Warwick Deeping [ George Warwick Deeping ] (1877-1950), English best-known for 'Sorrell and Son' (1925) and his wife Maud Phyllis Merrill (c.1882-1971) [ Margaret Greenwood ]
On blind-stamped letterheads of his country house Eastlands, Weybridge, Surrey. 1949 and 1950.
21 items. In good condition, lightly aged, held together with a brass stud. Deeping's eight items of correspondence - all signed 'Warwick Deeping' - total 9pp. His wife's three letters total 4pp. One of Deeping's letters is in its envelope, addressed by him to 'Miss Margaret Greenwood | 15 Horsham Road | Bexleyheath | Kent'. The copies of Greenwood's typed letters, totalling 16pp., date from between 27 July 1949 and 22 July 1950, bookending the whole correspondence. They are written on the backs of discarded typed drafts of pages from Greenwood's screenplays.
Anthony Berkeley Cox (1893-1971), British crime writer under the pseudonyms 'Francis Iles', 'Anthony Berkeley', and 'A. Monmouth Platts', best-known for 'Malice Aforethought' [ Margaret Greenwood ]
Nine on letterheads of 86 Hamilton Terrace, NW8 [ London ]; and two on letterheads of Linton Hills, Welcombe, Bude. Between 8 June 1949 and 13 July 1950.
A total of 30 items. Cox's eleven letters total 16pp., and Greenwood's eighteen letters total 28pp. (several written on drafts of pages of her writing). In good condition, lightly aged, held together with a brass stud. An amusing correspondence, with Cox responding with amused bewilderment to the inexperienced approaches of his enthusiastic correspondent. Greenwood – who writes from 15 Horsham Road, Bexleyheath, Kent – is something of a bluffer.
John Lemont (1914-2003), Canadian director; Leigh Vance (1922-1994), producer; Bill Strutton (1918-2003), Australian screenwriter; Zodia Productions, London [Sir Donald Wolfit; Burke and Hare murders]
'A Master Film Treatment for Zodiac Productions | Copyright: Zodiac Productions Ltd: 171, Shahftesbury Avenue, London, W.C.1.' Undated [ circa 1958 ].
 + 62pp., folio. On rectos only. Bound with metal studs into yellow card covers, with the spine reinforced with cloth tape. In fair condition, lightly aged and worn. Loosely inserted is a five-page carbon typescript describing 'Approximate number of costumes necessary'. Also inserted is a typed page beginning with an 'Extract from letter from Sir Donald Wolfit: 8.7.58. | At the moment it looks like an opening date in the second half of September out of London for six or seven weeks first. Mr. Laurence Irving will be in touch with you in the near future for a preliminary discussion'.
Alan Bennett (b.1934), English playwright, actor and author [ Ned Sherrin (1931-2007), English theatrical producer, director and author ]
Ned Sherrin, 3 Bywater Street, London, S.W.3. 10 October 1967. [ Printed by Franell Enterprrises, 54 Uxbridge Road, Shepherds Bush Green, London, W12. ]
 + 115 + pp., 8vo. Printed on rectos only. Bound by two metal studs in yellow card covers. In fair condition, with moderate signs of age and wear. Apparent ownership inscription ('Vickers Staniforth') at head of title page, beside a number '3' in red ink. Never produced and unpublished. 'The Vicar's Wife' was Bennett's first film script, and was written for Ned Sherrin, who was working at the time for Columbia Pictures. According to Kara McKechnie ('Alan Bennett', MUP, 2007), it 'pre-dates his first stage play by a few years, and is simultaneous with 'On the Margin' for television'.
Robin Chapman, English novelist and screenwriter; Laurence Harbottle (1924-2015) [ Joao Bethencourt [ João Estevão Weiner Bethencourt] (1924-2006), Hungarian/Brazilian playwright; Jill Booty ]
Typescript: 6a Sloane Square, London, SW1. Undated [circa 1966]. Harbottle's letter: on letterhead of Harbottle & Lewis, Solicitors, 34 South Molton Street, London. 8 December 1966.
Typescript: 132pp., folio. Each page on a separate leaf, all of which are attached with metal clasps in a grey card folder, with the label of the International Copyright Bureau Ltd, London, on the front cover (as well as on the title page). In fair condition, lightly-aged and worn, with title leaf coming away. Text with a few minor manuscript emendations. Accompanying the typescript is Harbottle's letter, signed 'Laurence'. 1p., 8vo. In good condition, on lightly-aged paper.