HELEN

2pp., 16mo. Bifolium. On monogrammed letterhead. In fair condition, with traces of glue from mount still adhering. She proposes a date for a meeting, adding: 'Will Miss Paget come in the evening & bring a young friend with her if she pleases?'

2pp., 12mo. Good, on lightly-aged paper, stamped as received 31 October 1900, with a '6' in blue pencil. Garnett considers 'Signor Biagi's letter [...] indeed most disagreeable', but cannot see how it can be 'kept from Miss Zimmern's knowledge', as 'she has a right to know what he says of her'. 'Fortunately, however, I have by the same post a letter from her saying that she is coming to London to deliver lectures, and will [be] at 45 Porchester Terrace on Nov. 10'.

4to, 2 pp. On first leaf of a bifolium. Text clear and complete. Good, on lightly-aged laid paper with watermark of 'A ANNANDALE & SONS'. Stuck down on the reverse of the blank second leaf of the bifolium is a square of paper from the leaf to which it was attached in an album, and beneath this square, visible when held up to the light, is the inscription: 'Imperfectly printed | Annie Stirling Stuart | Castlemilk | 1871'. The poem is 48 lines long, arranged in twelve stanzas. Signed 'H. M.

12mo, 3 pp. 30 lines. Text clear and complete. Fair, on aged and creased paper. He sends a 'list of pieces' which he considers 'suitable for a Short Company'. The first piece named is 'The Silver Lining (the St James's Comedy)', in which he says there are 'only 4 Men & 3 women exclusive of Helen Maltravers'.

12mo, 3 pp. On bifolium, with the printed playbill for the 'Benefit of Mr. Chas. Calvert' at the Theatre-Royal, Newcastle, on the recto of the first page (including a performance of Much Ado About Nothing, with Calvert as Benedick and Miss Fanny Alexander as Beatrice. The letter is 42 lines long. She feels that, 'with but one rehearsal', the 'Merchante's Storye will scarcely go', and suggests performing 'Nine Points, The Household Fairy, and Head of the Family' instead, considering it 'a good bill' and 'lighter works for all the company'.

Dimensions roughly two and a half inches by four and a half wide. Clear, bold signature on aged paper. Reads '<...> believe me Gill's friend as well as your own | [signature] Charlotte H Dolby'. Reverse reads '<...> says, because I get mixed up with such a lot of people, and lose my individuality in the <...>'.

12mo, 3 pp. Bifolium. Spike hole through both leaves, not affecting text. Fair, on aged paper. She states that 'The story would be ready to commence the 2nd. week in March.' She then gives a list of her five 'other works besides Comin' thro the Rye'. The first two in the list are said to have passed through '3 editions', and of the second in the list 'a further is in preparation'.

LETTER: One page, quarto. Somewhat aged and creased. An attractive item in Carter's disciplined calligraphic hand. A damning assessment of Craig's son Edward Anthony Craig ('Edward Carrick', 1905-98). '[...] If you know him, you presumably also know what you are taking on! We had some dealings with Teddy over possibly printing old EGC's engravings of Robinson Crusoe, but Teddy sold them, [...] My impression is that the old rogue manufactured archives in order to sell them to someone - preferably twice.

English contralto singer (1821-85). Signature on piece of paper of irregular shape (practically oval): roughly nine centimeters by four centimeters at the widest points. In poor condition: on paper discoloured by age and glue from previous mounting, and with hole and closed tear slightly affecting signature. Reads 'Your's very truly | Charlotte H Dolby', so presumably predating the singer's marriage in 1860.