MUSIQUE

The two forms are identical in layout, but the first has the printed date April 1911 and the second July of the same year. Each is 4pp., folio, on a bifolium. The form is divided into: 'Paris', 'Banlieue', 'Départements' and 'Etranger', and lists venues ('Etablissements') - those in Paris in larger print and the rest in smaller print - under the headings 'Concerts', 'Bals', 'Théâtres', 'Cirques', 'Casinos', 'Concours et Festivals', 'Forains'. The famous Paris venues of the period are there, including the Folies Bergère and the Moulin Rouge.

12mo, 8 pp. Fair, on aged laid paper. On four leaves removed from a pocket book, with two leaves numbered in manuscript '41' and '42'. Apparently a first-person draft of information for an appeal by the oldest surviving member (from the inception of the group) for a stipend. Begins 'Depuis le commencement de l'an 1760 que j'ai ete recu a la Musique du Roi, j'ai été en exercice jusqu'en 1792, avec 222. sujets qui s'y sous dont 40 vivant encore au 18 Janvier 1815. [...]'.

12mo, 2 pp. 12 lines of text. Creased and ruckled, with a little smudging. Difficult hand. Asking the recipient 'd'aller passer une soirée avec nous'. Laid down on a piece of paper which is attached to the blank reverse of the second leaf of the bifolium is a slip of paper (roughly 2 x 9 cm) carrying Eastlake's signature ('always truly yours | [signed] C. L. Eastlake').