DRAWINGS

[George J. Stodart, engraver.] Signed engraving, from a photograph, of Dr Evan Buchanan Baxter, Professor of Materia Medica at King's College, London.

Author: 
George J. Stodard, British engraver [Dr Evan Buchanan Baxter (1844-1885), Dr. Evan Buchanan Baxter, Professor of Materia Medica at King's College, London]
Publication details: 
Without place or date. [1880s.]
£50.00

On piece of 21 x 13 cm India paper, laid down on a piece of thick paper, 33 x 24cm. The engraving is small in comparison, measuring around 8 x 6 cm, and showing a formally dressed and bearded Baxter's head and shoulders, facing to his right. Aged and dusty, with crease line to the mount at the foot. Stodart has signed in pencil in the bottom right-hand corner of the engraving paper, and the crease line bissects the signature and its underlining. At bottom right of mount, in pencil: 'Dr Baxter | Kings College'.

[William Upcott, antiquary and autograph collector.] Autograph Letter Signed ('Wm. Upcott') to the music publisher and collector of Napoleana John Davis Sainsbury, requesting the loan of plates to be engraved by Charles John Smith for Henry Colburn.

Author: 
William Upcott (1779-1845), antiquary and autograph collector [John Davis Sainsbury (b.c.1793), music publisher and Napoleonic collector; Charles John Smith, engraver; Henry Colborn, publisher]
Publication details: 
102 Upper Street, Islington. 18 February 1836.
£120.00

1p., 12mo. Good, on lightly-aged paper. Addressed to 'J. Sainsbury Esq'. The letter reads: 'Dear Sir | My friend, Mr Charles Smith, is engaged by Mr. Colborn to engrave the portraits of Sir Hudson Lowe, Madame Bertrand and M.

[John Raphael Smith, mezzotint engraver and publisher.] Autograph Letter Signed ('J. R. Smith') to the architectural writer James Elmes, informing him of the progress of a work and that he is sending two proof plates. Carrying 3 signed notes by Elmes

Author: 
John Raphael Smith (bap. 1751, d. 1812), mezzotint engraver and print publisher [James Elmes (1782-1862), writer on architecture]
Publication details: 
'Newman Street. 33. [London]'. 17 June 1811.
£120.00

1p., 4to. Bifolium. Very good, on lightly-aged paper. Addressed on reverse of second leaf to 'James Elmes Esqre.' At the head of the letter Elmes has written: 'From J. Raphael Smith the celebrated mezzotinto Engraver | J Elmes', and down the bottom right-hand corner: 'From J. Raphael Smith, Painter in Crayons & Mezzotinto Engraver to Mr Elmes, with 2 proof prints | J. E'. At the foot of the page Elmes has identified 'Mr. Tooke' in the letter as 'Horne Tooke J.E.' Smith writes: 'Sir | I have sent you an impression of Sr.

[James Mitan, engraver.] Autograph Letter Signed ('J Mitan') to the print collector Robert Balmanno, arranging an exchange of prints by Abraham Raimbach between Balmanno and the engraver Charles Heath.

Author: 
James Mitan (1776-1822), English engraver [Robert Balmanno (1780-1861), Scottish author and print collector; Charles Heath (1785-1848), engraver; Abraham Raimbach (1776-1843), engraver]
Publication details: 
63 Warren Street, Fitzroy Place. 2 December 1814.
£80.00

2pp., 4to. 18 lines of text. In bifolium. Good, on aged and creased paper, with strip of page to which the letter was attached adhering. Addressed, with red wax seal, on reverse of second leaf, to 'R. Balmanno Esqre. | 3 Middle Temple Lane Temple'. He begins: 'Having some communication last week with Mr. Charles Heath in the course of conversation he was regretting that he could not procure any proofs of plates engaraved by Mr. Raimbach - now as your Kindness gained me what I wished of his performance with an obliging offer of something more it occurred to me to solicit fom Mr.

Six pencil sketches by E. J. Sullivan for illustrations in the Pall Mall Budget, including ones to the H. G. Wells stories 'The Stolen Bacillus' and 'The Thumbnail'. With autograph notes by Sullivan for an apparently unpublished short story.

