EDITIONS

Vol. II: 8vo, 465 pp., good condition. Inscription on fly-leaf: 'To | Guy Repp | from | [signed] Henry Miller | 3/4/42'. With R. J. Stanewick's ownership inscription in pencil on reverse of front wrap. (Miller signatures from this period are uncommon. The recipient Guy Repp was an actor associated in the 1930s with Orson Welles's Mercury Theater of the Air, who also featured in 'Citizen Kane'.) Internally tight and sound on aged paper, in worn and chipped wraps, with broken spines.. A few light pencil underlinings (by Stanewick?). The second volume is scarcer than the first.

8vo: xvii + 296 pp. In original black cloth, with design in silver stamped on front board. No dustwrapper. Faded spine and lightly-marked cloth. Inscribed by Curtiss on front free endpaper: 'To Ellery Sedgwick - | Most gratefully - | Mina Curtiss | Christmas, 1932.'

Landscape bifolium card on good-quality paper. Leaf dimensions 18.5 x 27.5 cm. In good condition, on slightly-aged paper, with a couple of small light patches of coffee staining. Printed in black and yellow. Elaborate design showing a winged youth (something of a cross between Jack Frost and Mercury), with winged heels, clutching a bouquet of flowers, flying over a buiding of modern design surrounded by fir trees. Signed in pencil 'luc simon' in bottom right-hand corner, with the limitation 'H. C. 15/100' in pencil in the bottom right.

Quarto. 135 pages of skillfully executed autographs followed by a 45-page printed 'INDEX TO AUTOGRAPHS', ranging from 'H.R.H. The PRINCE of WALES, K.G.' to 'Zillwood, A., The Abbey, Romsey, Hants.'. Attractive title in gold, purple, blue, yellow and green, with illustration of Osborne House. A handsome, if somewhat flashy, production. Maroon morocco binding, with a large crest stamped in gilt within a decorative border on the front board. All edges gilt. Tight copy, rebacked with new endpapers. Offsetting to fly leaf and a little damp damage to corner of title.

12mo, 4 pp. Bifolium. Good, on lightly-aged paper. He was introduced to the recipient 'by Mr. Philip Malleson of Croydon, when I wanted to send an Essay to The Albemarle'. Asks if he 'might be disposed to let me write a volume on Jane Austen or Leigh Hunt for your Dilettante Library', Austen being 'specially before the public just now'. He has edited Austen's novels and two 'well received' volumes of selections from Hunt for 'Mr. Dent's Temple Library'. 'If you do not care to arrange for either of these authors I would suggest Miss Burney[,] Hazlitt or T. L. Peacock.

Forty-four pages, octavo, with two-page leaf of addenda loosely inserted. Four pages illustrating seventeen pictorial covers on art paper. In printed card wraps. A worn and creased copy of an influential catalogue, issued at a time when, as the introduction points out 'catalogues devoted to detective fiction [were] something of a rarity in the book trade'.

16mo. 194 pages. In original stamped binding. Grubby and spotted, with wear to binding and fraying at foot of spine. Lithographic frontispiece and title by W. Monkhouse of York. Translation of 'La mare au diable', preceded by 27-page memoir. Possibly a piracy of Francis George Shaw's 1850 edition (London: George Slater). No copy in British Library.

English novelist (1900-96). One page, octavo. Good, but with slight marking from staple in top left-hand corner. He is glad his correspondent is 'having therapy for your bad back for, hard work though it is, and must be in your case, I'm sure you will find it helpful. | About author's proofs, they of course usually go back to publishers; but what I am glad to be able to send you is the jacket of my latest book which at least has a picture and my signature, and I hope it will, at least, be decorative in your study.' Signed 'Victor S Pritchett'.