STUDIO

14 x 10.5 postcard with 7 x 10 cm matte black and white metallic photographic portrait print by Studio Virgine of Paris to the right, and blank space to the left, in which Chevalier has written in blue ink, ‘Thanks to you both. Everything went fine. / Maurice’. The phtograph shows an urbane Chevalier in evening dress, hands in pockets, smiling. Somewhat aged and worn, with crease to top right corner going through Chevalier's head. See IMage.

2pp, 4to. On two letterhead leaves with border in blue. The following endorsement printed at the foot of each leaf: 'ANNA PAVLOVA wrote after visiting the School: "It is with pleasure that I record the very good impression made on me both by the School and your method of training. I wish you the fullest success which I think your School deserves"'.

104pp., 4to. Unbound page proofs. In good condition, lightly aged and worn. In worn envelope with printed details of 'The Studio Publications', addressed to 'Edward Carrick, Esq., | G.P.O. Film Unit, | Soho Square, | London, W.C.', amended to '20 Gordon Place', 'W.8.' This was Craig's foremost work, highly influential. Comprising eight signatures of text, each initialled by him with the date 6 March 1941, seven of them with stamp in red ink: 'MARKED PROOF'; together with two signatures of illustrations on art paper, included in the pagination, one of them also signed and initalled.

The eight range in size from 14 x 10 cm to 11.5 x 10 cm. Most are heavily faded, almost to the point of indistinguishableness, but presumably recoverable using modern computer techniques. Each is stamped on the front 'PROOF TO BE RETURNED TO LAFAYETTE, LONDON'. Each with pencil note on the back identifying the sitter as 'Mrs. Harrington', with reference number and date in October 1905. From the papers of Sir Richard Harington of Ridlington, the sitter being identified by reference from other material therein.

Both items are laid down on a leaf removed from an autograph album. Both in good condition, with light signs of age. The photographic print of Gladstone measures 9 x 5.5, with the head and shoulders image in an oval 7.5 cm high by 5 cm wide, and showing a middle-aged Gladstone with dark bow tie and frock coat, staring to the right. Beneath the photograph is a 9.5 x 9 cm piece of paper, cut from the conclusion of a letter, reading: '[...] difficult however to follow circumstances with which we are imperfectly acquainted | We are now on the eve of going abroad for a

3pp., 12mo. Bifolium. Watermarked 'JOYNSON | 1876'. Fair, on lightly-aged paper, with minor staining from mount at foot of second leaf. Written in a hasty, untidy hand. The recipient appears to be 'My dear Hornby', 'Horley' or 'Howley'. Faed writes that he is 'slaving away chopping and changing sometimes worse and sometimes better (I hope) on Saturday, Sunday, and Monday. 7th.

Image roughly 7 x 9.5 cm, on piece of paper 8 x 10.5 cm, mounted on recto of second leaf of a cream card bifolium, with a window frame through first leaf. Printed label on reverse of second leaf reads: 'This photograph is copyright and mahy not be copied or reproduced in any way whatsoever. Legal proceedings may be taken against any infringement. | YVONNE GREGORY.' In very good condition, on lightly-aged paper. Head and shoulders three-quarters profile, from Gibbons' right, showing the novelist in a tailored jacket with padded shoulders.

All three letters 12mo: the first of three pages, and the last two one page apiece. Texts clear and complete. Good, on lightly-aged paper. Letter One: Sir Henry Vansittart Neale will be pleased to allow Grundy 'a look at his pictures' at Bisham Abbey. Gives directions. Discusses Grundy's letter in the Daily Express, complaining about the 'crowding out' of pictures at the Royal Academy.

ITEM ONE: Photograph of Gladstone, 14 x 10 cm, by Thomas Fall (1833-1900). In very good condition, laid down on the photographer's worn printed card, 16.5 x 11 cm. Showing Gladstone seated outdoors, with his grandson on his knee. NPG x22229 (the entry for which describes it as a 'carbon cabinet card', taken on 14 September 1881). ITEM TWO: Photograph of Gladstone, 14.5 x 10 cm, by Samuel Alexander Walker (1841-1922). Laid down on the photographer's printed card ('Portraits "At Home" A new Application of Photography introduced by Samuel A. Walker'), 16.5 x 11 cm.

12mo, 2 pp. Good, on lightly aged paper with two punch holes to the the outer edge of the first page. He apologises for troubling Rogers: 'I have not heard from yet.' Asks if Rogers would mind 'writing to ask him why he wont pay up.' Hopes Rogers is 'quite well by this time. | My panel is in the frame and finished. I want you to come and have a look at it one Sunday morn.'

The studio photograph, with printed label of 'Walter Baker, 159, Mosely Road, Birmingham. Highgate Studios.' on reverse, and the manuscript number '24704 | 98'. is a good clear head and shoulders portrait (dimensions roughly three and a half inches by two and a quarter wide), in very good condition. Although untitled, it seems to be Carl, as represented on the title-page of his book, without the moustache and a little younger. The book is twenty-eight pages, octavo, in original coloured printed boards. Numerous line drawings.