OPERA

1p, 12mo. In good condition, on lightly-aged paper, folded twice. An elegantly-expressed sentiment: 'Mademoiselle, | Les malheureux sont mes Amis, et l'oeuvre à la quelle vous vous interressez à [sic] toutes mes sympathies; malheureusement je suis si peu de choses que je ne puis vous témoigner que mon bon vouloir a l'oeuvre à la quelle vous vous interressez [sic]si vivement.'

2pp, 12mo. In good condition, lightly aged, with lightly-rusted indentation from a paperclip. She thanks him for the 'lovely form of intrusion your letter proved to be - as though you could ever intrude!' She wonders whether, if she had been 'a more patient patient' the 'second attack' might not have happened' (a heart attack had forced her to retire from the stage), 'but I was never one for sitting and doing nothing'. She is 'trying very hard now as I have learnt my lesson'. She has 'so many interests that retirement is beginning to become a pleasure, thank heavens'.

1p, 12mo. In good condition, lightly aged, with small trace of glue from mount at foot. Folded twice. Reads: 'Dear Madam | I have much pleasure in complying with your request & beg to remain | Yours faithfully | Charlotte H Sainton Dolby'. See her entry in the Oxford DNB.

1p., 12mo. In envelope addressed to Giles at Moulsecoombe, Brighton. In good condition, lightly aged. He has looked for Giles's letter 'but cannot – yet – find it. Sorry. I vaguely remember it.' He will find Giles '2 tickets for a Dress Rehearsal if you will let me know which one.' Options of six operas, on six different days are listed, including Figaro and Giovanni.

10 x 11.5 cm. In good condition, lightly aged. Christmas card with original engraving, signed in pencil, on cover. Addressed to the recipient 'and Colin', the message reads: 'Viele liee Grüsse von Deine Aulikki'.

14 x 11.5 cm Christmas card, with illustration of cherubs singing and message in German on cover. In good condition, lightly aged and worn. The message, written in red ink, reads: 'Love and all best wishes for Christmas and New Year, your| Ljuba and Karl' Eleven-word postscript in German, signed 'Ljuba'. Regarding 'Karl', see Welitsch's obituary in the New York Times (6 September 1996): 'In 1956, when she was 43, Miss Welitsch caused a stir in Vienna when she married Karl Schmalvogel, a 29-year-old traffic policeman who had assisted her after an accident a year earlier.

On 13.5 x 18 cm leaf of cream paper, torn from an autograph album. Good firm signature, rising upwards, and reding 'Toti Dal Monte | 1956'. Nothing else written on either side of the leaf.

2pp., 12mo. In good condition, lightly aged, with light pencil line by Forsyth through first page. She hopes that she is not 'asking too much' in requesting 'two stalls or a box for the premiere of “Eugene Oneghin” - Friday evening'. If 'not impossible', he would like 'a lunch to be present that night. He asks to be sent word to the Garrick Club.

ONE: On letterhead of 'The Ben Greet Company', addressed from 20 Buckingham Street, WC [ London ]. 14 July [ no year ]. 2pp., 8vo. In fair condition, aged and worn, with the first page carrying pencil scorings and a short note by Forsyth. The first paragraph reads: 'If business will permit can I have one of the small boxes for Monday night. You generally let me have something during the Season. I've been a very regular Gallery & Amphitheatre and stallite this season.' He continues: 'You've got a genius in Frau , & you sd keep her. Everyone is raving about her.

1p., 12mo. In fair condition, lightly aged. He is sending a copy of a note his secretary has 'just sent about an opera box for the next season. | The box we were able to get this year contrasted so poorly with my old "loge entre les colonnes" in Paris that I am afraid my personal tastes would be about as well satisfied without one!' He feels sure that 'with this long notice and with a friendly word' from Higgins, 'something better can be done'. One of the grandest residences in London, Dorchester House was rented by Reid as the American Embassy from 1905.

1p., 12mo. In fair condition, lightly aged. Reads: 'Dear Miss Randall | I am pleased to sign myself | Yrs. sincerely | Henry A. Lytton'

On 22.5 x 6.5 cm slip of paper, ruled in red and blue. In good condition, lightly aged. Beneath the line of sheet music and the accompanying words 'Unless you can think when the Song is done,' is the good firm signature: 'Alfred J. Caldicott | Mus. Bac Cantab'.

The only writing on an 8vo leaf, clearly sent in response to a request for an autograph. In fair condition, lightly aged and worn, with slight evidence of mount on reverse. In a large firm hand, reading: 'Yours faithfully | Carrie Tubb Oliveira'. Tubb was principally known for work in oratorio, but sang in opera (Elektra, Hänsel und Gretel etc.) under Sir Thomas Beecham at Covent Garden from 1910. She taught at the Guildhall for more than thirty years from 1930.

Written one above the other on one side of a pink 12mo leaf of paper removed from an album. In fair condition, aged and worn, with small square of tape staining at head, and some light offsetting of ink over Nicholls' signature. Reads: 'Yours sincerely | Ben Davies.' and 'In remembrance of | Agnes Nicholls'.

1p., 12mo. In fair condition, lightly aged and worn. Docketed at head 'Answered'. Reads: 'Dear Mrs Finck - | We were very grieved to hear of the passing of your dear husband & our old friend - will you please accept our deepest sympathy in your great sorrow - & our prayers that you & your daughters may be greatly comforted - | Very sincerely Yrs. | Ben Davies'. From the Finck papers.

14 x 9 cm black and white postcard. In good condition, lightly aged.. A head and shoulders image, with Turner's face looking to the left, looking downwards, hands clasped under her chin. Inscribed at foot: 'To Mr A Watt | Best Wishes | Eva Turner'.

