AUTOGRAPH

Two pages, 8vo, good condition. A good deal of politeness and circumlocution surround his statement of gratitude for the gift of some autographs.

Two pages, 8vo, creased, minor staining, left edge reinforced, text complete and clear as follows: "I have it not in my power to render you the service you request, and, I am sorry to say, cannot put you in the way of obtaining the autographs of Miss Jane Porter or Miss Edgeworth. Mrs. S.C. Hall's might be had I doubt not for the asking for - try addressing her at the Art Journal Office Wellington |Street (North) Starnd London." Mary Howitt's poem Father is coming", clipped from a newspaper is tipped onto the seecond page.

One page, octavo. Very good, on lightly aged paper, with embossed blue ink monogram at head. 'Dear Sir | My Sister Isabella, just arrived, tells me you desire my autograph, I have great pleasure in complying with your flattering request. [...]' The blank second leaf of the bifolium is carefully attached to a larger piece of neatly-docketed paper, and has the two newspaper cuttings partially laid down on it. The short Times obituary, dated 17 March 1908, states that 'She must surely have been the last person alive to whom Charles Lamb addressed a poem'.

Two pages, 12mo. Good, on spotted paper. Folded twice.He is obliged to his correspondent for 'sending me a copy of the Disraeli letter in your possession'. He will not trouble his correspondent for a loan of the original 'as the contents are rather of private than of public interest'.

Two pages, 12mo. Very good, on lightly creased paper. He is sending five autographs to add to her collection and is 'sorry not to have those of distinguished men of later dates but I am quite out of the service now'. Wonders if she knows his 'very dear friend General Nicholson who is living now at St. Andrews. He and his wife are among our dearest friends.' He 'saw the Godfreys last week - both well.'

One page, quarto. On aged and lightly creased paper. He is sending the signature with 'one or two others'. 'Possibly the work I have done for South Africa (I have been upholding the Imperial cause for a quarter of a century) is your reason for paying me the compliment.' Thinks he recognises from Freeman-Matthews' crest that he is 'a descendant of the Llandaff Mathews family'.

One page, 12mo. Very good on lightly aged paper. 'It gives me much pleasure to add my autograph to your collection.' With a 38-line biographical cutting on Fiske.

In French. One page, 4to, blank bifoliate, fold marks, mainly good condition. The central subject is autograph-collecting. He initially refers to the "interessants" autographs which Cossilla sent him in 1841and which had not arrived by a diplomatic conduit but only 4 or 5 months previously. He makes a comment about his "relations autographiques" with his correspondent and promises to offer duplicates ("doubles [underlined] qui pourront vous convenir"). Note: an online reference to de Stassart (a Descartes letter from his collection) indicates a major autograph collector.

Invoice, one page, 4to, minor defects, seeks payment for "Sorting & arranging a Collection of Autographs & Letters, by an Expert, with very great care . . . [£8.8s] Mounting & Guarding nearly 400 Letters, as arranged, Paper for Mounting & carefully guarding the same | Binding the collection in 9 vols 4to. & impl. 4to. in large morocco lettered [£12.12]." Bernard Quaritch has signed the receipt. With a printed receipt completed in manuscript, signed "Bernard Quaritch" (printed), one page, 8vo, good condition, acknowledging the receipt of £5.9.0 from "Mrs Madeleine Dale.

The letter: one page, 12mo. Good, but with removal from mount having thinned the paper in places, and with traces of brown paper mount still adhering. He is sending the autographs of 'Henry Seton Merriman (Hugh Scott); Gertrude Atherton; Miss Fowler; and Douglas Sladen. Also a photo from Ted (not a good one, but the only one I have left).' He enjoyed himself 'so much' at Langford. 'It was a week of real enjoyment to me.' The fragment: one page, four inches by four and a half wide.

One page, octavo. Good, on lightly creased and aged paper, with a little wear at foot. Purple ink. He thanks him 'for Cheque safely to hand for the Autograph Album. There is no question abot the Collection being a genuine one.' Details the provenance from the artist H. W. Pickersgill, to Charles Kingsley, to Kingsley's brother. 'I bought the Vol at the latters sale -'. He will send the two letters 'and the Kingslake in the morning'. He has been 'laid up ill for some days'.

Two pages, quarto. Very good. With traces of blue paper mount adhering to addressed verso of second leaf of bifolium. Dawson Turner having declined to buy a collection on the grounds that it is 'wholly out of his line of collecting', Russell now offers it to Thompson. They are 'not so interesting' as he anticipated when he 'bought them at an auction without looking at them till they were on the table'. Gives details of the purchase and describes the volumes, estimating their cost in binding.

One page, on piece of lightly aged paper, roughly six and a half inches by seven. Strip neatly torn away at head (not affecting text, but perhaps bearing recipient's address). Good, with a little damage from breaking of wafer and slight evidence of previous mounting on revese. Thirteen lines. He is sending the selected autographs, and will 'be happy to receive, at your leisure, those of Currie, Daubeny, Mc.Culloch, Flowers, Woodville & Phillips & Jones - or such 5 of them as you can best spare'.

