photography

The two prints are in good condition, with light signs of age and wear. The 'Sing As We Go' (1934) photograph is 24 x 19.5 cm. In pencil on the reverse: 'Gracie Fields | S.G.P 4 | "Sing as we go" 1935 [sic] A.T.P. Studios' and is stamped 'CYRIL LEESTON | LONDON | TELEPHONE 3884 PADDINGTON'. It is a head and shoulders shot of Fields, leaning slightly forwards as she looks straight into the camera, smiling. The 'Look Up And Laugh' (1935) photograph is 25.5 x 19.5 cm. It has in pencil on reverse: 'LL | P.24 | Gracie Fields in "Look up & Laugh" | A.T.P. Studios 1935'.

The collection of 26 items is in fair condition, aged and lightly worn. The 24 black and white photographic prints, of which there are 23 different images and one image duplicated in a smaller size, range in size from 29 x 24.5 cm to 8.5 x 11.5 cm. The pictures are tender and affectionate, in an informal style unusual for Baron. One picture, stamped 'UNRETOUCHED ROUGH PR<...>', shows Owen sitting on Baron's knee, on a wooden bench, the two smiling. The four largest are studies of Owen's smiling face, staring into the camera.

Both items in good condition, with minor signs of age and wear. The black and white photographic print is 24.5 x 19.5 cm, and depicts a chubby Hall, in shirtsleeves and tie, leaning over a seat at the back of a darkened theatre, with a positive look of concentration on his face, as he stares at the stage, a playscript in his hand. The reverse carries two stamps by 'Tony Armstrong Jones, one of them declaring his copyright. Also on the reverse are pencil calculations of dimensions for cropping for publication.

In very good condition, on the usual card mount. Each of the two prints roughly 8 x 7.5 cm, with curved top corners, the two on an 8.5 x 17.5 cm. mount. Showing the queen's carriage processing before a grandstand of onlookers in front of a fine building (in the Mall?). The photographs taken over the heads of a crowd held by by three rows of policemen (in the foreground). Caption in English, French, German, Spanish, Swedish and Russian printed on the reverse of the mount.

Thre leaves, last leaf blan, folion, fold marks, small closed tear on middle fold, mainly good condition. The agreement covers "Improvements in and relating to Colour Photography and Colour Cinematography" a Patent Application #5271/28 20th Febryaury 1928. Signed C.A. Bolton and Anthony Bernardi, with the Company Common Seal of Raycol, witnessed by two directors and a secretary.

Thirteen of the fourteen photographs are in black and white, with the largest 21.5 x 15.5 cm (with slight paint staining at edge), another 17.5 x 12.5 cm, and the other nine roughly 12.5 x 9 cm. The other print is a colour polaroid, with paint smudges from Sonnabend's portrait on the white mount. Other than the paint marks to three of the prints, in good condition, although six of the smaller ones have aged due to acid in the paper stock.

The collection consists of four items. All four in good condition, on lightly-aged paper, with slight creasing. ONE: Typed Memorandum. 3pp., foolscap 8vo. Signed over a stamp by Campbell, and witnessed by Florence Campbell of Newcastle-on-Tyne. Campbell agrees to teach Langsford 'how to prepare the photographic paper called "Gelatino-chloride glossy printing-out paper" by the same formula and process as he uses and put him in the way to start and carry on a business for himself'.

The black and white photograph is 24 x 19 cm, and is laid down on a 36.5 x 28 cm mount. The photograph is in good condition, on lightly-aged matte paper; the mount is brittle, chipped and discoloured, with closed tears and a detached corner reattached on reverse with archival tape. Facsimile signature in bottom right-hand corner of mount: 'Yours sincerely | R. M. Ballantyne'. On reverse, in contemporary hand: 'R. M. B. about 1893' (although the photograph does not look as if it dates from the year before Ballantyne's death), and at head of reverse, in the same hand: 'R. M.

The album is landscape, 13 x 19 cm. Internally clean on lightly-aged paper, stapled into worn and spotted printed covers. It contains 26 photographs (10 full-page and 16 half-page), on 18 leaves separated by tissue guards, a mixture of indoor and outdoor scenes, and some posed. Images include: 'Les Mariages de Plougastel-Daoulas. - Le Défile des Mariés'; 'La Gavotte Bretonne'; 'DOUARNENEZ. - Toilette de la Mariée'; Arrivée du Cortege au Bourg'; 'Le Repas de Noces.

4pp., 16mo. Bifolium with mourning border. In fair condition, on aged paper. She begins by explaining the reasons for her silence, and apologising if she has 'seemed neglectful': 'the truth is that I quitted Chester Squr on Monday, for Miss Squire's of Blackheath [...] I return to London to morrow mg, to spend a few days with Mr. Murray's [publisher] family in Albemarle St. & then think of takg the railroad to Derby [opened in 1844] to fulfil a long promised visit.' The letter continues with references to 'Mrs Reese Sr.' of Chester Square, 'dear Kath:' and 'dear Matty'.