Author: 
E. J. Sullivan [Edmund Joseph Sullivan] (1869-1933), English book illustrator [H. G. Wells; The Pall Mall Budget, London]
Publication details: 
Undated [five of the illustrations appearing in the Pall Mall Budget, London, in May and June 1894.]
£450.00

The six illustrations and seven pages of text totalling 13pp., 4to (22.5 x 18cm), on seven leaves of laid paper removed from an album. On aged brittle paper, with chipping and slight loss to the edges. The illustrations are simple sketches, indicating the layout of the page, with titles and occasional words of text by Sullivan. Five of the six designs are for the Pall Mall Budget: 'The Thumbmark by H. G. Wells' (28 June 1894), thumbmarks around title and a newspaper seller with headline reading 'Anarchist Outrage'; 'The Stolen Bacillus by H. G.

[E. J. Sullivan, English book illustrator.] Page of pencil sketches of girls dancing, captioned 'The poppy', 'Sheperdess' and 'Mamma's [sic] little Alabama Coon'.

Author: 
E. J. Sullivan [Edmund Joseph Sullivan] (1869-1933), English book illustrator
Publication details: 
Without place or date. [Circa 1894?]
£160.00

1p., 4to (22.5 x 18cm). On laid paper. In fair condition, aged and with slight chipping. The sketches are crude but attractive, headed with a line of three girls in black stockings and petticoats shaking a leg, with the phrase 'The poppy' in the top left-hand corner, and a line of girls at the foot, with an oriental male figure with cane in the background, captioned 'Mamma's Alabama Coon'. Two sketches of the 'Shepherdess' at bottom right, with usual broad-brimmed hat and crook. Hattie Starr's 'Little Alabama Coon' took London by storm in 1894.

[Three coloured plates, tipped in onto three leaves in an illustrated portfolio.] The Bookman Portfolio. Containing Plates in Colour by Jessie Willcox Smith. Illustrating The Water Babies, by Charles Kingsley.

Author: 
Jessie Willcox Smith (1863-1935), American children's illustrator [Hodder & Stoughton Limited, London publishers; Charles Kingsley]
Publication details: 
Hodder & Stoughton Limited, Warwick Square, London, E.C.4. Christmas 1920.
£120.00

Each of the three coloured plates is 19 x 14 cm, and each is laid down on a piece of 31.5 x 20.5 cm cream textured paper, each mount with caption and vignette printed in green. The three are placed in a portfolio, made of the same textured paper as the mount, with the front carrying the title, publishers' details, and an illustration (of underwater baby balancing on a fish). In fair condition, aged and with wear to extremities.

Manuscript copy of letter from William Lock to Alexander Murray, complaining from Italy about the result of the sale of his books and prints, discussing his estate, and planning the sale by Sotheby of his own paintings and those of Henry Fuseli.

Author: 
William Lock (1767-1847), painter, son of the connoisseur William Lock [Locke] (1732-1810) of Norbury Park, Surrey [Henry Fuseli; Samuel Sotheby; Alexander Murray; John Julius Angerstein]
Publication details: 
2 June 1821. Florence, Casa Quaratesi, Piazza Ognissanti.
£150.00

1p., 4to. Neatly written out in a contemporary hand (presumably the recipient's), with 'Copy' at the head. In very good condition, on lightly-aged laid paper with watermark of 'W D WELLS'. Signature transcribed as 'Wm. Lock'. Lock has just received Murray's letter of 18 May, 'giving me an Account of the Sales of my Books and Prints which is so much below what I had reason to expect, that I must beg you to apply only One thousand to the Payment of my Debt to my Fathers Executors'.

Two sets of printed 'Plans of the New Royal Westminster Ophthalmic Hospital, Broad Street, London, W.C.2.' by Adams, Holden & Pearson.