Four pages, 12mo, bifolium, fold mark, good condition. He would have answered sooner but for illness ("a bad attack of influenza or bronchitis, call it what you will"). He assures her of his attachment to her and hers. "I should like to see your chick [child?] - Is there any chance of your coming to LOndon again? Has Fanny any children? Do not show her this or she would be shocked to be called Fanny[.] I don not know her blessed married name. Remember me affectionately to [...] PS I send you some of the pieces of the Rose of Castille." This was first performed in 1857.

1p., landscape 12mo. In good condition, on lightly-aged paper. Reads, with manuscript text in square brackets: 'Royal Italian Opera, | Covent Garden. | [Madle Vestris] | Londres, [Le 6 Juin] 18[66]. | Recu de M. Gye la somme de [£40 - -] | [G Vestris | B.V, | £[40 : - : -']'.

Both letters 2pp., 12mo. Both in good condition, on lightly-aged paper, with tape from previous mounting adhering along one edge (and in one case overlapping a few words, including the signature). The two letters concern a concert 'at the Grand Theatre on 7 January', 'entirely of Manx music', in which the recipient has agreed to sing. Having put her down for two songs, he sends her 'our Book, out of which all the items of the concert will be taken', with suggestions of two songs and three encores. The second letter gives details of the rehearsal in Fort Street.

18pp., 8vo. Disbound. With pink front wrap, carrying an engraved portrait of 'Colonel Ingersoll. The Great American Orator and Wit.'. In good condition, lightly aged. A report of a speech at Robinson's Opera House, Cincinnati. A prefatory note, titled 'Eloquence of Ingersoll', quotes from Samuel P. Putnam's 'Golden Throne'. Scarce: the only copies of any edition traced at Oxford (second edition) and the London School of Economics (edition not stated).

Six of the letters are in autograph, the rest are typewritten, as are the carbons of the five letters from Tauber. Letters and copies total 49pp. All substantial letters, with content. The following description is divided into four parts. ONE: Thirteen letters, and a copy of one by Tauber, dating from between 1932 and 1934, all relating to the film industry. Correspondents are: Crescendo Theaterverlag, Berlin (regarding 'Die Dubarry'); Sonor-Film-Verwertungs, Berlin; Bosna-Film, Zagreb; Slaviafilm, Prague; and five letters, all from 1934, concerning the film 'Blossom Time', from the firm B.

On 6 x 14 cm piece of paper torn from letter. In good condition, lightly-aged. Cut from the valediction to a letter and reads: 'from Yrs most sincerely | Nellie Melba'.

Detached album leaf, 17.5 x 11.5, good condition, headed "The Royal Carl Rosa Opera Co. | Aberdeen- April, 1934. Names : Eric Warr ("Conductor"); Kingsley Lark; Mabel Baker; Redvers LLewellyn; Betty Thompson; Ivor John; Ronald Stear; Helen Ogilvie; Leyland White ("Figaro"); Howell Glynne; Godfrey Stirling ("Almaviva"); John Wright; Gladys Parker; Charles Draper; Pauline Maunder.

158pp., 4to. Typed text on rectos only. With manuscript emendations (possibly in the hand of Judith Spearman, stage manager) throughout, including deletions and a few short additional passages, as well as stage directions. Makeshift thumb index at head. In fair condition, with moderate signs of age and wear, bound with pink ribbon into buff card covers. Typed label on front cover, together with 'Judith Spearman' and 'Effects' in pencil.

One page, 4to, pasted to card frame, grubby and stained but text readable and complete. "I confess your offer to be liberal in the extreme - and if [excision] I possibly can,will be with you about the second week in January - I am now interestingly engaged being on the point of marriage with a young lady of this place (Manchester) therefore the excuse of 'being married and can't come' (at least these 2 months) must in this case be valid - Have the goodness to send the agreeement [...] to me at T. Wilson Esq.

1p., 12mo. In very good condition, lightly-aged, with parts of red wax wafer at each corner. Reads 'En route | Royal Hotel Cardiff | Sir | Here is my autograph according to your wish. | Yours faithfully | J. Sims Reeves | April 21st. 1876.' Good, strong signature, with a final flourish continuing in a circle, and enclosign the whole of it.

2pp., 8vo. In very good condition, on lightly-aged paper. She begins by asking whether the recipient is 'the same gentleman who wrote to me from Bournemouth', and to whom she replied that she was 'unable to give the information required, for many years before my husband's death we were seperated [sic]'. She explains that when Fisher was not 'travelling about in the Country he lived with his Father I believe, who has now been dead some years. The whole thing was very tragic and painful, & I shall feel obliged to you not writing to me again on the subject'.

Dibdin's letter: 1p., 12mo. On bifolium, with the Signed Autograph Copy of Chapple's reply (also 1p., 12mo) on the reverse of the same leaf. Reverse of second leaf addressed to 'C. Chapple Esq', with a nineteenth-century shelfmark at the foot of the page: 'C.68.Coll.CR.' In fair condtion, on aged paper.

1p., 16mo. In fair condition, creased and lightly-aged, and laid down on a leaf removed from an album. In a close tiny hand, the note reads: 'Dear Mr. Mellon | can you oblige me with a private box for Monday evening next? The largest you can afford. | You are a naughty man. | Your's most truly | Erminia Rudersdorff'.

2pp., 12mo. On aged paper, with creasing and short closed tear at foot of leaf (affecting first letter of signature). The letter reads: 'My dear Sir | So many thanks for your most beautiful lines. I should be grateful if you would dedicate them to me | Yrs Truly | Henry A. Lytton'. Lytton gives his Chiswick home address on the reverse.