[Rudolf Nureyev: personal reminiscences of John Phillips.] Privately printed collection of 'Nureyev Notes August 1966', regarding 'Sleeping Beauty' at La Scala, Milan. Inscribed by Phillips to Barbara Reed.

John Phillips (1926-2017), flâneur and literary executor of Violet Trefusis (1894-1972; née Keppel), English socialite and author, lover of Vita Sackville-West [Rudolf Nureyev, Russian ballet dancer]
Publication details: 
Privately printed. [Phuket, Thailand; 2009.] Inscription of February 2011.

After a twelve-year 'amitié amoureuse' with Phillips, Violet Trefusis died in 1972, appointing him her literary executor and leaving him her last home, La Tour de Saint Loup. The present item – only one other copy of which has been traced – is from a collection of Phillips's papers amassed by his friend Barbara Reed, containing pamphlets privately printed by him between 2009 and 2014.

[C. W. Beaumont, dance writer, bookseller and publisher.] Typed Letter Signed ('Cyril Beaumont') to 'Mr White', dismissing 'would-be Diaghilevs'.

Cyril Beaumont [Cyril William Beaumont; C. W. Beaumont] (1891-1976), dance writer, bookseller and publisher
Publication details: 
On letterhead of 'C. W. Beaumont | Bookseller & Publisher | At the Sign of the Harlequins Bat', 75 Charing Cross Road, London WC2. 3 April 1954.

1p., 12mo. Good, on lightly-aged paper. He begins by stating that his book 'contains the details' his correspondent requires, and continues: 'I am sorry to say that I made a little mistake when I was talking to you over the telephone about "Pulcinella". I think I said there was a long description of that ballet in my "Diaghilev Ballet in London", but of course it is the "Complete Book of Ballets".

Signature on card ('Alicia Markova') of the prima ballerina Dame Alicia Markova.

Dame Alicia Markova [Lilian Alicia Marks] (1910-2004), Britain's first prima ballerina and in the 1940s the world's highest-paid dancer, discovered by Serge Diaghilev, and partnered by Anton Dolin
Publication details: 
Dated by Markova to 1933.

In black ink on 5 x 8 cm card, with rounded edges. In very good condition, lightly aged, with evidence of previous mounting on the marbled reverse. Reads 'Alicia Markova | 1933.'

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