Author: 
[Charles Henry Holden (1875-1960), English architect; Adams, Holden & Pearson, London architects; The Royal Westminster Ophthalmic Hospital, Broad Street, London, WC2.]
Publication details: 
Without date or place. [London, c.1926.]
£120.00

The two plans are both in good condition, on lightly-aged paper: each printed in black ink on one side only of a piece of white paper, and both folded twice. The first is landscape, 28 x 40.5cm, and carries the 'FIRST FLOOR PLAN' on the left, and 'GROUND FLOOR PLAN' on the right. The second is portrait, 40.5 x 29.5cm. It has two 'TYPICAL WARD PLANS' (third and fourth floors) above two 'SECTIONS A.B. & C.D. OF ELEVATIONS'. The Royal Westminster Ophthalmic Hospital was established on High Holborn in 1816.

18 engravings by Pearson, Lee and Mason, from drawings by the Victorian illustrator 'Alfred Crowquill' (Alfred Henry Forrester), including eleven proofs.

Author: 
Alfred Henry Forrester (pseud. 'Alfred Crowquill'), illustrator and writer, associated with his brother Charles Robert Forrester (1803-1850)
Publication details: 
[London: 1840s and 1850s.]
£600.00

Ten of the engravings carry Crowquill's name; the other eight can be attributed to him stylistically. In good overall condition, on aged paper, with a few of the eighteen lightly creased or worn, and one bearing traces of previous mounting. Seven of the engravings are proofs of vignettes and initials, ranging in size from 10.5 cm square to 22 x 18.5 cm.

Ten loose uncoloured india-paper proofs of the steel engravings of illustrations (from designs by the Marchioness of Waterford) accompanying the poem 'The Babes in the Wood', published in London by Joseph Cundall.

Author: 
[Joseph Cundall (1818-1895) of 12 Old Bond Street, London publisher and photographer; Louisa Anne Beresford [née Stuart], Marchioness of Waterford (1818-1891), watercolour painter and philanthropist]
Publication details: 
London: Joseph Cundall, Mdcccxlix. [1849.]
£320.00

Each proof is on 29 x 23 cm paper, and each is laid down on a piece of 38 x 31.5 cm card. In good condition, on lightly-aged and spotted paper, with wear and bumping to mount. The first engraving The Spectator for 23 December 1848 carried an advertisement by Cundall for 'ILLUSTRATED WORKS BY LADY AMATEURS', at the head of which was 'THE BABES IN THE WOOD. Illustrated with Ten Original Designs, Etched on Steel. | Colombier 8vo. price 1l. 1s.; or Coloured after the Drawings, 2l. 2s.

Signed mezzotint engraving by Frank Short [Francis Job Short] of the Royal Academy, headed 'Twelve Subjects from the Liber Studiorum of J. M. W. Turner, R.A. Etched & Mezzotinted by Frank Short.'

Author: 
Frank Short [Francis Job Short (1857-1945)], RA, engraver [J. M. W. Turner]
Publication details: 
'Published by Robt. Dunthorne, at the Sign of The Rembrandt Head, in Vigo Street, London. W.' [1890s?]
£120.00

Landscape on 16 x 12 cm paper. Dimensions of plate 12.5 x 18.5 cm. In very good condition, lightly-framed. Signed in pencil 'Frank Short' at bottom right outside the plate. The mezzotint itself (a cloudy view of a bay, with shipping in the background) is 5.5 x 10.5 cm., within a 7 x 12 cm printed frame. Outside the frame, in the bottom left-hand corner, is an engraving of a pheasant on reeds by a river. The title is at the head, with the list of the twelve engravings down the right-hand side of the mezzotint, and the publisher's details beneath it in the bottom right-hand corner.

Four engraved caricatures on a single sheet, published by the Regency publisher and printseller Thomas McLean, whose London shop was next to the Haymarket Theatre, and possibly depicting theatrical characters.

Author: 
Thomas McLean (1788-1875), publisher and printseller, 26 Haymarket (next door to the Haymarket Theatre), established 1811
Publication details: 
London: Thomas McLean, 26 Haymarket. 1824
£180.00

The sheet is 38 x 27.5cm; and the dimensions of the plate are34 x 25cm. At foot of plate: 'London, Published by Thos. Mc.Lean, 26 Haymarket, 1824.' The engravings, each 11 x 8cm., are arranged in two rows of two. In good condition, lightly-aged and with a torn pin hole at head, presumably where the print was torn from its string. Moving clockwise from top left, the prints are as follows.

