[Lillah McCarthy, English actress and theatre manager, wife of Harley Granville-Barker.] Typed Letter Signed ('Lillah McCarthy') to author Clifford Bax, regarding the 'details of my birth' and her production of 'Judith'.

Lillah McCarthy (1875-1960), English actress and manager of the Little and Kingsway Theatres, and with her husband Harley Granville-Barker (1877-1946), of the Savoy [Clifford Bax (1886-1962), author]
Publication details: 
The Kingsway Theatre, Great Queen Street, W.C.2. [London] 3 May 1919.

1p., 12mo. In good condition, lightly aged. She was glat to receive his letter and will send 'details of my birth as soon as I can get a moment to myself'. She hopes he will 'come and see "Judith" and then come round to my room afterwards and tell me what you think about it all'. Accompanied by a leaf of paper carrying a calligraphic manuscript biography, written during McCarthy's lifetime.

[ John Hollingshead, theatrical impresario who brought Gilbert and Sullivan together. ] Autograph Note Signed to 'Teget', i.e. the naturalist W. B. Tegetmeier, inviting him to examine 'The Italian Hercules'.

John Hollingshead (1827-1904), theatrical impresario who brought Gilbert and Sullivan together, manager of the Alhambra and Gaiety theatres [ William Bernhardt Tegetmeier (1816-1912), naturalist ]
Publication details: 
Without date or place. [ Circa 1868? ]

1p., 12mo. On a piece of grey paper. In fair condition, lightly aged, folded, and with minor traces of mount on reverse. Reads: 'Dear Teget: | Come on Friday night by all means. The Italian Hercules is bona fide, as far as I can judge, & I shall be glad to have him examined.' After a career in journalism, Hollingshead managed the Alhambra Theatre, and was later the first manager of the Gaiety. He brought Gilbert and Sullivan together in 1871 to produce their first joint work, a musical extravaganza called Thespis. Tegetmeier was natural history editor of 'The Field'.

Programme for the Savoy Theatre production of 'The Emerald Isle or, The Caves of Carric-Cleena' ('New and Original Comic Opera, in Two Acts'), 'Written by Basil Hood. Composed by Arthur Sullivan and Edward German.'

Sir Arthur Sullivan; Edward German; Basil Hood; François Arsène Cellier; Richard Barker; the Savoy Theatre, London [ Gilbert and Sullivan ]
Publication details: 
The Savoy Theatre, London. [ 1901 ] Printed by J. Miles & Co., Ltd., Wardour Street, W. [ London ]

Printed on both sides of a 21.5 x 28.5 cm piece of thick paper, folded into a 21.5 x 9.5 cm packet, with three panels on the outside and a single page of text within. A nice piece of Savoy Theatre ephemera. Text in purple, with gilt borders, except on the front cover, and with 'The Ancient Arms of the Savoy' in gilt, black, green and orange. In fair condition, lightly aged and ruckled. Two panels of advertisements on the outside, with the programme on the inside also flanked by advertisements.

[ Lillah McCarthy and Harley Granville-Barker, Shakespeare production at Savoy Theatre, London. ] Typed Letter Signed ('A. S. Pigott') to 'Mr. Kelt' [ i.e. 'John Kelt', stage-name of Eric Forbes-Robertson ] regarding his availability for matinees.

A. S. Pigott, general manager [ Lillah McCarthy (1875-1960) and Harley Granville-Barker (1877-1946), actors and producers; William Shakespeare; The Savoy Theatre, Strand ]
Publication details: 
On letterhead of 'Shakespeare | THE WINTER'S TALE', production by Lillah McCarthy and Granville Barker at the Savoy Theatre, Strand [ London]. 25 October 1912.

1p., 4to. On aged and worn paper. Enquiring whether 'Mr. Kelt' will be free to play, 'at the same salary you are now receiving pro rata', in 'three special Matinees of "The Winter's Tale" on Tuesday, Wednesday & Thursday during the week commencing November 4th.', and also possibly a further two matinees a week during 'the run of "Twelfth Night"', the first week's matinees being on the Wednesday and Thursday. Beneath Pigott's signature Forbes-Robertson has written: 'got 10s per performance'. From the Forbes-Robertson papers.

[ Printed pamphlet. ] A Grammar of Socialism.

