GRACE

[ Katherine Thomson ('Grace Wharton'), Victorian novelist and historian. ] Autograph Letter Signed ('K. Thomson') to an unnamed man, regarding the publication of a novel after 'the storm of adverse criticism is over'.

Author: 
Katherine Thomson ('Grace Wharton') [ née Katherine Byerley; Mrs A. T. Thomson ] (1797-1862), Victorian novelist and historian
Publication details: 
37 <Sheffield?> Road, Derby. 4 December [ 1861 ].
£56.00

4pp., 16mo. Bifolium. In good condition, lightly-aged. She assumes that her work ('Celebrated Friendships', 1861), 'published with Messrs Hogg', has attracted his attention. 'Now about my novel, about which you have been very kind. Till the storm of adverse criticism is over, I think it will be much better to delay the work. Any notice it may have, will be cursory, & slight.' She wishes to postpone publication: 'My name will not appear in any book next year, that I know of, at present.' She will be in Derby for a few days, and will be happy to hear from him.

[ Gracie Fields. ] Two black and white prints of photographic studio portraits of the singer and actress Gracie Fields, one promoting 'Sing As We Go' (1934) and the other 'Look Up And Laugh' (1935).

Author: 
Gracie Fields [ stage name of Grace Stansfield ] (1898-1979), English singer and stage and screen actress [ Cyril Leeston, London photographer; A. T. P. Studios]
Publication details: 
The 'Sing As We Go' photograph has the stamp on the reverse of Cyril Leeston, London, and is captioned in pencil '1935 A.T.P. Studios'. The 'Look Up And Laugh' photograph is captioned on reverse 'A.T.P. Studio 1935'.
£60.00

The two prints are in good condition, with light signs of age and wear. The 'Sing As We Go' (1934) photograph is 24 x 19.5 cm. In pencil on the reverse: 'Gracie Fields | S.G.P 4 | "Sing as we go" 1935 [sic] A.T.P. Studios' and is stamped 'CYRIL LEESTON | LONDON | TELEPHONE 3884 PADDINGTON'. It is a head and shoulders shot of Fields, leaning slightly forwards as she looks straight into the camera, smiling. The 'Look Up And Laugh' (1935) photograph is 25.5 x 19.5 cm. It has in pencil on reverse: 'LL | P.24 | Gracie Fields in "Look up & Laugh" | A.T.P. Studios 1935'.

[Rev. Thomas Chalmers.] Autograph Letter Signed ('Grace Chalmers') from Grace Pratt Chalmers to her mother Grace Chalmers, wife of Rev. Thomas Chalmers, asking for control over her clothing allowance, to show that she is 'not altogether the Hottentot

Author: 
Grace Pratt Chalmers (1819-1851), daughter of Rev. Dr Thomas Chalmers (1780-1847), theologian, economist and leader of the Church of Scotland, and his wife Grace Chalmers [nee Pratt] (1792-1850)
Publication details: 
Without date or place. [Stirling, 1838.]
£80.00

3pp., 4to. Bifolium. 62 lines of text. In good condition, lightly-aged, with short unobtrusive closed tears along crease lines and '(Grace Pratt)' in a later hand at head of first page. On the reverse of the second leaf is the address, with remains of red wax seal: 'Mrs. Chalmers. | Inverleith Row - | Edinburgh.' Docketted: 'G. P. Chalmers | 1838'. Closes 'Yr. ever affectionate daughter | Grace Chalmers'.

[Tonbridge Cricket Week, 1894-1909.] Manuscript 'Minute Book' of the Committee of Subscribers to the Tonbridge Cricket Week, with entries signed by Tom Pawley, H. A. L. Rudd, and others, and numerous newspaper cuttings inserted.

Author: 
Tonbridge Cricket Week, 1894-1909 [Tom Pawley (1859-1923), Kent cricketer; G. A. Floyd; H. A. L. Rudd [Henry Aytone Lindesay Rudd] (1867-1935); W. G. Grace; Ben Greet]
Publication details: 
[Tonbridge, Kent.] 14 February 1894 to 29 January 1909.
£850.00

285pp., 8vo, including newspaper cuttings laid down on 24pp., and one loose cutting. In contemporary black leather half-binding, with brown cloth covers, and 'MINUTE BOOK' in gilt on front. Marbled endpapers. Ticket on rear pastedown of 'W. BLAIR, | Stationer, | Post Office Buildings | TONBRIDGE'. Internally in good condition, on lightly-aged paper, in worn binding with front hinge split. Manuscript title: 'Tonbridge Cricket Week. | 1894. | First Held 1890'.

Autograph Letter Signed ('Grace E. Hadow') from Grace Eleanor Hadow, describing to 'Freda', 'the youngest member of the Freeland Institute', the presentation to Princess Mary of a doll made by her, during a visit by the Queen to Barnett House, Oxford

Author: 
Grace Eleanor Hadow (1875-1940), Principal of St Anne's College, Oxford, pioneer of women's education [Barnett House; Queen Mary of Teck; Mary, Princess Royal and Countess of Harewood; King George V]
Publication details: 
On letterhead of Gunfield, Norham Gardens, Oxford. 11 March 1921.
£120.00

5pp., 12mo. In good condition, on lightly-aged paper. The letter begins: 'Dear Freda | I think you may like to hear about your doll & the Princess Mary. The doll had a beautifully written card tied to it, saying it was the work of the youngest member of the Freeland Institute. Then it was put on a table with the basket of flowers for the Queen.

A large quantity of material, mainly letters, from the personal papers of Lionel Norbury and Family

Author: 
[Lionel Norbury (1882-1967), OBE, FRCS, consulting surgeon, holder of the Hunterian Professorship in 1941, and Vice-President of the Royal College of Surgeons of England]
Publication details: 
1914-1967
£350.00

A large quantity of material, mainly letters, from the personal papers of Lionel Norbury and Family, including a substantial correspondence between Norbury and his wife, Grace (nee Rogerson), who worked as a Nurse, their correspondence throwing light on medical activity during the First World War and later.

Autograph Manuscript headed 'Proposed Porson Scholarship is open to Freshmen only - Examination in the October term, exclusively Classical. | Objections to the Grace for accepting this Foundation.'

Author: 
William Gilson Humphry [sometimes misspelt 'Humphrey'] (1815-1886), biblical scholar, Fellow of Trinity College, Cambridge, and Vicar of St Martin-in-the-Fields, London
Publication details: 
21 October 1846; Trinity College, Cambridge.
£85.00

4to (26.5 x 22 cm), 2 pp, 30 lines of text. On discoloured and lightly creased and stained paper, with some chipping to extremities, but with text clear and entire.

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