An evocative collection of photographs, in which, unusually, a Victorian servant has been allowed to make a record of his masters, their country house, and household. The 53 photographs are laid down on 17 leaves of a contemporary stitched 4to album. In fair condition, lightly-aged, and with the brown marbled wraps of the album detached and separated from one another. Three of the photographs are lacking from the album.

49 photographic prints, laid down on 48pp. of a small (16.5 x 13 cm) contemporary 4to album, quarter-bound with brown leather spine and brown cloth boards, with yellow endpapers. No captions: the only manuscript in the volume being the ownership inscription of 'Sybil M. Hubert | 1883' on the front free endpaper. A fragile survival: aged and discoloured, with occasional staining from damp, which also caused some of the photographs to stick to one another, with slight damage occurring on their being detached; binding also in poor condition, with boards detached and leaves loose.

An albumen print, mounted on a piece of plain white card. Dimensions of print: 94 x 57 mm. Dimensions of card: 104 x 64 mm. Aged and faded. The card is entirely blank, apart from the date '1853' written at the head of the reverse. Clearly an early portrait of black people: if the date on the reverse is correct it pre-dates by a year the patenting of the carte to visite by Disdéri. The couple are seated side by side, gazing slightly to the right of the camera.

The image is 9 x 5.5 cm, mounted on brown card, 10.5 x 6.5 cm, printed on both sides in red, with large facsimile of Disdéri's signature on reverse. In fair condition, somewhat aged. Page is shown seated at a table with a sculpture of a stag on it, with legs cross and the sole of his left show showing, smoking a pipe. In addition to being an MP, Paget held several positions in the Royal Household, acting as Equerry to Queen Victoria from 1837 to 1841. The present image is not among the four representations of Paget in the National Portrait Gallery collection.

An attractive Gothic Revival item, tastefully printed in red and black. Printed on nine 13 x 9 cm panels, laid down on a cloth backing opening out to 39.5 x 28 cm; in original 14 x 10 cm printed card cover, with engraved title on front, within a gothic arch. In fair condition: aged and worn in worn and rubbed covers, with small white circular label on front board. Arranged, appropriately enough, in four columns headed: Name of Style; Reign A.D.; Illustrative Examples; Characteristics.

The first 40 prints in good condition, and the last three lightly-aged and fair. Each of the 20 Panajou Frères prints (19 landscape and 1 portrait) is mounted on a 24 x 30 cm piece of grey card, blindstamped with the circular monogramme of 'PANAJOU FRES | BORDEAUX'. Depicting an extensive concern, with the outside of a large plant by a country river, and every stage in the production of plywood from log to storage in the factory. A second group of 20 prints (15 landscape and 5 portrait) are unmounted, and measure 18 x 24cm.

ALS, on letterhead of Millais House, Cromwell Place, South Kensington; 22 June 1915. He is glad he 'liked the parboils - it was a great pleasure to me to make them'. Asks him to accept two copies: 'I have a library of signed Author's Copies and if you can spare me a copy of one of your admirable books I should treasure its possession.'

Landscape photograph, 19.5 x 14.5 cm, laid down on a piece of thin card cut from an album, 18 x 21 cm. Around sixty boys are posed in four rows in front of a grand house, with two masters to the right and two to the left, and with a fifth in the centre of the group. The group are surprisingly fat-faced, posing sulkily in jackets, with some waistcoats and tam o'shanters. Five more boys look out of a downstairs window, three from an upstairs window, and one peeks out from behind the front door.

Black and white photograph. Dimensions 15.5 x 21 cm. In good condition, with slight wear to edges. Head and shoulders studio shot of a fresh-faced Rogers, looking slightly upwards with enigmatic half-smile. Caption, at foot, reads, 'To Titania from her loving Bottom.' Rogers acted in several of Jill Balcon's father Michael's films.

2pp., 8vo. Good, on lightly-aged paper, with two unobtrusive pinholes to second leaf (not affecting text). He is sending the 'matter' to Bramief 'as an earnest of my good nature, for I think I am somewhat justified under the circumstances in the impression that you have been a trifle <?> and exacting.' He still considers the form of is second letter 'was all that you could reasonably have asked for and that the request for so called "copy" was especially needless in the facce of the fact that it was in any event to be trusted turned, cut and otherwise subdued to suit your requirements'.