One page, 12mo. Very good, on lightly aged and spotted paper. 'Dear Miss Thomas | The autograph-hunter has the advantage. It is not civil to ignore her, and she cannot be refused without getting what she wants'.

One page, 8vo, dulled but text clear and complete. Name and address of the bookseller on bifolium, missing a corner, not affecting text. "Ch. Michelot prie M. Aime Andre de lui envoyer le plutot possible [underlined] 1 [nouvel?] exemplaire du dictionnaire geographique Mac carthy".

On piece of pink paper roughly 8.5 x 11 cm. Laid down on slightly larger leaf from an autograph album. Good with a little paper and glue staining to the mount. Good bold signature, diagonally across the page.

On piece of light green paper, 8 x 11 cm. Laid down on leaf of slightly larger paper, taken from an autograph album. A little grubby and ruckled. Written in green ink.

On leaf of light blue paper, 8.5 x 12 cm, removed from an autograph album. Very good.

On piece of paper roughly 2.5 x 5 cm. Laid down on leaf of cream paper, 8.5 x 12 cm, from an autograph album. In slightly faded blue ink, and with a crease to the bottom left-hand corner, affecting the lower loop of the 'J'.

12mo: 2 pp. Thick mourning border. Good. The recipient has provided a partial interlinear transcription of what the New DNB describes as 'Stanley's execrable handwriting'. Stanley is 'much obliged for having [his] attention called to anything in the Abbey Services which requires rectification', and will 'make inquiry into the cause of [his correspondent's] complaint'. The 'inattention [...] will be remedied, so far as the nature of the case admits'.

12mo: 4 pp. 78 lines. Very good. A highly interesting letter, addressed by Depping to his collaborator on an edition of the works of Jean-Jacques Rousseau (8 vols, 1817) praised by Brunet as the most complete that had yet appeared. Written in French. Such is the strength of Depping's feeling that he cannot bring himself to address Villenave directly. He begins by stating that he hopes that evening to end an arrangement with Villenave which fills him with disgust (qui m'accable de degout).

12mo: 1 p. Very good. 14 closely-written lines. 'A friend of mine was asked by our dear old kind friend Chorley to assist in procuring for a Protege of his a musical education. I think the young person was originally introduced to him by Lady Devonshire. A sum was promised for two years, and the time is approaching for the payment to be made.' Asks if she can tell her 'anything about this'. 'You will be glad to hear I know that my husband is still well - His birthday the 21st. Novr. found him 84.'

Roughly 5.5 x 11.5 cm, with four lines (cropped at right) on recto, and four lines and signature on reverse. Ruckled and with stains from previous mounting on recto. Mentions his portrait by Gerand. He will thank her in person before leaving if he can.

Paper dimensions roughly 2 x 5 cm. Good, although on discoloured paper, and mounted on piece of slightly larger discoloured paper docketed in pencil 'Sir Abm Hume'. Reads 'Free 274 | [signed] Abram: Hume'.

12mo: 1 p. On discoloured paper, ruckled and with traces of glue from previous mounting on reverse. He is returning 'the account of the Burns Volume' which accompanied his correspondent's letter of 8 October. 'It does not suit me to purchase it, as I have already other & more important memorials of Burns.'

Publisher and author (1872-1948). All one page, 4to, fold marks, sl. grubby but text clear. (ALS) "Dear Wilson/ I have been meaning for several days to see whether you were not free to lunch, and now comes your note. Will you lunch on Tuesday? I hope you will./ Those advertisements? Why, I thought it was taken for granted that booksellers would supply the publications of any publisher - except those Heinemann people.

Statesman (see DNB). One page, chipped, small tear, trimmed but text clear and complete. The document, part printed (a form), records that Henry Fox on the 23 Aug.

Draughtsman and printmaker. One page each, 8vo, in his normal calligraphic hand, some peripheral damage but mainly good condition. (1927) He acknowledges receipt of a cheque and the return of a parcel of prints - thanks. (1942) He informs Fletcher that "The lithograph Enrico Cecchetti was published by C.W. Beaumont . . . He may have a copy left. I have only one, and that is stored away in Bushey, Herts. It might be unearthed, but not immediately." Two items.

One page, 4to, one small tear, staining, pinholes, text clear and complete. The four parties acknowledge receipt of £62.10 in their office aas "executors of Sarah late Duchess of Marlborough assignee of John Rudghe as per margin. In the margin, in manuscript is a list of years 1828-1838 with a list of yearly sums which add up to the £62.50 they are acknowledging. The list has the name John Rudge next to it. They received the money from James Earl Waldegrave (written in ms.

Author, associate of Arthur Astor Carey (1857-1923), philanthropist and social worker, of Waltham, Mass. Four, three and two pages, 8vo, respectively, good condition. (1915?). She speculates that she didb't answer his letter because "I think I wanted at first to consider asking my publishers what they thought of publishing a cheap edition of my books - as you suggested - and then I decided that they would not think it advisable . . ." She praises a pamphlet he has sent, "Libraries as Workshops", describing her early experience in libraries.