SYMBOLISM

Printed in black ink on one side of a piece of 26.5 x 19 cm paper wove paper. Unsigned and without caption or text, but unmistakably the work of Rops, and with his name written in light pencil in the margin. Apparently a proof. Dimensions of plate 16 x 9 cm, and of the illustration itself 11 x 6.5 cm. Aged and creased, with spotting at head.

AUTHOR'S COPY, WITH HIS MANUSCRIPT REVISIONS FOR THE SECOND EDITION. Octavo: 96 pages. Seven plates (of eight). Original olive cloth gilt, with pierrot on front board. Numbered copy twelve in the edition. One leaf (pages 49-50) removed. Aged, and in heavily worn boards. Carrying manuscript changes on twenty-two pages, as well as on a plate and the front board. Cutting loosely inserted, regarding a couplet by 'E. V. L.' of Brighton (clearly E. V. Lucas) addressed to Mew regarding the word 'hyperbole'. Six of Greiffenhagen's seven illustrations are present.

Author and musician (1826-1906), described by Louise Jopling as 'a rich bachelor' and 'a noted figure in the seventies'. 1 page, 16mo. In good condition despite slight creasing and discoloration. Letterhead in green and black ink. Reads 'My dear Locker, | Many thanks - I will meet you at the Athenaeum at 3 o'Ck. on Tuesday - I have done, & shall do nothing till then. | Every yrs. | Hamilton Aïdé'.