PRINTERS

All three items in good condition, a little grubby and lightly creased. Three pieces of nineteenth-century Scottish book trade ephemera. Item One (12mo, 1 p, nine lines of text): printed announcement that the 'concluding Volumes of our Edition of OWEN'S WORKS [...] will not be sent to Subscribers in arrear'. On the recto of the first leaf of a bifolium, with the verso of the blank second leaf docketed by Alsop. Item Two (12mo, 1 p, on grey-paper printed form): invoice, 'To JOHNSTONE & HUNTER, 15 PRINCES STREET.', dated June 1855. The subscription of 'J. Allsop Esqr.

Alexander MacLehose: Letter One: 4to, 1 p. Good, on slightly aged and lightly creased paper. He is sending a copy of his catalogue, 'which has reached me from the printers to-day'. He has 'sent a copy also to the firm'. Would like Wilson's 'advice as to whether "Memories of the Months" should have a paper jacket. The binders have sent me a nice cellophane cover, which shows the rather handsome binding. Would there be any objection, from a selling point of view, to a cellophane cover in place of the ordinary paper jacket?' Letter Two: 12mo, 2 pp.

Two pages, 12mo. Very good. In a case involving ['The Sphere'?] newspaper, Crooke has accepted the judgement in the case of the printers Hodge & Co., but he has appealed 'to the Inner House of the Court of Session' against the judgement in the case against the publishers. 'If the appeal is proceeded with it is not likely to be heard sooner than about December.'

Landscape, on one side of a piece of thick paper 24 x 30.5 cm. The print itself is 22 x 27.5 cm. The print is clear and entire on lightly-aged paper, with wear to extremities and some repair to reverse, to which a tissue guard has been attached. Enclosed within a decorative border of birds and flowers printed in burgundy, brown and gold, is a delicate illustration (9 x 15 cm), somewhat akin to a Baxter print, showing a sylvan scene with two young lovers in seventeenth-century attire.

Item One: Handbill headed, beneath the City of London shield, 'Description of the Design for the Ticket of Admission to the Banquet at Guildhall, on Tuesday, 9th November, 1875.' Printed in purple on one side of a piece of lilac paper, roughly 20.5 x 13 cm. Text clear and complete, on creased and aged paper, with 1cm closed tear to one corner. At foot of page: 'BLADES, EAST & BLADES, | 11, ABCHURCH LANE, CITY. | Established 1832.' The description runs to thirteen lines.

An unusual, scarce and frail survival. Printed on one side of a piece of tissue paper, roughly 35 cm square. Surprisingly well preserved: heavily creased, with some wear to extremities, one small hole (not affecting text or image) and one closed tear of approximately 4 cm to coloured border.

12mo, [ii] + 235 pp. In contemporary brown-calf half-binding, with marbled boards and grey endpapers. Internally sound and tight, if a little foxed, with some wear to the extremities of the title-leaf. In worn binding with label on spine mostly worn away. The identity of the author is unknown.

8vo, 2 pp. Good, though a little grubby on the reverse. Printed down the left hand margin of the recto is a long list headed 'Printers and Publishers of Illustrated Guides to'. Printed in large letters at the centre of the letterhead is 'Shropshire: Historical and Biographical', but there is no record of this title being published, or of any volume on Shropshire by Mates & Sons. From the context it appears that Lumley had a hand in Frederick John Snell's 'Devonshire, historical, descriptive, biographical', published by Mate & Sons in 1907.

8vo, 1 p. Very good, on lightly discoloured laid paper with 'TIMBRE ROYAL' watermark. In left-hand margin, clear embossed Timbre Royal seal by Galle and black ink 35 centime stamp (both 2.5 cm diameter). Written in a clear, attractive hand. Total of 35F 35c, 'Pour acquit', under three sub-headings: 'Impression de 200 Afficher grand format; pour la Vente des Mobiliers provenant des Successions dévoluer à 'Etat', '200 Timbrer à 10 centimes' and 'Timbre de la Quittance'.

