DRAWINGS

English engraver (1804-66). One page, octavo. Good, on slightly discoloured paper with spike hole at centre. Addressed to 'Mr. Moon' on verso of second leaf of bifoliate, which has a hole from the breaking of a wafer which still adheres. Reads 'I've taken the liberty of leaving for your inspection a few specimens of my stile of engraving - your brother Mr.

English author and politician (1797-1833), whose efforts resulted in the formation of the National Gallery. Colnaghi (1751-1833) was the leading printseller of the period. One page, quarto. Good, on slightly discoloured paper with traces of previous mount adhering to reverse. A formal letter in the third person. 'Mr Agar Ellis would be much obliged to Mr Colnaghi if he would procure for him the German prints in outline for "Ondine", published at Nuremberg - Also the Prints in the same style for the German play of "Faust".

Major Francis Pierson died driving the French from the Market Place of Saint Helier in the Island of Jersey, 6 January 1781. Dimensions of paper roughly ten inches by eight. Dimensions of print roughly six inches by four and a half. Surrounded by six tiny vignettes: two of soldiers and four of battle scenes. Very good and clean. Suitable for framing. Mounted on a larger sheet of paper torn from an autograph album. The original painting is in London's Tate Gallery, and the item is accompanied by an early twentieth-century colour postcard of it, with some damage to the reverse.

Colnaghi was a member of the notable family of English printsellers. Hall (1800-89) was an author and editor. Paper dimensions roughly five inches by three inches. Good. From a collection of material relating to the Artists' General Benevolent Fund. Reads '<...> Paul Dominic Colnaghi Esq | | S. C. Hall. | '.

Three noted British painters of the first half of the nineteenth century: Clint (1770-1854), Stanfield (1793-1867), Brockedon (1787-1854), together with the printseller Colnaghi (1790-1879) and the auctioneer Robins (1778-1847). Paper dimensions roughly five inches by four inches. Good, but lightly creased and a touch grubby. From a collection of material relating to the Artists' General Benevolent Fund.

The engraver and painter Ward (1769-1859) and the artist Jackson (1778-1831). Dimensions of paper roughly five inches by two inches. Good. From a collection of material relating to the Artists' General Benevolent Fund. The reverse reads '<...> <...> | Daughters of the late Robert <...> | Painter Engraver & Publishe <...>'. Clearly a petition on behalf of the two women, and with Georgiana Dodd's cropped signature above those of 'James Ward R.A. | John Jackson R.A.'.

The artist Clint (1770-1854), the printseller Colnaghi (1790-1879) and the engraver Audinet (1766-1837). Paper dimensions roughly four and a half inches by three inches. Good clear signatures, but on paper somewhat grubby and creased. Reads 'D: Colnaghi | Geo Clint ARA | Philip Audinet'. From a collection of material relating to the Artists' General Benevolent Fund.

Vulliamy (1780-1854) was a London clockmaker. Allnutt (1773-1863) was a wealthy wine merchant, a patron of Constable and Turner with a noted collection of paintings. Reads 'B L Vulliamy | Jn Allnutt, Clapham | 28 Nov. 1843'. From a collection of material relating to the Artists' General Benevolent Fund.

Keeper of Prints and Drawings at the British Museum (1819-87). One page, 12mo. Docketed in ink on blank second leaf of bifoliate. 'I feel it my duty to publish a second edition of our Catalogue of Duplicates before the Sale takes place as there are so many mistakes. | As you went through the prints so carefully I should be glad to avail myself of your notes if you would kindly lend them to me for a day at the same time, I should wish to fullhy acknowledge the favour'. Signed 'Geo. Wilm Reid'.

Art historian (1867-1948) and Keeper of Prints and Drawings at the British Museum, 1912-32. Four pages, 12mo. Good, but somewhat grubby with a few small stains. Interesting, and characteristically subtle solicitation. He has been examining the book of drawings his correspondent sent the previous week, but is unable to say who formed the collection: 'my colleagues in the library cannot tell anything from the elephant stamped on the binding'. 'The little drawings are mostly old but not of any great merit'.

Dimensions. Paper stained, discoloured and ruckled. Trimmed and mounted on a piece of brown paper. Reads 'Shall feel extreemly [sic] obliged if you will have the goodness to allow the Landscape on Copper sent to be placed on the Walls for the ensuing Exhibition at the Royal Academy has [sic] it will confer an obligation on | Sir/ | Your Most Obedient | Servant | G Kirkley | Landscape on Copper | George Kirkley | No. 3 Gilhams Fields | Worship Street'.

English engraver (1789-1843). Two pages, 12mo. Edges trimmed (with some loss to text), lightly creased and with some damage to head. Asks if the recipient has in his collection a print of Horace Walpole. 'If you have will you let me see it for , with price marked, will either return it or send the Money, Business preventing my <?> out <?> [...] Impressions of the Vandicke, should you have any grand Heads after that Master I should listen to see soon'. Signed 'W. F. Fry'. Docketed at head 'Mr Fry Engraver'.