Engraving of the poet Walter Savage Landor by H. W. Smith after a drawing by Alfred d'Orsay, with original sample of his handwriting.

Author: 
Walter Savage Landor (1775-1864), poet and author of the 'Imaginary Conversations' [Alfred d'Orsay [Count d'Orsay] (1801-1852), French dandy and artist]
Publication details: 
Neither item with date or place.
£56.00

The engraving, which is not in the collection of the National Portrait Gallery, is on a piece of 19 x 14 cm paper, with tissue guard. The image measures around 8 cm square, and shows Landor's head in profile, looking to the left, with 'A. D'Orsay' beneath to the left, and 'H. W. Smith' beneath to the right. In good condition, lightly-aged, with small stain to one edge of border. Attached to a piece of paper, along with the piece of Landor's autograph, which is on a 1 x 18.5 cm strip of grey paper cut from a letter, and is in fair condition, lightly-creased.

The original lithograph of Samuel Prout's 'A Drawing on Paper transferred on Stone', showing a dockside water pump, from the English edition of Alois Senefelder's 'Complete Course of Lithography' (1819).

Author: 
Samuel Prout (1783-1852), English watercolour painter [Rudolph Ackermann; Alois Senefelder]
Publication details: 
[London: Rudolph Ackermann, 1819.]
£95.00

On a piece of paper 20 x 22.5 cm, with the dimensions of the image 16.5 x 22 cm. Caption at foot: 'A Drawing on Paper transferred on Stone', with 'Drawn by S. Prout' beneath the bottom left-hand corner of the image. In fair condition, on lightly-aged paper, with the image clean, and foxing to the caption strip at the foot. Laid down on a leaf removed from an album. The original print, from the English edition of Senefelder's book, published by Ackermann in 1819, and not the version reprinted in 'Lithography and Lithographers' by E. R. and J. Pennell (London: T. Fisher Unwin, 1915).

Signed engraving by John Cameron, depicting a humorous scene in front of a 'Junk Shop in Chelsea'.

Author: 
John Cameron, artist and engraver [Chelsea, London]
Publication details: 
Without place or date [1950s?].
£180.00

In black and white. Dimensions of paper 15 x 20 cm; dmensions of plate 13.5 x 18.5 cm. In good condition, lightly-aged. Cameron's actual signature ('John Cameron') is in blue ink in the bottom right-hand corner of the card; his facsimile signature is in the bottom left-hand corner of the print, with 'Junk Shop | in Chelsea' in the bottom right-hand corner. A detailed, cartoony image (with Ronald Searle undertones), depicting a stretch of three houses in a terraced street, with a number of customers rooting through junk in front of a corner shop.

Thirty-four etchings by Gérard de Lairesse ('The Dutch Poussin'), including some of the designs collected and published in ''Opus Elegantissimum' by Nicolaes Visscher II, and republished by Nicolaes Visscher II and republished by Gerard Valck.

Author: 
Gérard de Lairesse (1640-1711), 'The Dutch Poussin', painter, engraver and art theorist; Nicolaes Visscher II (1649-1702), Amsterdam printer, publisher and cartographer; Gerard Valck (1651/2-1726)
Publication details: 
[Amsterdam: Nicolaes Visscher II? Gerard Valck? Late seventeenth century or early eighteenth century.]
£280.00

Most of de Lairesse's plates were, as the British Museum Department of Prints and Drawings notes, 'originally published by Nicolaes Visscher, who published a collected edition under the title "Opus Elegantissimum" in c.1675. The BM holds an album bound in vellum containing the Gerard Valck edition of 'Opus Elegantissimum', a selection of numbered etchings by Lairesse and 13 unnumbered etchings and mezzotints by other printmakers (Valck, van den Berghe and Blooteling) after Lairesse'.

