actress

2pp., 8vo. In very good condition, on lightly-aged paper. She begins by asking whether the recipient is 'the same gentleman who wrote to me from Bournemouth', and to whom she replied that she was 'unable to give the information required, for many years before my husband's death we were seperated [sic]'. She explains that when Fisher was not 'travelling about in the Country he lived with his Father I believe, who has now been dead some years. The whole thing was very tragic and painful, & I shall feel obliged to you not writing to me again on the subject'.

On both sides of an 8.5 x 11 cm card. The item has been soaked in order to remove it from backing, and this has resulted in fading of the ink and slight ruckling. She explains that she would have been pleased to accept the recipient's offer 'under usual circumstances', but that 'firms are volunteering to let me have their articles at wholesale prices', so she is 'bound in the interest of Boys and Girls to accept their more favorable terms'.

In pencil on one side of a 6 x 9 cm white card, laid down on a 10.5 x 13.5 cm leaf of grey paper, removed from an album, with the date 'December 1944'. Lohr's note reads: 'with all good | wishes dear | Miss Stone | Marie Löhr'.

2pp., 12mo. In envelope addressed by Stirling to 'C Lonsdale Esqre. | Bond Street'. In fair condition, on aged and worn paper. 'Mrs. Stirling does not know how to thank Mr. Londsdale for his great kindness - not only now but always shewn to her by him. Mrs. Stirling remembers that she has the full store of the Midsummer Nights' [sic] Dream belonging to Mr. Lonsdale but she is warned by Mr. Lonsdale's Messenger that she must not now stop to thank Mr. Lonsdale fully, as she would wish.'

1p., 12mo. Good, on lightly aged and worn paper. The note reads: 'Mercredi. | Merci mille fois, mon cher Maitre, si vous êtes content, me voilà ravie! | Encore merci | Réjane'. In a postscript she states that she has profited from his criticisms.

Two pages, 16mo, bifolium, fold marks,stab holes without loss of more than a letter oftext, mainly good condition. "Lady Harington begs Messrs Griffith[s] and Crick will send, as soon after eleven o'clock as they can, the Black Italian net [which excised] for dresses with painted Flowers on it, which she saw at their shop a few days since - likewise the price of it by the yard, or dress."

2pp., 12mo. Very good, on lightly-aged paper. In worn envelope, with stamp and postmark, addressed by Martin to 'John T. Baron Esq | 48 Griffin Street | Witton | Blackburn'. He begins by explaining that he has 'had every minute so fully occupied of late', that he has not been able to comply with Baron's request. 'Lady Martin has done what she is now most reluctant to do - written the name she once bore with a few lines from Cymbeline. I have copied the verse you wish from the little Bon Gaultier Poem'.

2pp., 4to. Bifolium. Very good, on lightly-aged paper. Addressed by Waylett on reverse of second leaf 'To/ | J. M. Donnell Esq | Theatre Royal | Cork', with oval postmark in red, in two parts: 'MIDDAY MAIL | 20 AP | 1829'. According to Waylett's entry in the Oxford DNB, 'On 12 May 1825 she made, as Zephyrina in The Lady and the Devil, her first appearance at the Haymarket, under D. E. Morris. It was a successful début, but she was not encouraged by the managers, and after playing many different parts, some original, she went to Dublin.

2pp., 16mo. Bifolium. On monogrammed letterhead. In fair condition, with traces of glue from mount still adhering. She proposes a date for a meeting, adding: 'Will Miss Paget come in the evening & bring a young friend with her if she pleases?'

Two pages, 8vo, edges sunned mainly good condition. She says, "My fee for reading is highg, 50 guineas for an evening. 40 guineas if [?] for 3 or more evenings. | I don't really care about if it interferes with other work & I have not yet settled my autumn plans".

Fair, on lightly-aged paper. The publicity photograph of Mrs Patrick Campbell, : Roughly 10.5 x 13 cm. Printed in green. Depicts her leaning forwards, with neck and forearms exposed. Across the foot she has written: 'Beatrice Stella Cornwallis West. | (Mrs. Patrick Campbell)'. Laid down on a leaf from an autograph album, on the reverse of which is Kubelik's signature: 'jan Kubelik | 25.XI.1921'.

Colour photograph in grey card wallet frame. Dimensions of photograph 13 x 18 cm. Dimensions of frame 18 x 23 cm. In good condition. A head and shoulders shot of a smiling old Ashcroft in overcoat outdoors in the countryside. Captioned by Balcon on frame at foot of photograph 'Peggy Ashcroft at Vine Cottage (called by her "The Tiny Palace")'. Part of Balcon's own collection.

Black and white matt bromide print photograph in card frame with covering flap. Dimensions of photograph 20 x 25 cm. Dimensions of frame 25.5 x 32 cm. A head and shoulders shot of Balcon, staring across the photograph from the right, left hand at right shoulder, with the bust of Day-Lewis facing her from the left. Inscription in pencil on frame beneath photograph: 'London. Mark Gerson. AIBP/ARPS'. Photograph and inscription in excellent condition; frame aged and worn.

On rectangle of paper, laid down on leaf removed from autograph album. In fair condition, on lightly-aged paper. Reads 'Good wishes | Anna Neagle.' With two newspaper cuttings carrying photographic portraits, one loose and one laid down to the left of the signature.

