[Sophia Johnstone, Marchioness of Annandale.] Autograph Signature ('S Annandale') to 'Tack [i.e. contract] betwixt The Marchioness of Annandale And Peter Grahame'. Also signed by Grahame and two witnesses.

Sophia Johnstone [née Fairholm] (1668-1716), Marchioness of Annandale (buried in Westminster Abbey), wife of William Johnstone (1664-1721), 1st Marquess of Annandale
Publication details: 
'Att Moffat the Nyntenth day of May one thousand seven hundred and sixten years'.

1p., foolscap 8vo. On bifolium of watermarked paper. In fair condition, on aged paper, with slight wear to foredges. Two small stamps (one 'Tenn Pence Quire') and official blind stamp. 48 lines of closely-written text, in a chancery hand. Regarding a lease for an uncertain location. Signed by 'S Annandale', 'Petter [sic] Grahame', and witnessed by 'Ja: Moir' and 'John Grahame'. Docketted on reverse of second leaf 'Tack betwixt | The Marchioness of Annandale | And | Peter Graham | 1716'.

[Hester Catherine Browne, Dowager Lady Sligo.] Autograph Letter in the third person soliciting the votes of 'Mr. Shewell [...] for Henry Jennings at the Election for the Idiot Asylum in April, 1854'.

Hester Catherine Browne [nee de Burgh] (1800-1878), Marchioness of Sligo [Lady Sligo], wife of Howe Peter Browne (1788-1845), 2nd Marquess of Sligo [Shewell; Idiot Asylum]
Publication details: 
Portumna Castle, County Galway, Ireland. 12 December 1853.

1p., 12mo. Good, on aged paper. The letter reads: 'The Dowr. Lady Sligo presents her Compliments to Mr. Shewell, & begs earnestly to solicit his Votes for Henry Jennings at the Election for the Idiot Asylum in April, 1854 - | Lady Sligo can recommend Henry Jennings as a member of a very poor & industrious family -'.

Ten loose uncoloured india-paper proofs of the steel engravings of illustrations (from designs by the Marchioness of Waterford) accompanying the poem 'The Babes in the Wood', published in London by Joseph Cundall.

[Joseph Cundall (1818-1895) of 12 Old Bond Street, London publisher and photographer; Louisa Anne Beresford [née Stuart], Marchioness of Waterford (1818-1891), watercolour painter and philanthropist]
Publication details: 
London: Joseph Cundall, Mdcccxlix. [1849.]

Each proof is on 29 x 23 cm paper, and each is laid down on a piece of 38 x 31.5 cm card. In good condition, on lightly-aged and spotted paper, with wear and bumping to mount. The first engraving The Spectator for 23 December 1848 carried an advertisement by Cundall for 'ILLUSTRATED WORKS BY LADY AMATEURS', at the head of which was 'THE BABES IN THE WOOD. Illustrated with Ten Original Designs, Etched on Steel. | Colombier 8vo. price 1l. 1s.; or Coloured after the Drawings, 2l. 2s.

Autograph Letter, in the third person, from Elizabeth Charlotte Nugent, Marchioness of Westmeath, to her druggists Messrs Fitz & Ch<ambers?>, ordering 'Canisters of Cephalic snuff' and 'one pound of mustard ground to make Poultices'.

Elizabeth Charlotte Nugent [née Verner] (d.1882), Marchioness of Westmeath, wife of George Thomas John Nugent (1785-1871), 1st Marquess of Westmeath
Publication details: 
Cossey [Costessey] Hall, Norfolk. 7 December 1868.

2pp., 12mo. On first leaf of bifolium. Good, on lightly-aged paper, with unobtrusive spike hole. The letter begins: 'The Marchioness of Westmeath is much obliged to Mesrrs. Fitz & for the two Canisters of Cephalic snuff sent according to desire & requests they will be so good as to forward by the Bearer three or four more Canisters - Also a box of Pills made up exactly according to the enclosed prescription which Lady Wth.?>

Autograph Letter Signed ('E. Ratmirova') to 'Mr. Bass' of Manchester, regarding the play 'The Fold'.

Eugenia Ratmirova, actress [Queen's Theatre, Shaftesbury Avenue]
Publication details: 
5 April 1920; on letterhead of the Queen's Theatre, Shaftesbury Avenue.

4to, 2 pp. Fair, on aged and lightly-creased paper. The play 'is a great success in London and is likely to have a long run there, yet at the same time we are all looking forward to coming back to Manchester, where the play started and everybody was so kind to us'. She concludes with some graceful compliments to Bass, and encloses her portrait (not present).

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