JUAN

The correspondence concerns the need to prevent a 'collision between the American and British authorities on the island' (the American General Harney is quoted as saying that 'he is satisfied that any attempt of the British Commander to ignore this right of the territory will be followed by deplorable results out of his power to control'). [2] + 4 + [1]pp, foolscap 8vo. Stabbed as issued. On discoloured and worn paper, with slight chipping at head of first leaf. Last page (back cover) printed crosswise in the customary fashion (for folding into a packet).

On nine loose 12mo leaves torn from an album. In fair condition, on aged and browned paper. Wrapped by Gawsworth in a larger piece of paper, on the front of which he has written in pencil the presentation inscription: 'Kenilworth | love | from | His King | J R | 16 Feb. 1967', with the following in blue ink over the 'J R': 'Abdicated | Juan R'. 'Marlow Hill' was Gawsworth's fourth collection, self-published by his Richards Press in 1941. Three of the nine leaves carry layouts of the book's title-page and prelims, with pencil notes 'Pubd 15 Oct 1941' and '33 lines to page'.

9pp., 8vo. In fair condition, on nine leaves of worn and creased paper, the first leaf white, the others green. Minor emendations throughout. The poem is in five sections: 'The Exhortation' (beginning: 'In the crook of my arm | Rest again, nest again.

274 + [10]pp., 8vo. In card wraps printed in black and blue, with coloured dustwrapper depicting in Stalinist style happy workers. Inscribed on title-page 'Juan Perón'. With coloured frontispiece portrait of the author, and at the end two photographs of rallies, on the sides of a single fold-out sheet. On browned paper, with damp staining, and detached from the cover and frayed dustwrapper. The publisher's name only appears on the cover and dustwrapper, and the author's name is not present on the title-page. The only copy on COPAC at Liverpool University.

Regarded as lost for 35 years this drama documentary, directed by John Alaimo, was discovered in a Barcelona bank vault in 2009, and has recently been released on DVD. The nine items are in good condition, on lightly-aged paper. One: 'Gaudi | Treatment by Michael J. Cooper | April 1974'. [i] + 4pp., foolscap 8vo, in plastic folder. Two: 'Story Outline' for 'Antonio Gaudi | The Unfinished Vision | A Special Television Film Production'.

From the collection of Alec Clunes, who performed as Don Juan in this excerpt from 'Man and Superman' ('Don Juan in Hell') at the Arts Theatre Club in 1946. Carbon copy of typescript by May Hemery Ltd, paginated 1 to 60, on the rectos of sixty leaves, preceded by title leaf ('Excerpt from Act Three | "MAN AND SUPERMAN" | By | BERNARD SHAW'. In original blue paper wraps, with yellow tape spine and label on front wrap. Grubby and worn, and with light staining to wraps, but tight, complete and clear. Numerous manuscript stage directions, mostly on the facing versos.

Two pages, bifolium, 4to, fold marks and minor faint staining, good condition. An earlier draft of the satirical piece printed first in "Comic Miscellanies" (1840)(no other publication listed by LION, though one has to suspect an earlier periodical publication). Comparison with samples of Horatio's and James's hands (the latter is poorly represented by a hasty note in the BL collections) lead to my conclusion that Horatio wrote out this version in his neat hand with its flourishing capitals.