AUTHOR

Novelist (see DNB). Page trimmed with loss of correspondent's name etc., laid down on stiff paper. "Lady Charlotte Bury earnestly requests to have proof sheets sent ot her." Note: Perhaps proofs of ‘‘The Three Great Sanctuaries . . ." published in 1833.

Novelist (see DNB). Two pages, 8vo, minor defects, text clear and complete. She asks them to republish some of her periodical work in book form. "The first story wd be a volume in itself (it is called 'At the Seaside'). The others wd be short ones from 'London Society', 'Tinsley', 'Belgravia', 'The Argosy', 'St. James' . . ." She will await a proposal and leave the terms to them.

Maiden name was Margaret Harries 1797-1846, author (DNB). One page, minor defects, text clear and complete. "After due consideration, tho' I think the enclosed Poem very good, I fear it may offend some of my readers - and I therefoe, return it you - The rest shall be made use of - I believe one has already appeared. . ." Note: In 1834 she was editing "The New Monthly Belle Assemblée".

Author, see DNB. Two pages, 8vo, good condition, with additional biographical notes by another hand. "Will you please to read the enclosed, & ascertain for [me?] if there is a Polish translation of "Jessica" ["Jessica's First Prayer"]. My cousin, Dr Manning, several times told me it had been translated into every European laguage; but he may not have thought of Polish. /Could you also tell Mr. Stevens for me that I never received the October [no.?]. of the Leisure Hour or Sunday at Home .

Irish novelist and editor, see DNB. She is not allowed to leave the house but cxan have visitors. Her husband, Samuel Carter Hall, has been very ill as has his nephew Sanford Rochat. She thanks God that Rochat "is able to get back in a quiet way to the War Office - and Mr Hall is working not so quietly at "the Art Journal again" - but it has been a dangerous season. She looks forward to seeing him and reports on the health of friends.

Novelist and playwright (DNB). One page, 8vo, fold marks, good condition. She wants the names and addresses of his "party" (presumably a group who will visit her), adding: "You are quite right not to come up to London for cocktail parties, but I'm sorry all the same and wish you were." She adds in manuscript "I'm now really thinking it all fun - & no trouble at all (well - trouble it is - but pleasant & gay trouble)."

8vo. Pages: xi + 242. 11 plates. Good, despite one bump at head of back board. Dustwrapper good, despite fraying at head and tail of spine and show-through sellotape discolouration . Dustjacket discoloration to free endpapers. Neat inscription, presumably by Perles, in green ink on front free endpaper 'To | Jack Mitchell | from Alfred Perles | & | Henry Miller | London March, 56.'

English novelist (1857-1903). Paper dimensions roughly four and a quarter inches by two and a quarter inches. Very good, but grubby and with a few light glue stains. From autograph album and mounted on larger piece of light blue paper. Reads '[...] | it will save confidencce. | In gt. haste | Yrs. truly | A. E. Bayly.' Docketed '(Edna Lyall)' in pencil beneath signature.

Fragment of a letter, subscrption only, c.2.5" x 1", laid down on slightly larger card, cut from album, "Yours v[er]y tsinc[erel]y / Bret Harte"..

Travel-writer and novelist (DNB). One page, 8vo, sl. marked, trimmed but text complete and clear, with partially detached conjugate leaf, verso of which has name "For George Glenny Esqre". "I have extracted all critiques on the Bouquet and R.L.M. [Royal Lady's Magazine and St. James's Archive] from the papers you sent me, and herewith enclose them. If you can send me any more by the bearer, I shall be obliged. / Papa, I am sorry to say, has not left his bed today . . ." Note: "The Bouquet" ([1835]) with contributions by eminent authors, Pardoe's role formerly unknown.

Author. 2pp., 8vo, sl. soiled. She responds to commenmts about her "Four Guineas" and how Nigeria has changed, discussing the effects of technology on employment and her pleasure in gardening.

Novelist. 4pp., 8vo, some staining sl. obscuring text at edge. She is apologetic about not contacting Mr Blackley, and explains why she sent a telegram ("two rather interesting literary people were coming to us"). She will arrange another meeting. She expresses pleasure at her correspondent's praise of her latest book (which, though "fanciful", is "going well"). She sends congratulations to "Mr Blackley" (not traced) on his "exciting novel", praising the phrase "a man with a bloodshot nose!"

The address panel only, 4 x 2", of a letter with the address "Mrs Davidson/ Milner's[?] Lodgings/ Green Street/ Scarborough/ Yorkshire" in Mitford's hand. Partly laid down. Mary Mitford's name and address are written in another hand on the reverse.

Author. She asks where Frederic Whyte is. "I've long been wanting to meet him again, but he's unfortunately plunged out of my orbit . . . he's one of the men I should least like to lose sight of". She asks about Sladen's election to the Athenaeum.

Scottish novelist and historical writer (1828-1897). 2pp., 12mo, laid down. She is delighted to accept "Mrs Hargreaves's invitation, saying when will suit her best and outlining travel plans.

Novelist (1867-1945). Two sides of card, 3" x 3". She says he is welcome to her autograph "for what it is worth, to add to [his] distinguished collection. She adds a postscript saying that she has enclosed her signature on a separate piece of paper in case that is what he requires. She points out that she "is not Miss Diver & never was. My husband Colonel Diver, was in the Royal Warwickshire Regt. I am a mother - & a grandmother! My new book "Ships of Youth [A study of marriage in modern India]" was published a week ago". With: separate piece of paper with her signature and a date.

Dramatist (1836-1917) and editor of Punch from 1862-1906. One page, 12mo. The printed part is laid out like a telegram, with a reference number, and the letter, although signed "FCB" does not appear to be in Burnard's hand. "Dear Sir / I am head over ears in engagements & business next week. [...] to you ce qu'arrivera." With postscript "Just come from Germany". In parlous condition, frayed, and with holes and tape marks from previous mounting.

Playwright, biographer, actor and poetaster (1882-1937). One page, 12mo, in stamped addressed envelope. "In reply to your letter, I am afraid I cannot manage to come just at present as I am going abraod [sic] early in April and shall be away for some weeks, but if later on we can arrange a date I will try to do so."

English dramatist (1838-89). One page, 12mo, on mourning paper. "I am sorry I forgot the card. Did you get the stalls all right / In any way I can serve you / I am / Yours faithfully / J. Albery". Docketed in a small hand in ink. Minimal loss to one corner. Bearing traces of previous mounting.

Novelist. She assures him that she is "still in the land of the living, and is initially flattered that he is showing an interest (in her autograph). Then she realises that he has mentioned books by her sister (M. Findlater) and has confused her with her sister - "but it is all the same to us!". She mentions that she enclosed an advertisement for "the last edition of my best-known book, suggesting he would find it an interesting read.

Novelist (1776-1850). Text as follows: "Ever yours most faithfully/Jane Porter/ I shall return it to your care before I leave /<?>/ Sir M.A.Shee.

Historian. She suggests that her talk to the Society could include "some funny stories about the very early journalism in the infancy of newspapers", and, in the later note, she accepts an invitation to a Society function. Two items,

Authoress. 2pp., 8vo, some staining marginally affecting text. She has drawn a devil carrying a book engulfed by flames with a woman hand on head saying "What & leave the world no copy". She adds a "Quotation by the Saturday Review" "Go go to H- & say I sent thee thither". She apologises for using half sheets and signs.

Author (1826-1875). 2 pp, 12mo. "[...] You got me into a d - d mess with Nicholson but I promised him to say nothing about it so Mum's the word / Yours in expectation of a True Hoodian morceau". Traces of mount stuck to reverse.