Engraved portraits of the Flemish artists David Teniers the Elder (by Van Leysebetten from a painting by Van Mol) and his son David Teniers the Younger (by Meyssens from a self-portrait), both from Cornelis de Bie's 'Gulden Cabinet'

Author: 
[David Teniers the Elder (1582-1649); his son David Teniers the Younger (1610-1690), Flemish painters from Antwerp; Cornelis de Bie (1627-1715); Pieter van Mol (1559-1650); Jan Meyssens (1612-1670)]
Publication details: 
[Antwerp: Juliaen van Montfort, 1662]
£120.00

Both prints in very good condition. David Teniers the Elder: Dimensions of paper 22 x 17.5; dimensions of plate 18 x 14 cm. Captioned 'DAVID TENIERS SENIOR' and numbered 26. Brief biography in French beneath image, and 'P. V. Mol pinxit P. V. Leysebetten sculp'. David Teniers the Younger: Dimensions of page 20.5 x 15.5 cm; dimensions of plate 16.5 x 11.5 cm. Captioned 'DAVID TENIERS' and numbered 58. Short biography in French, followed by: 'Dav. Teniers pinxit Pet. de Iode sculpsit Io. Meyssens excudie.'

Reproduction of a drawing of Charles Dickens by Rudolf Lehmann, from 'R. Lehmann's Portrait Studies', presented in the style of a carte de visite.

Author: 
Rudolf Lehmann [Wilhelm Augustus Rudolf Lehmann] (1819-1905), Genre and portrait painter [Charles Dickens; Frederick Bruckmann, bookseller, Southampton Street, Strand, London]
Publication details: 
Fred. Bruckmann, London, 17 Southampton Street, Strand. No date.
£120.00

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges. Aged and faded, but nevertheless a nice item of Dickensiana. A sensitive study of Dickens's face, above a heavily-faded facsimile of his signature. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'CHARLES DICKENS | FRED.

Autograph Letter Signed ('E Duncan') from the engraver and watercolour painter Edward Duncan, inviting John Paget to a meeting of the Chalcographic Society at his house.

Author: 
Edward Duncan (1803-1882), English engraver and watercolour painter [The Chalcographic Society; John Paget]
Publication details: 
110 Adelaide Road, Haverstock Hill. 17 August 1863.
£65.00

2pp., 12mo. In fair condition, on lightly-aged paper, with a couple of small spots of glue from mount. Numbered in another hand at the foot of the second page. He writes: 'The Chalcographic Soicety meet at my house on Friday evening next 21st inst | If you can favor me with your company on that evening it will give me great pleasure.' For information about the Chalcographic Society, founded in 1807, see Dennis M. Read's biography of 'R. H. Cromek' (2011).

[Printed handbill.] Description (By Mr. Tom Taylor, M.A.) of the "Triumph of Christianity" painted by M. Gustave Doré

Author: 
Tom Taylor, M.A.; Gustave Doré
Publication details: 
Bradbury, Evans, and Co., Printers, Whitefriars. [Circa 1867.]
£125.00

4pp., 12mo. Bifolium. Aged and ruckled. Doré's huge painting 'The Triumph of Christianity over Paganism' was first exhibited in the Egyptian Hall in Piccadilly in 1867.

[Poetical handbill, with handcoloured engraving.] Some Push Along With Four In Hand, While Others Drive At Random. Written by J. Pocock, Esq.; composed by Mr. C. SMITH; and sung, [...] by Mr. MATHEWS, [...] at the Lyceum Theatre, Strand.

Author: 
[Isaac Pocock (1783-1835), dramatist and artist; Charles Smith, singer and composer; Charles Mathews (1776-1835), actor-manager; Lyceum Theatre, Strand; London Stage; Regency buck; dandy]
Publication details: 
'Published 4th. April, 1810, by LAURIE & WHITTLE, No. 53, Fleet Street, London.'
£235.00

Printed on one side of a piece of laid paper 28 x 23.5 cm. The hand-coloured engraving (showing Mathews in riding garb with long whip in foreground, and a coach and four in the background) is 16 x 22.5 cm. Fair, on aged paper, with wear and slight loss to extremities (not affecting the engraving or text), and the reverse showing signs of removal from an album. Above the engraving are the words 'BANG UP - RANDOM, OR TANDEM.' and beneath are the publication details, followed by the full title: Some Push Along With Four In Hand, While Others Drive At Random. Written by J.

