Art and Architecture

Bookplate, in very good condition, inside front cover of "The Medical Works of Hippocrates" trans. John Chadwick and W.N. Mann (Oxford, 1950), in good condition in chipped and torn dj, label of bookseller at base of inside front cover. From the Library of N[ehemiah] Asherson.

Bookplate, in good condition, inside front cover of "The Fatal Illness of Frederick the Noble" by Sir Morell Mackenzie (London, 1988), good condition, previous owner's initials on front ep, enclosing note from the firnd who gave Asherson the book (Graydon Hume) and another in Asherson's hand describing this gift. From the Library of N[ehemiah] Asherson.

Bookplate, in very good condition, inside front cover of "Disraeli" by the Earl of Cromer (London, 1912), sl. hinge strain, ow. good condition, former owner's inscription and bookseller's label, From the Library of N[ehemiah] Asherson.

Bookplate, in good condition, inside front cover of "Selected Writings of Sir William Osler" (OUP, 1951), mainly good condition in soiledand sl. chipped dj, with one small tear. From the Library of N[ehemiah] Asherson.

Bookplate, in very good condition, inside front cover of "Rats Lice and History" by Hans Zinsser (London, 1935), covers marked but mainly good condition, no dj. From the Library of N[ehemiah] Asherson.

Bookplate, in very good condition, inside front cover of "Lives of the Fellows of the Royal College of Surgeons of England" by D'Arcy Power and W.R. Le Fanu (London, 1953), mainly good condition, no dj. From the Library of N[ehemiah] Asherson.

Bookplate, in very good condition, inside front cover of "The Physical Background of Perception" by E.D. Adrian (Oxford, 1947), good condition in frayed dj. From the Library of N[ehemiah] Asherson.

Two pages, 8vo, browned and with tear at fold, but text clear and complete. He describes how someone called to ask him to buy benefit tickets for a charitable purpose. He declined on principle, but noticed later an address and decided to write to that address to explain that he would wish to help anyone in whom his correspondent took an interest. He encouraged another visit from the original agent. [Presumably the fact that Ross (DNB) was a fellow-artist influenced his course of action.]

English equestrian artist (1753-1812). 1 page, 8vo. In poor condition: creased, frayed and torn. He has that morning received from his correspondent's servant 'the sum of sixteen Pounds nine shillings payment for your Pictures'. He will send them 'by the first conveyance' and hopes they will please. 'If any alteration should be necessary should be glad to make it at any time'. Signed 'J. Boultbee'. A postscript states that he has returned 'by your servant the Ballance from the Bill of twenty Pounds'. Docketed on reverse with date of receipt, sum paid to 'J.

Artist (see DNB), official war artist to Royal Navy (Ist WW), etc. Total 4pp, 8vo, good condition.(1917) He mentions Henry's illness and suggests that he continue the portrait when he returns from the States. (1919) Thanks ("It is good of you to give to A.B.F."). "The title is all right & settled long ago ". He sends tickets for a Private View at the RA and ASBI dinner hoping he will be his guest. (1927) He accepts a dinner invitation from Mrs Henry and suggests a game of golf ("if so will will he [Mr Henry] come with me to Royal Wimbledon"). Four items,

English sculptor (1799-1872; DNB). On piece of paper 4 inches by 3 1/2. Somewhat grubby, and with remains of glue on blank reverse. Difficult hand. 'Dear Sir Martin | I am just returned from & shall have much pleasure in dining with You tomorrow. | believe me | very sincerely Yours | Richd Westmacott | '. The foot of the note has been cropped but this does not affect the signature.

Sculptor (1814-1877). 2pp. & one page, 8vo. He initially discusses the "distresses" of someone called Hone, presumably an artist, how £50 would enable him to provide for himself and his family. Advertisements about Hone's situation have been placed and presumably they hope for contributions. The second letter appears to concern contributions from Wigram and Tupper. 2 items,

Irish artist and writer (DNB). One page, 8vo, good condition. He cannot accept an invitation because the event clkashes with a meeeting of the Dilettante Society to which he is committed.

Painter, essayist and critic (1841-1902). He explains why he cannot go on an excursion. He expects to have to paint a python on the point of shedding its skin.

Artist (DNB). Two pages, 8vo, fold marks but good condition, partly laid down alongside photograph, c.2" x 3". He expects Roberts to attend the same event and asks to share his "conveyance". He concludes that he "found Callcott in much the same state I left him."

English artist. 'Life has been one continual rush since we returned from the States. I have been hoping for a chance to get down to see you. When you are in Town & this way do call in & see us.' Describes a window memorial in a church, dedicated to 'your dear Father'. 'How lovely to think of the two dear souls their memories yet more precious as the years advance'.

Victorian landscape and genre painter. The conclusion of a letter cut away for the signature: 'the Silk covering with the Red but I believe they could be changed for blue if preferred | I have the honour to be | Madam | Your obedient Servent | J. J. Chalon'. Slightly discoloured by the glue with which it was stuck to the album.

