FRED

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) Letter: 1p, 4to. On cream paper. In good condition, lightly aged and creased. Folded twice for postage. The letterhead, headed ‘”The Meaning of Versatility” / Fred Lewis / Creating a good impression.’, has an illustration of a series of footprints up the left margin, some with faces in them, and such slogans as ‘Mirthful Medleys’ and ‘Brilliant Burlesque’. The feet creating these ‘impressions’ are disappearing at the head of the page.

The two volumes contain a total of 239pp., 12mo, in ink and pencil, with entries dating from between 29 November 1912 and 28 March 1950. In fair overall condition, with light signs of age and wear. In two Keuffel & Esser notebooks, each in remains of brown calf binding, the first with 'MINING | TRANSIT BOOK | 363' stamped on front cover, and the second with 'Cross Section Book | 375 S'. In manuscript on cover of first volume: '19<...> Dec. | The Psilomelane D | of the Francis <....> | by | Don <...> | Under Prof. A. C. L <...>'.

See her entry and that of Macqueen-Pope in the Oxford DNB. The two items are in fair condition, on aged and lightly-worn paper. Both with the valediction and signature in a large flowing hand, and the second letter also with an autograph postscript. Both are 1p, 4to, and folded three times. ONE (7 July 1952): Addressed to ‘Popie my dear’ and with autograph valediction ‘Yours always / Julia’. She has ‘not been too well for over a year’, and the previous year her ‘stupid heart did foolish things’, and she was ‘ordered to bed for six weeks or more’. She is still ‘not allowed to do too much’.

See her entry and that of her husband Fred Terry (1863-1933), brother of Dame Ellen Terry, and of the recipient of these letters W. J. Macqueen-Pope (1888-1960), the foremost British theatre historian of the twentieth century, in the Oxford DNB. The seven items (Neilson?s five letters and carbon copies of two typed letters to her from Macqueen-Pope) are in good condition, lightly aged and creased. The first letter is signed ?Julia Neilson-Terry? and the other four ?Julia?. The first is addressed to ?Mr Macqueen Pope? and the others to ?Popie?. ONE: ALS, 1 March 1949. 3pp, landscape 12mo.

See the Oxford DNB entry on Burnaby ('He was commemorated in verse, song, and Staffordshire pottery').

On one side of a ruled 13.5 x 19 cm. leaf extracted from an album. A very nice piece of Fodens ephemera, in good condition, on lightly-aged paper. Mortimer's signature ('F Mortimer') is centred at the head, with the 26 names of band members in two columns beneath. Lightly annotated in pencil, with identification of: first cornets (5); repiano; flugel; second cornet; third cornets (2); soprano; horns (3); baritones (2); euphoniums (2); trombones (3); bass (4); and drums. For information on the band, see the works by F. D. Burgess (1977) and Allan Littlemore (2000).

The signatures of Sutcliffe and Woolley are on a 16 x 18 cm. piece of grey paper, cut from an album, those of the other three men are crowded onto an L-shaped piece of paper, laid down on the same leaf. At head of page: 'Yorkshire v. Rest of England, The Oval, Sept. 1923.' The odd man out is B. W. Bullock [ Burnett Wedlake Bullock ] (1896-1954), who did not take part in the match. He played for Surrey, and was presumably around when his more illustrious colleagues were giving autographs. According to the report in The Times, the match ended in a draw.

Good, firm signature in blue ink, 7cm. long, on a piece of paper laid down on a 16 x 25cm. piece of card, beside a magazine cutting of a photograph of Rogers, the two protected by a loose plastic sheet. In good condition, on lightly-aged paper.

Jeffrey Richards, in his 'Imperialism and Music: Britain, 1876-1953' (2001), pp.272-274, discusses this piece at some length, beginning: 'There was a late entry in the imperial cycle, the now-forgotten The Song of The Drum, written by Fred Thompson and Guy Bolton, which opened at the Theatre Royal, Drury Lane, on 9 January 1931. It starred Derek Oldham as Captain Anthony Darrell, Bobby Howes as comic relief Chips Wilcox, Peter Haddon as silly-ass "Goofy" Topham and Marie Burke as glamorous spy Countess Olga von Haulstein.

Both parts in fair condition, with light signs of age; the second part with creased corner causing damage to the last couple of leaves and back cover. Two stapled pamphlets, uniform in grey printed wraps. PART I. 'Stone Age to 8th Century A.D. | Illustrated.' [4] + 13pp., 4to. Frontispiece and two full-page illustrations, with two more illustrations in text. Inscribed on front cover 'With the author's best wishes | Xmas 1921'. PART II. '10th to 14th Centuries A.D., etc. | Illustrated with Photographs by the Author.' 19pp., 4to (paginated to 32).

All items clear and complete, on aged paper. Letters totaling: 4to, 1 p; landscape 8vo, 5 pp. The two cards carry long messages, written in red ink in Grubb's close, neat hand; one is standard size, the other 27 x 13.5 cm. Five envelopes are stapled to their letters. Grubb ('one of the last survivors of the famous 1960s Hampstead coterie of writers, actors and critics') writes entertainingly in an emphatic, energetic manner marvellously evocative of the 1970s London literary scene.