CENSOR

A nice artefact of the censorship of pre-First World War British theatre. The London production of Vollmoeller's wordless drama 'Eine Venezianische Nacht' was censored by the Lord Chamberlain's office, and the production at the Palace Theatre, London, in November 1912 was panned by the critics. 15pp, folio, on fifteen leaves gathered together with green ribbon, interleaved with six typed slips of variant text, and with one leaf a composite made up of several sections glued together. Mimeographed typescript. In fair condition, on aged, worn and creased paper, with final leaf detached.

PLAY: 108pp., 4to. On rectos only. Attached with green ribbon in card folder. Information about characters given in manuscript. In fair condition, on aged paper, in aged and worn folder. LETTER: 2pp., 12mo. Signed 'Arthur Morris'. On aged and creased paper. Presumably referring to his collaborator, he begins the letter: 'Fred writes to say that you have a friend, who might be interested in our Play. It is kind of you to bother. I still believe in the poor old play, but we had a nasty shock when Edward abdicated!

Jeffrey Richards, in his 'Imperialism and Music: Britain, 1876-1953' (2001), pp.272-274, discusses this piece at some length, beginning: 'There was a late entry in the imperial cycle, the now-forgotten The Song of The Drum, written by Fred Thompson and Guy Bolton, which opened at the Theatre Royal, Drury Lane, on 9 January 1931. It starred Derek Oldham as Captain Anthony Darrell, Bobby Howes as comic relief Chips Wilcox, Peter Haddon as silly-ass "Goofy" Topham and Marie Burke as glamorous spy Countess Olga von Haulstein.

The letter and draft each on one side of the same piece of 8vo paper. In good condition, aged and worn, with a short closed tear along one fold line.