Contemporary coloured 'Sketch of the Situation of the TOWN of ST. JEAN D'ACRE, with the position of the FRENCH besieging ARMY under the command of General BONAPARTE and the BRITISH SQUADRON co-operating with GEZZAR AHMET PASHA in its Defence [...]'.

Author: 
[The Siege of Acre [Siege of St Jean D'Acre], 1799; Napoleon Bonaparte; Sir Sidney Smith (1764-1840)]
Publication details: 
On paper watermarked 'J WHATMAN | 1816'.
£450.00

A fine plan, so neatly and delicately drawn that it could easily pass for an engraving. The title concludes: '[...] its Defence under the Command of SIR SIDNEY SMITH. Kt. &ca. &ca. &ca. - on the 2nd: day of May 1799.' In landscape on one side of a piece of laid paper, 29 x 42cm, with the plan itself within a 19.5 x 32.5cm border. The drawing and the precise and detailed lettering are in ink, the whole coloured in grey, brown, pink and blue watercolour. On aged and lightly-creased paper, with a couple of small unobtrusive holes. On a scale of one and a half inches to half a mile.

Autograph Letter Signed from the Sussex physician and engraver Arthur Evershed to the critic William Cosmo Monkhouse

Author: 
Arthur Evershed (1835-1919), Sussex engraver and physician to the Mount Vernon Consumption Hospital, North London [William Cosmo Monkhouse (1840-1901), poet and critic]
Publication details: 
On letterhead of 10 Mansfield Villas, Hampstead. 9 February 1883.
£80.00

1p., 12mo. Fourteen lines. Good, on lightly-aged paper. He is sorry to have put Monkhouse to 'the trouble of writing', and hopes someday to show him his 'best etchings'. 'I have been exhibiting etchings at R.A. for about 10 years: and my published work has been very favourably noticed in the "Times", "Athenaeum" "Academy" &c. &c.' He is enclosing (not present) an article which 'the Gazette des Beaux Arts' carried on his work, 'so long ago as 1876'.

Autograph Letter Signed ('Thos. Lupton') from the English mezzotint engraver and artist Thomas Lupton [Thomas Goff Lupton] to 'Trench' [Richard Chenevix Trench?], regarding a collection of French autographs brought from Paris by 'Mr. Lucas'.

Author: 
Thomas Lupton [Thomas Goff Lupton] (1791-1873), English mezzotint engraver and artist [Richard Chenevix Trench (1807-1886), poet and divine]
Publication details: 
4 Keppel Street, London. 15 July 1842.
£56.00

3pp., 12mo. Good, on lightly-aged paper. A friend of Lupton's 'has just arrived from Paris with a few choice matters, among others is as I understand an extraordinary Collection of Autographs'. Lupton told his friend that Trench was 'no buyer, but from your knowledge of such matters you could advise him'. The autographs 'consist of official documents connected with the Custom House & Police from the time of the first revolution (1790) to the present date, and about a hundred letters'.

Eighteen Autograph Letters Signed from artist and poet Bowyer Nichols [John Bowyer Buchanan Nichols] to his aunt Emily Mary Nichols, daughter-in-law of John Bowyer Nichols, with dozens of sketches and caricatures in letters and on 27 pieces of paper.

Author: 
Bowyer Nichols [John Bowyer Buchanan Nichols] (1859-1939), English artist and author [his aunt Emily Mary Nichols (nee Ade), wife of Robert Cradock Nichols, son of John Bowyer Nichols]
Publication details: 
The letters mostly from Southgate House, Winchester (11), Eagle House, Wimbledon (4), Winchester College (2); dating from between 1871 and 1875.
£1,800.00

All items in good condition, on lightly-aged paper. The letters total 33pp., 12mo; and 31pp, 16mo; with nine on 12mo bifoliums, seven on 16mo bifoliums and two on single 16mo leaves. Nine are on Southgate House letterheads, and two on Winchester College letterheads. All are complete except the last, which lacks the last part. Mostly addressed to 'My dear Aunty' and signed in a variety of ways, from 'J. Bowyer B. Nichols' to 'BBN'. The first letter, dated 4 December 1871, sets the tone, showing Bowyer Nichols to be a precocious and spirited twelve-year-old.