Both items on 'Bebe' letterheads, and both with signature 'Bebe' incorporating a drawing of a stick figure with hat. Letter One: 12mo, 1 p. Twelve lines. Good, on lightly-aged paper. With addressed envelope. She is sorry they missed one another 'at the station, especially after all the trouble you went through to get there'. Gives news of show: 'Boy, it will be good to get back to town again. | I have enjoyed the tour but as you know travelling nowadays isn't what it used to be, by a long shot.' Letter Two: 8vo, 1 p. 21 lines.

Both letters 8vo, 1 p; the first on pink paper. Both texts clear and complete. Both fair, on lightly-aged and creased paper. Letter One: She was surprised to learn that Lawrence had 'Miss Babbington with you because I did not even know that she was on the stage. I thought she was with a publishing house.' After the 'long and wonderful run' she is sorry that Lawrence's leading lady is leaving. 'Although I never intend to go back to the stage again, I shall always have the same keen interest in matters theatrical [...] the variety profession is my first love'.

Two pages, 12mo, to "Mrs Chapman". She explains that she has had to give up her role in "Dear Charles" because she us "over-tired". Sir Horace Evans has ordered "complete rest for a month, the two more months recuperation". She is "sad and upset about it". She hopes her correspondent willl still enjoy her work when it resumes.

4to, 2 pp. Fair, on aged and lightly-creased paper. The play 'is a great success in London and is likely to have a long run there, yet at the same time we are all looking forward to coming back to Manchester, where the play started and everybody was so kind to us'. She concludes with some graceful compliments to Bass, and encloses her portrait (not present).

One page, quarto. On paper discoloured with age. Attached along one edge of blank verso to card mount. Reads 'To simply tell you that your work is good would be putting it mildly. Things that I have heard all about me as I sat and watched the performance for the first time, from a loge seat, if you heard them, make [sic] you very very happy. | Your appearance is majestic; your enunciation beautiful; your reading and interpretation a delight. I cannot tell you how proud I am of you.

Octavo, one page. Good, on lightly aged and creased paper, with the merest hint of a damp stain. English translation in contemporary hand on separate piece of 12mo paper, with slight loss at head (not affecting text). She has received no acknowledgement from him for 'the autograph which I sent you and a little book of verse sold for the benefit of the soldier who wrote them. The little book ought to be sold for at least 75 cents.

On a leaf of cream paper, 8.5 x 12 cm, part of a bifolium taken from an autograph album. Very good. All three signatures are bold and clear. The signatures of Lawrence and St Helier are on one side of the leaf, and that of Carey is on the other. Lawrence's signature is in ink, and the other two in pencil. Three signatures,

English actress (1839-1895), for a time manageress of the Olympic Theatre. 2 pp, 12mo. "I enclose you the Stalls with much pleasure - and I hope you will enjoy the performance. Please place the enclosed cheque for £25 - to my account and oblige / Yours sincerely / Ada Cavendish". Traces of glue and paper from previous mounting at foot of second page.

American-born actress (1842-1917). One page, 12mo. "In answer to yr. note I first appeared in Manchester in the year 1864 in the character of "Leah". / Yrs: respectfully / K. J. Bateman Crowe". With traces of glue and paper to reverse of blank second leaf.

English actress (1839-1895), for a time manageress of the Olympic Theatre. One page, 12mo. "Sir / I have much pleasure in forwarding you my autograph / Yours truly / Ada Cavendish". One of the edges unevenly cropped, and slight traces of previous mounting on the reverse.

English actress (1888-1971), made a Dame of the British Empire in 1967. Signature on card, 1½ inches by 3 inches. Mounted on piece of paper, 12mo, docketed "Gladys Cooper (Lady Pearson) Popular Actress".

Actress and teacher of elocution (c.1866-1945). One page, 8vo. "I am so sorry that your letter came too late for me to send you any tickets for our concert. Perhaps you will help us another year? - Truly yours / Kate Rorke-Gardiner". [Her first husband was Edward Gardiner (died 1899). Loss to one corner, and traces of previous mounting on blank verso.

English actress (1839-1895), for a time manageress of the Olympic Theatre. One page, 12mo. Written in a bold hand, clearly in reply to a request for an autograph. " "Tell me thy reason / Why thou wilt marry " / "All's well that ends well" / Ada Cavendish". In reasonable condition, despite a tear almost halfway down a crease running vertically down the centre of the paper, and traces of glue and paper from previous mounting on the reverse.

Actress (1936-) and minor politico. One page, 4to. "Thank you very much for your letter. I'm so glad to know that you have enjoyed my work and have pleasure in enclosing a photograph [not present] for you to add to your collection." Not in the best of condition: heavily creased, slightly torn and slightly discoloured.

Classical actress and theatre manager (1872-1957), later Lady Simson. The signature is 2½ inches long, on a piece of grey paper, with one crease but otherwise in good condition. The paper is mounted on a piece of card which is neatly docketed, 'Lena Ashwell | now | Lady Simson 1925 | Actress | famous in | [...] | Appointed Office of the Order of the British Empire for valuable work in providing concerts at the front and at Home during the Great War'.

One page, 12mo. She has just returned from the theatre at 11 o'clock and is "delighted to have been able to obtain a ticket". Signed "May". Stuck to the foot of the page is a newspaper cutting describing Sarah Bernhardt's performance in Emile Moreau's play on Queen Elizabeth. This ends, "A word is fairly due to the work of M. Lou Teilegen and Madame May Agathe, and to the excellence of the stage management." Creased and with traces of mount on reverse.