Historical painter (1816-1879). 3 & 2pp., 8vo. (4 Sept.) He is doing his best to facilitate the sale of a painting through a friend ("Haynes"), "the de Witt picture", owned by a Col. Gordon. The market for "luxury" items is affected by the depression, but he hopes for an upturn. He admires both the de Witt and "the portrait of Mary". (28 Sept.) He will do his best with regard to both pictures but outlines problems. 2 items,

Antony Vandyke Copley Fielding. Watercolour artist (1787-1855). One page, 12mo. "My dear Miss Coates, / Pray be so good as to give my kind Compliments to your mama, & say that I shall have great pleasure in coming to Bedford Place on Tuesday eveg. & with my best remembrance to your Aunt Julia, & many thanks to you for your obliging note, / I remain / very sincerely yours / Copley Fielding". One very small hole at head and slight creasing, but in good overall condition.

Artist. One page, 4to, tears on folds, but text clear and complete. He is annoyed at not meeting up and discusses his much-felt loss of a brother. "His death was as tranquil as his life." He sends good wishes to the Smiths.

English portrait-painter (1803-81; DNB). Piece of paper approximately three inches by five. Slightly discoloured but in good condition, and attached to piece of brown card. Reads 'Remember me very kindly to the Ladies, and after to your Sons, and believe me | Every yours most sincerely | John P. Knight'

Historical painter (1799-1879). Landseer's signature with others (Crowly, Ross, Graves, Lewis, Cury), probably cut from document relating to the Artist's Benevolent Fund. A line has been drawn thorugh Landseer's signature and the words "not eligible" added.

English artist (1842-1921). 2 pages, 16mo, on the rectos of the two leaves of a bifoliate, the first leaf bearing a mourning border. In good condition, but with remains of mount adhering to blank verso of second leaf. 'Re candlesticks. | The dean does not want candlesticks for the Altar. | But, in the place of those hideous bronze things in fornt of the Altar I have designend, and Pegram the sculptor has modelled a sketch, a really fine thing.

Two pages, 4to, chipped, spike-hole, small loss, mainly readable.

Turner (1815-85; DNB) was the son of the noted botanist and autograph collector. 4 pages, 16mo. Creased, stained and grubby. Odd cross between an offer of work and a begging letter. Marked 'Private'. From their 'former relations' Hamilton feels sure Turner will assist him as he did before, when he was 'engaged in bringing out the West-End'. He hopes 'it will not be long before I can again avail myself of your facile pen for a few more of your graphic sketches of what comes under your observation.

English sculptor (1788-1867)(DNB), responsible for the Nelson on Nelson's Column. Both letters are discoloured by age, but otherwise in good condition. The first letter is 1 page, 16mo, cropped and mounted on a larger piece of paper. 'My Dear Sir Martin | Absence from Town will I hope be a sufficient apology for my not sooner acknowledging the receipt of your card of invitation for Wednesday next - and to state that I shall have great pleasure dining with you that day.' The second letter is 2 pages, 16mo, heavily discoloured and with remains of four wax mounts in corners and elsewhere.

English architect (1856-1942). Slip cut from letter, dimensions approximately 1 1/4 inches by 4 1/4. In good condition. Reads 'Yrs sincy | Reginald Blomfield'. Docketed in pencil '1935' and with tidy strip with 'SIR REGINALD BLOMFIELD, M.A., R.A.', neatly stuck down beneath signature.

Scottish animal painter and cartoonist (1864-1949), for many years connected with Punch. In good condition, with the printed cartoon approximately 6 inches by 5, on 8vo piece of paper with two neat holes for ring binder. One of Armour's cartoons ('PLAYS FOR THE HUNTING-FIELD. | "HONOURS EASY."), has been cut from Punch, and stuck to the piece of paper, to which Armour has added his signature, 'G. Denholm Armour | 14 - 3 - 30'. Above the signature, in another hand, is ' "Punch" 5 - 3 - 30.'

English architect who built a bridge over the Thames at Richmond. Relates to the lease by him to Graham of property in Queen Street, Mayfair. Signed and sealed by both parties. On the reverse is an assignment of 7 December 1847 from Graham to Elizabeth Anne Howard of 12 Thurloe Square, Brompton. With various seals and stamps. Written in black ink and ruled with red lines.

4to. In good condition, in original stamped patterned cloth and with attractive red leather label (somewhat worn) stamped with gilt on front board. Boards with bevelled edges worn and frayed at corners. Marbled endpapers, with front hinge cracked. Contains ten leaves comprising: frontispiece ('PLATE II. | TINTERN ABBEY. | EXTERIOR VIEW OF THE EAST END.'); title-leaf (title-page in red and black, with vignette and ruled with red lines); leaf with 'TABLE OF CONTENTS'; first two leaves of 'PREFACE' (pp.i-iv); and five leaves of text (pp.103-112).