[Printed handbill poetical Christmas keepsake by Victor B. Neuburg, with wood engraving by 'O. W.']

Author: 
Victor B. Neuburg [Victor Benjamin Neuburg (1883-1940), poet and author, proprietor of the Vine Press, Steyning, Sussex]
Publication details: 
The Vine Press, Steyning, Sussex. Christmas, 1921.
£250.00

1p., 12mo. On piece of aged and lightly-creased laid paper. The engraving, at the head of the page, is 7 x 9.5 cm., is a stylised full-length depiction of a young man in eighteenth-century dress, wearing a cravat, with hands on hips, standing between two trees. The poem reads 'Dear He - / Or She - / This from me, / Victor B. / Neuburg, to thee.' Second stanza: 'Not me: we, / I forgot, you see.' In bottom left-hand corner, in italics, 'Christmas, 1921.' And in italics in bottom-right: 'The Vine Press, / Steyning, / Sussex.' No other copy found listed.

Four photogravure prints, including portrait of Emperor Franz Joseph of Austria by Heinrich von Angeli and painting by Anton Kozakiewicz, accompanying an advertising brochure for 'Richard Paulussen | Establishment for Photogravure | Vienna (Austria)'

Author: 
Richard Paulussen (c.1854-1906), of Margarethenhof, Vienna, photogravure engraver and printer [Heinrich von Angeli; Anton Kozakiewicz, Polish painter; Franz Joseph, Emperor of Austria]
Publication details: 
Brochure dated in type 'Vienna, May 1889. | V. Margarethenhof.' The four engravings undated.
£280.00

The four prints are in good condition, on aged paper. Each of the four engravings is on india paper, laid down on a piece of good thick laid paper of dimensions 19.5 x 28 cm. Printed beneath each image is 'Photogravure R.

Autograph Letter Signed from the wood-engraver Robert Gibbings to Mrs de Navarro in Canada, discussing his future plans.

Author: 
Robert Gibbings (1889-1958), Anglo-Irish wood-engraver and author
Publication details: 
On his letterhead, 91 Warwick Road, London, SW5. 1 January 1953.
£120.00

1p., 4to. Eight lines. Fair, on lightly-aged paper, with slight discoloration to the blank reverse, caused by tape repair to a short closed tear. In envelope addressed by Gibbings to 'Mrs. de Navarro | P.O. Box 88 | Mont-Rolland | P.Q. | Canada'. He thanks her for her 'nice letter'. He is 'now hard at work on the engravings for my new book "Coming Down The Seine" to be published in the autumn; then I may be going back to Ireland again.' He ends in sending 'every good wish for 1953'.

Autograph Note Signed ('Dion: Lardner') from Dr Dionysius Lardner, editor of the Cabinet Cyclopaedia, to W. S. Tuckerman of Boston; with original print of the drawing of 'The Editor of the "Cabinet Cyclopaedia"' by 'Alfred Croquill'.

Author: 
Dr Dionysius Lardner (1793-1859), Irish writer on science, editor of the Cabinet Cyclopaedia; 'Alfred Crowquill' [Alfred Henry Forrester (1804-1872)], English caricaturist
Publication details: 
Note: 30 October 1843; Boston. Print: undated.
£28.00

Note: 1 p, 4to. Addressed on reverse to 'W. S. Tuckerman Esq | Post Office | Boston', with red ink postmark and remains of red wax seal. Good, on lightly-aged paper. Reads: 'Boston 30 Octr. 1843 | [name deleted] Esq | Sir | I have much pleasure in complying with the request conveyed in your letter of Saturdays date. | I remain yours very truly | [signed] Dion: Lardner'. Print: 11.5 x 17.5 cm (including 0.5 cm white border). In good condition, neatly laid down on piece of wove paper, 22.5 x 29 cm, with black ink border.

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