BUTLER

4to bifolium (27.5 x 18.5 cm): 3 pp. 300 copies only. Good, on aged paper with a light vertical fold. Hand-coloured illustrations on first (7.5 x 10 cm) and second (9.5 x 7.5 cm) pages; full-page black and white illustration ('The Metropolitan Regatta Dublin') on third page. Final page blank.

4to bifolium (27.5 x 18.5 cm): 3 pp. 300 copies only. Good, on aged paper with a light vertical fold. Hand-coloured illustrations on first (7 x 10 cm) and second (8 x 7.5 cm) pages; black and white illustration ('Drowned Sailor', 12 x 10 cm) alone on third page. Final page blank. The first poem is not ascribed, but is known to be by Hyde.

Wade A289. 12mo: viii + 80 pp and errata slip. In original cream buckram binding, with title and harp decoration in gilt on front board. Black endpapers. Internally tight, on aged and spotted paper. Binding grubby, stained and worn, with slight damage at head and foot of spine. Some ink marking to the fourth stanza of the dedicatory poem to John O'Leary (p.1). Housed in a green solander box. Inscribed at head of title: 'Elizabeth Monteagle from Rose Kavanagh | June 21. 88'.

12mo, 15 pp. In original green printed wraps. Disbound. Vertical fold. On aged paper with fading to wraps and slight damage to spine from disbinding. As Streatfeild explains in his two-page introductory 'Note', five of the seven poems appear here for the first time. Uncommon. COPAC lists copies at Cambridge, Edinburgh, Glasgow, Oxford and the British Library.

8vo, 2 pp. Text clear and complete. Good, on lightly-aged paper. He is 'sorry' that Harlech has 'left the Colonial Office, upon which you have produced such a profound and salutary effect'. From the point of view of the I.L.O.

4to, 8 unpaginated pages. In original grey printed wraps. Text clear and complete. Neat vertical fold. On worn and foxed paper, with rust to staples and slight wear and chipping to wraps. The second of the five issues to appear in Yeats's lifetime. (In the 'W. B. Yeats Commemoration Number' of Summer 1939, 'The Arrow' was described as 'an occasional, a very occasional, publication by the Abbey Theatre', with only five numbers to have appeared up to that point: 'two in 1906, one in 1907, 1908 and 1909') Contains three articles signed 'W. B.

4to, 28 + [iv] pp. In original buff printed wraps. In fair condition, on lightly-aged paper, with rust to staples causing detached covers. Nicely printed. Advertisements on the last four pages and three sides of the wraps.

4to, 24 pp. With four pages of illustrations (by J. B. Yeats, Charles Shannon, Sean O'Sullivan, Max Beerbohm and Edmund Dulac). Stapled. In original grey printed wraps. Aged and dog-eared, in worn wraps. The introduction, by 'L. R.', explains that 'THE ARROW is an occasional, a very occasional, publication by the Abbey Theatre. Only four numbers of it have appeared, two in 1906, one in 1907, 1908 and 1909.' Essays by John Masefield ('William Butler Yeats'), F. R.

8vo, 16 pp. In original buff wraps. Text clear and complete. On aged and slightly-creased paper, with rust to the staples resulting in the detaching of the central bifolium. Wraps discoloured. Photograph of Yeats seated in his library on front wrap, and reproduction of Augustus John's portrait of the poet on p.2. On the first page is the facsimile, captioned ' "A Song," from W. B.

8vo: xvi + 400 + [xxiv] pp. (Part I ends at p.142 and Part II begins, after a half title, at p.127.) The last twenty-four pages consist of an index and three pages of 'BOOKS Lately Published'. Frontispiece portrait of Butler by J. Van der Gucht. Hogarth's seven illustrations (including three that fold out) face pp. 1, 75 (fold out), 88 (f. o.), 100, 122, 130 (f. o.), 131 and 182 (f. o.). Internally tight on spotted and aged paper. Good impressions of illustrations, with a little light foxing.

4to, 20 pp. The last page carries advertisements for the publisher Almon. Unbound; stitched. Good, with first and last leaves somewhat aged and chipped. Central vertical fold. A relatively uncommon item, with most of the entries on COPAC turning out to be for a microfilm reproduction.

4to, 1 p, 22 lines. On aged paper, with chipping at extremities neatly repaired with archival tape. Text clear and entire. He thanks him for his 'interesting paper', commenting on the 'Lucretian passage'. Postgate's 're-arrangement [...] is undoubtedly more attractive & logical than the ordinary arrangment, and as such I welcome it: but must we suppose always that artists do as well instinctively as they might if they had taken counsel?' 'Ex silentio I judge that all is well with you, as far as anything can be well for any of us these terrible times.