Quarto: 4 pp. Unbound bifolium. Grubby and creased, with a couple of pin holes and small closed tears, and a little ink staining to the margins (not affecting text). Five illustrations, including full page engraving of two cherubs, entitled 'L'Enfance de l'amour'. Claims that 'neither labour nor expense will be spared to achieve and maintain the highest standard of literary and artistic excellence', and that the magazine will be 'strictly non-political, in the sense that it will champion the views of no particular party'.

Folio: sixteen leaves on laid paper. Unbound and stabbed, with two staples (now rusted) added subsequently. Good, with first leaf lightly discoloured. Title-leaf, and text on next fifteen paginated 1131-1159.

8vo: [iv] + 90 + [ii] pp. In original grey printed wraps. The answer to the question in the title is an emphatic 'No!', with the author's argument summed up in the conclusion: 'The publication of these remarks has been elicited by a feeling of indignation and surprise, on learning, that, in any part of the world, and especially of France, the man, whom a former generation cursed, should now be deemed worthy of being canonised.' The author puts his case forcefully and well, marshalling a number of quotations from classical and modern sources.

4to. Pages: [4] + 30. Uncut and in large part unopened, in original plain grey wraps. Stabbed as issued, but with thread worn away and signatures loose within wraps. Grubby and with some offsetting, but overall a very good survival of a scarce and fragile item. A handsome production which does great credit to its place of origin. Half-title, with vignette of castellated building. Title-page with circular medal of the Society of Antiquaries of Newcastle upon Tyne (before whom the work was read). Engraving on page one by Isaac Nicholson ('I. NICHOLSON, DEL.

The four items, all on aged and lightly spotted paper, are attached by four rusty staples. One (five pages, octavo): In reply to the firm's inquiry regarding 'the prevention of rising spaces in Monotype', Marshall states that, instead of giving information, he 'would rather send you the method and you try it out and prove for yourself its value, then pay me afterwards'.

Good, on lightly aged paper. Rust stains from paperclips on one leaf. Five pages of typescripts on five quarto leaves. The first page gives the contents, and the rest are covering pages with a few words of instructions (e.g. 'PREFACE | (To be prepared after revising first proofs)' and 'APPENDIX --- Authenticity........ | To follow with Bibliography and Indexes.' The proof slip, printed and with pencil insertions, is one page, on a leaf roughly eight inches by four and a half.

Clowes is an eminent firm of English printers, founded in London in 1803, and still thriving in Suffolk. The twelve typed letters are each one page, quarto, on the firm's Duke Street letterhead. The autograph letter is one page, 12mo, with mourning border. The collection in good condition overall, with a few items aged and lightly creased. Most items docketed and bearing the Society's stamp. All items except the circular signed by 'W A Clowes', who (he informs Wood in his first letter) has taken over from his cousin, Captain W. C.

Stapled and unbound. Octavo: four leaves (eight unpaginated pages). On aged and lightly spotted paper. Vignette on title page. Includes list of plates and 'Specimen Entry' of pages 51-3. Verso of last leaf headed 'from CONSTABLE'S BIBLIOGRAPHICAL LIST', comprising 'THE CARTER-POLLARD DISCLOSURES', 'BIBLIOGRAPHIA SERIES' and 'DORMY HOUSE CATALOGUES'.

Chairman of Unwin Brothers (born 1870). One page, quarto. Good, but discoloured and lightly creased, and with staple stain at head. Docketed and bearing the Society's stamp. He is sorry not to have answered sooner, but 'some very important business has engaged my attention during the last few days with the result that I put your letter into my private drawer without acknowledging it.

American-born British journalist (1864-1948), editor of the Daily Express, 1904-32. One page, quarto. Good, but on slightly discoloured paper, with slight staining to the four corners from previous mounting. Reads 'As one printer to another I want to tell you what I think of your magazine "Change". It does you all great credit. It is exceedingly well produced, presented with remarkably good taste, and I am astonished at the knowledge and technique.