the Victoria and Albert Museum), for which Redgrave designed the innovative art gallery to house John Sheepshanks's extensive collection of British art, given to the state in 1857.’ 1p, 12mo. On grey paper. In good condition, laid down on part of a leaf from an autograph album. Pasted down at the head of the letter is a thin strip on which is printed ‘Inspector-General for Art. R. Redgrave, R.A.’ The male recipient is unnamed.

[Margot Asquith, Countess of Oxford.] Autograph Letter Signed (Draft?), urging her ‘Darling’ to overcome the ‘love of blue in yr. pictures’ and ‘do an oil sketch of white on white’. With reference to Selwyn Image.

Author: 
Margot Asquith [Emma Margaret Asquith, Countess of Oxford and Asquith, née Tennant] (1864-1945), wife of Liberal Prime Minister H. H. Asquith, author and socialite
Publication details: 
12 March 1932; on letterhead of 44 Bedford Square, W.C.1. [London.]
£50.00

See her entry in the Oxford DNB. An interesting letter, whose circumstances are intriguing. 3pp, 12mo. On two leaves of letterheaded paper. In pencil. From the Asquith papers, and possibly a draft letter to her son Anthony (‘Puffin’). In good condition, lightly creased. Folded once. The signature is a short squiggle. The handwriting is challenging, and the following interpretation is tentative. She begins: ‘My Darling, I felt rather guilty after leaving you about abusing yr. love of blue in yr. pictures. - I can see that nothing I say can alter yr. love of this colour, & I hate hurting yr.

[Henry Gastineau, landscape painter and engraver.] Autograph Letter in the third person to ‘Miss Nelson’, regarding arrangements for giving her lessons in painting.

Author: 
Henry Gastineau (1791-1876), English landscape painter and engraver
Publication details: 
2 June 1853; Camberwell.
£45.00

See his entry in the Oxford DNB. 2pp, 12mo. With mourning border. In good condition, lightly aged. Folded once. Eighteen lines of text. Begins: ‘Mr H Gastineau presents his compliments to Miss Nelson and in consequence of having received her address from Miss Stringer relative to a wish to receive some instruction from him, he writes’, giving details of when he would be able ‘to give a lesson at Windham Place’, were he to ‘receive a line to say that such an arrangement’ was desirable, after which ‘future appointments can be made’.

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