ANTARCTIC

See his entry in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. In fair condition, lightly aged. Folded twice, with spots of discoloration around the creases and slight nick at head of leaf. On monogram (Order of the Bath?) letterhead with motto ‘Tria juncta in uno’. Addressed to ‘Dear Mr. Townshend’ and signed ‘Clements R Markham’. Acknowledging receipt ‘of a paper by your brother-in-law Mr.

See his entry in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. In fair condition, lightly aged. Folded twice, with spots of discoloration around the creases and slight nick at head of leaf. On monogram (Order of the Bath?) letterhead with motto ‘Tria juncta in uno’. Addressed to ‘Dear Mr. Townshend’ and signed ‘Clements R Markham’. Acknowledging receipt ‘of a paper by your brother-in-law Mr.

On 3.5 x 9.5 cm slip of paper cut from letter. In fair condition, lightly aged and worn. On one side, from the conclusion of the letter: 'Yours very truly | Clements Markham'. On the other: '[...] have failed me: so no[...] | [...] you mind my putting [...]'.

2pp, 12mo. On grey paper with letterhead of his name. In fair condition, lightly aged and worn, with slight staining tape staining to two corners from mount. Addressed to 'Mrs Richard Eyre, | Bullsmead, | Maiden Newton, | Dorset.' The subject of the letter is the preparation for the 1948 British film 'Scott of the Antarctic', in which Mills starred in the title role. The recipient is the mother of the noted English director Sir Richard Eyre (b. 1943), whose father Charles Royds was Scott’s First Lieutenant.

8 x 12 cm illustration of a ship in polar waters, cut from book or periodical, with bold signature at bottom right: 'V. E. Fuchs | 1968'. Laid down on piece of white paper. In fair condition, but with slight bleeding of ink from signature towards foot of paper. Accompanying the item is an unsigned typed note by the recipient of the autograph, on a 4to piece of paper. It reads: 'Antarctic Crossing | The autograph of Sir Vivian Fuchs | The first crossing of the Antarctic continent was completed at 1.47 p.m. on 2 March 1958, after a 2,158 mile trek lasting 99 days from 24th Nov.

1p., 12mo. Good, on lightly-aged paper, with minor traces of mount to blank second leaf of bifolium. Good, firm signature, with flourish. The letter reads 'Dear Sir | I have recd your favour of April last & am glad so easily to oblige you. - | Truly yours | I. I. Hayes'. Gourtie contributed stock exchange reports to the New-York American.

Landscape. Unbound. On thirteen pieces of paper, each 17 x 23 cm. Each leaf with two punch holes at head, and all held together by a piece of blue string. Good, on lightly-aged paper. The calendar has been printed on the reverses of old coloured maps. Covering leaf (illustrating the "Antartida Argentina"), followed by one leaf for each month. Each month carries a quotation from General San Martin (January: 'La calumnia como todos los crimenes, no es sino obra de la ignorancia y del discernimiento pervertido').

Two sides of postcard, in French, in a difficult hand, probably sent in 1913, the year in which this French Societe awarded a medal to Amundsen (GRADE MÉDAILLE D'OR DES EXPLORATIONS - of the south), text clear and complete. He is discussing the arrangements for the visit of Amundsen, saying initially that they cannot be changed (date, hour, "sejour"). He refers to the receptions involving "les membres du gouvernement" ("sont ]prevues?] du 22 [jour?] de son arrivee . . . Peut-etre le 29 deviendra-t-il libre, maiscela depend ni de la Societe de Geo.

British geographer and Labour politician (1911-94), son of the antarctic explorer Sir Ernest Shackleton. One page, quarto. Very good. Folded three times. Docketed in red ink. He must decline the invitation to become a Fellow of the Society. 'It is certainly an honour and I would have liked to accept this invitation, but I have lately had to cut down on the membership of various societies since, as you can imagine, the subscriptions do mount up. This is frankly the reason, for I have become very well aware of the importance of the work of the Royal Society of Arts.'