Colour photograph in grey card wallet frame. Dimensions of photograph 13 x 18 cm. Dimensions of frame 18 x 23 cm. In good condition. A head and shoulders shot of a smiling old Ashcroft in overcoat outdoors in the countryside. Captioned by Balcon on frame at foot of photograph 'Peggy Ashcroft at Vine Cottage (called by her "The Tiny Palace")'. Part of Balcon's own collection.

Black and white matt bromide print photograph in card frame with covering flap. Dimensions of photograph 20 x 25 cm. Dimensions of frame 25.5 x 32 cm. A head and shoulders shot of Balcon, staring across the photograph from the right, left hand at right shoulder, with the bust of Day-Lewis facing her from the left. Inscription in pencil on frame beneath photograph: 'London. Mark Gerson. AIBP/ARPS'. Photograph and inscription in excellent condition; frame aged and worn.

Image roughly 7 x 9.5 cm, on piece of paper 8 x 10.5 cm, mounted on recto of second leaf of a cream card bifolium, with a window frame through first leaf. Printed label on reverse of second leaf reads: 'This photograph is copyright and mahy not be copied or reproduced in any way whatsoever. Legal proceedings may be taken against any infringement. | YVONNE GREGORY.' In very good condition, on lightly-aged paper. Head and shoulders three-quarters profile, from Gibbons' right, showing the novelist in a tailored jacket with padded shoulders.

Stamped on front pastedown 'LE ROY & CIE. | DECORATION GENERALE | 58, Avenue Fonsny, 58 | TEL. SABLON 2061'. In a landscape 12mo (roughly 12 x 17 cm) album of 29 leaves, bound in coarse brown cloth. The majority of the photographs are in good condition though lightly aged, with around 20 showing varying degrees of damage involving staining and chipping. The album itself is worn and aged, in a binding heavily-worn at spine and corners, and with spotted and aged leaves.

ITEM ONE: Photograph of Gladstone, 14 x 10 cm, by Thomas Fall (1833-1900). In very good condition, laid down on the photographer's worn printed card, 16.5 x 11 cm. Showing Gladstone seated outdoors, with his grandson on his knee. NPG x22229 (the entry for which describes it as a 'carbon cabinet card', taken on 14 September 1881). ITEM TWO: Photograph of Gladstone, 14.5 x 10 cm, by Samuel Alexander Walker (1841-1922). Laid down on the photographer's printed card ('Portraits "At Home" A new Application of Photography introduced by Samuel A. Walker'), 16.5 x 11 cm.

8vo: xxiv + 120 + viii pp. In original blue printed wraps. Good, in grubby, lightly worn wraps. Thumbprint in margin of one page. Numerous illustrated advertisements at front and rear. Front wrap headed 'TO THE NORTH POLE BY BALLOON! Special Interview with Mr. Andrée.' Many illustrations. Story's piece on Andrée's balloon voyage covers fifteen pages (77-91) and features 25 illustrations and diagrams. Among the other contributions are an installment of Conan Doyle's 'Rodney Stone' and an early illustrated article on X-ray photography, 'The New Photography' by Alfred W. Porter.

Dimensions of paper 23 x 17 cm. White border of 0.25 cm. A little grubby and with slight silvering at base, but overall a very good impression. A striking head and shoulders shot, with a clean shaven young Wall, neatly dressed in evening wear with black bow tie, and wearing a white sailor's hat at an angle, staring straight at the camera, with glossy lips, eyebrows raised and deadpan expression. The words 'Max Wall' printed in bottom left-hand corner. The inscription reads 'To Peggy | Sincere good wishes | [signed] Max Wall | 1932'.

Made up of four sepia photographs, each roughly 7 cm square, laid down overlapping each other to make a strip of 7 x 27 cm. Somewhat faded (especially to the right of the image) and with one small stain, and a one cm closed tear to the left. The paper on which the panorama is laid down, which is captioned in a contemporary hand, is somewhat grubby and chipped.

Two pages, 8vo, good condition. Text as follows (accents not on my keyboard!): M. Niepce est venue hier, un peu inquiet, me dire qu'on venait de lui apprendre que l'organisation militaire des chateaux inferieurs etait a peu pres decidee. N'ayant rien aucune nouvelle en ce qui le concerne, il craint d'avoir ete tout a fait oublie au milieu des preoccupations que les evenements recents ont fait [naitre?]. / Oserai, je vous prie, Madame, de demander a Monsieur Le Fevre, qui a deja tant fait pour lui, de vouloir bien rappeler a l'Empereur notre pauvre officier savant. / Ce sera pour M.

12mo: 1 p. Good, with traces of previous mounting on blank reverse. He thanks her for her kind note, and is glad she enjoyed 'our little tour, in spite of wind and weather'. He has sent off her camera, 'carefully packed', and hopes 'it will arrive without injury. This is not promising weather for your cycling project!'