[Louisa Cornwallis, Marchioness Cornwallis.] Her Autograph Signature and votes for candidates for the Adult Orphan Institution, on its printed ‘Polling Paper for the Election of Three Contributary Wards’.

Louisa Cornwallis [née Gordon] (1776-1850), Marchioness Cornwallis, wife of Charles Cornwallis, 2nd Marquis Cornwallis, daughter of 4th Duke of Gordon [The Adult Orphan Institution, London]
Publication details: 
Marchioness's vote on 25 November 1842. Election date 14 December 1842. At the House of the Adult Orphan Institution, St. Andrew’s Place, Regent’s Park [London].

2pp, 4to. In fair condition, lightly aged, with slight damage at head from breaking of the wafer, and small spike hole at centre. Addressed on reverse to ‘Most Noble / Marchioness Cornwallis / 12 Park Crescent’. The printed statement beside this has been completed in manuscript to show that the Marchioness has twelve votes. The other side of the leaf is headed: ‘Polling Paper / For the Electio of Three Contributary Wards, / On Wednesday, December 14th, 1842, / Between the hours of Two and Four o’Clock, / At the House of the Adult Orphan Institution, / St.

[Lady Salisbury, wife of the Prime Minister.] Autograph Letter Signed to Charlotte Mary Yonge, discussing ‘the original casket letters’ of Mary Queen of Scots found by Dr Brewer at Hatfield House.

Lady Salisbury, wife of Prime Minister the Marquis of Salisbury [Georgina Caroline Gascoyne-Cecil [née Alderson] (1826-1899), Marchioness of Salisbury; Charlotte Mary Yonge (1823-1901), author]
Publication details: 
10 September [circa 1882]. From Castel du Parc, Royat-les-Bains, Clermont Ferrand, Puy de Dome, France; on cancelled Hatfield House letterhead.

See her own entry in the Oxford DNB, as a ‘political wife’, and that of Yonge, whose ‘Unknown to History: A Story of the Captivity of Mary of Scotland’ was published in 1882. 3pp, 12mo. Bifolium. Signed ‘G Salisbury’ and addressed to ‘Miss Yonge’. In good condition, with negligible remnants of windowpane mount adhering at edges. ‘One of the original casket letters was found at Hatfield some years ago by Dr Brewer who was then looking over the papers on behalf of the Record Office to which he belonged - Also a copy of another - of the same date.

[Sophia Johnstone, Marchioness of Annandale.] Autograph Signature ('S Annandale') to 'Tack [i.e. contract] betwixt The Marchioness of Annandale And Peter Grahame'. Also signed by Grahame and two witnesses.

Sophia Johnstone [née Fairholm] (1668-1716), Marchioness of Annandale (buried in Westminster Abbey), wife of William Johnstone (1664-1721), 1st Marquess of Annandale
Publication details: 
'Att Moffat the Nyntenth day of May one thousand seven hundred and sixten years'.

1p., foolscap 8vo. On bifolium of watermarked paper. In fair condition, on aged paper, with slight wear to foredges. Two small stamps (one 'Tenn Pence Quire') and official blind stamp. 48 lines of closely-written text, in a chancery hand. Regarding a lease for an uncertain location. Signed by 'S Annandale', 'Petter [sic] Grahame', and witnessed by 'Ja: Moir' and 'John Grahame'. Docketted on reverse of second leaf 'Tack betwixt | The Marchioness of Annandale | And | Peter Graham | 1716'.

[Hester Catherine Browne, Dowager Lady Sligo.] Autograph Letter in the third person soliciting the votes of 'Mr. Shewell [...] for Henry Jennings at the Election for the Idiot Asylum in April, 1854'.

Hester Catherine Browne [nee de Burgh] (1800-1878), Marchioness of Sligo [Lady Sligo], wife of Howe Peter Browne (1788-1845), 2nd Marquess of Sligo [Shewell; Idiot Asylum]
Publication details: 
Portumna Castle, County Galway, Ireland. 12 December 1853.

1p., 12mo. Good, on aged paper. The letter reads: 'The Dowr. Lady Sligo presents her Compliments to Mr. Shewell, & begs earnestly to solicit his Votes for Henry Jennings at the Election for the Idiot Asylum in April, 1854 - | Lady Sligo can recommend Henry Jennings as a member of a very poor & industrious family -'.

Ten loose uncoloured india-paper proofs of the steel engravings of illustrations (from designs by the Marchioness of Waterford) accompanying the poem 'The Babes in the Wood', published in London by Joseph Cundall.

[Joseph Cundall (1818-1895) of 12 Old Bond Street, London publisher and photographer; Louisa Anne Beresford [née Stuart], Marchioness of Waterford (1818-1891), watercolour painter and philanthropist]
Publication details: 
London: Joseph Cundall, Mdcccxlix. [1849.]

Each proof is on 29 x 23 cm paper, and each is laid down on a piece of 38 x 31.5 cm card. In good condition, on lightly-aged and spotted paper, with wear and bumping to mount. The first engraving The Spectator for 23 December 1848 carried an advertisement by Cundall for 'ILLUSTRATED WORKS BY LADY AMATEURS', at the head of which was 'THE BABES IN THE WOOD. Illustrated with Ten Original Designs, Etched on Steel. | Colombier 8vo. price 1l. 1s.; or Coloured after the Drawings, 2l. 2s.

Autograph Letter, in the third person, from Elizabeth Charlotte Nugent, Marchioness of Westmeath, to her druggists Messrs Fitz & Ch<ambers?>, ordering 'Canisters of Cephalic snuff' and 'one pound of mustard ground to make Poultices'.

Elizabeth Charlotte Nugent [née Verner] (d.1882), Marchioness of Westmeath, wife of George Thomas John Nugent (1785-1871), 1st Marquess of Westmeath
Publication details: 
Cossey [Costessey] Hall, Norfolk. 7 December 1868.

2pp., 12mo. On first leaf of bifolium. Good, on lightly-aged paper, with unobtrusive spike hole. The letter begins: 'The Marchioness of Westmeath is much obliged to Mesrrs. Fitz & for the two Canisters of Cephalic snuff sent according to desire & requests they will be so good as to forward by the Bearer three or four more Canisters - Also a box of Pills made up exactly according to the enclosed prescription which Lady Wth.

Autograph Letter Signed ('E. Ratmirova') to 'Mr. Bass' of Manchester, regarding the play 'The Fold'.

Eugenia Ratmirova, actress [Queen's Theatre, Shaftesbury Avenue]
Publication details: 
5 April 1920; on letterhead of the Queen's Theatre, Shaftesbury Avenue.

4to, 2 pp. Fair, on aged and lightly-creased paper. The play 'is a great success in London and is likely to have a long run there, yet at the same time we are all looking forward to coming back to Manchester, where the play started and everybody was so kind to us'. She concludes with some graceful compliments to Bass, and encloses her portrait (not present).

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