Thomas Wodehouse, Curate of the Savoy [ Women's Printing Society, Limited, 21B, Great College Street, Westminster; English socialism; radical Anglicanism ]
Publication details: 
Second Edition. John Hodges, 13 Soho Square, London, W. 1884.

32pp., landscape 12mo (8.5 x 13.5 cm). Stitched in grey printed wraps. In fair condition, on lightly-aged paper, with front wrap detached and lightly marked. Wodehouse is named as author on front cover, but not on title-page. Laid out in the form of a fourteen-page catechism of 28 points, followed by 'Notes and Illustrations from Various Writers'. Pertinent as ever, in its criticism of 'excessive inequality in the partition of wealth'. COPAC only lists three copies of the first edition of 1878. Of the eight copies of the second 1884 edition on COPAC, six are listed as being printed by 'F.

[ Gilbert & Sullivan ] Piece of paper signed "Darrell Fancourt" and "Leslie [??]" with a cigarette card image of The Mikado of Japan, also inscribed by him, "Best wishes | Darrell Fancourt"

Darrell Fancourt, bass-baritone and actor, known for his performances and recordings of the Savoy operas.
Publication details: 
No place or date.

Piece of paper, c.8.5 x 5cm, pink, regular, faint foxing, mainly good condition, attached to another larger album page (extracted). 17.5 x 11.5, with signatures. WITH: cigarette card, Gilbert & Sullivan series issued by John Player, The Mikado of Japan, partly laid down on same album page, trimmed but good condition, with message as above.

[ Charles Partington, Manchester sci-fi author, magazine editor and bookshop owner. ] Two Typed Letters (one signed 'Charles') to Don Malcolm, one reviewing Malcolm's story 'Between the Tides', the other on a short story of his Savoy Books are taking

Charles Partington, Manchester science-fiction [ Michael Butterworth, Dave B and Savoy Books; Don Malcolm ]
Publication details: 
ONE: 56 Staffin Court, Darn Hill, Heywood, near Manchester. 12 January 1975. TWO: On his letterhead, 274 Longridge, Knutsford, Cheshire. 7 April 1978.

ONE (12 January 1975): 1p., 4to. In good condition. First page of letter only, and lacking signature. A generally positive review ('When I write, I suffer from excess, a disease which you and your contemporaries, Aldis, Brunner, Bulmer, etc long since cured yourselves of. [...] The story was, as I am sure you know, good.'), but with some caveats ('I also don't think that a female covered with body hairs would also have hair reaching down to her waist.'). TWO: 1p., 8vo. Signed in green ink. In fair condition, on aged paper with wear at head.

[ Arthur Sullivan, composer ] Autograph Signature (clipped) with a few words in his hand, perhaps re. knighthood.

Arthur Sullivan, composer
Publication details: 
[ 1883? ]

7 x 3cm, some glue staining affecting initial letters, but clear, as follows, "yours sincerely | Arthur Sullivan". On the verso, the following words: "ratified by the Kin[g?] [...] which prompted His [...]", possibly referring to his knighthood in 1883.

Autograph Note Signed "W S Gilbert" to the Blackburn poet J.T. Baron [John Thomas Baron ('Jack O'Anns')]

W.S. Gilbert [William Schwenk Gilbert], librettist
Publication details: 
[Printed heading] 24 The Boltons, South Kensington, 29 Nov. 1881.

One page, 12mo, slightly marked but text cleear and complete. "I must refer you to the publisher, Messrs Routledge, Broadway, London, for a reply to your question." Suitable for framing.

Scrapbook containing a hundred tickets from twenty-seven London theatres of the 1920s, with illustrations of actors.

R. J. Olive [London theatres of the 1920s; theatrical ephemera]
Publication details: 
London: for performances dating from between 1922 and 1927.

On fifty-seven pages, in a notebook of forty leaves (eighty pages). Dimensions: 20 x 16 cm. In red card covers with 'THEATRES' in manuscript on front. Pages aged and ruckled, with a little damp staining at rear (not affecting any of the ephemera) and a small amount of loss to a corner of the rear cover, but in fair condition overall. The first page, signed 'R. J. Olive', with title 'London Theatres'.

Annals of the poor: containing the dairyman's daughter, the negro servant, and young cottager, &c. &c.

Rev. Legh Richmond, A.M. [Rev. John Ayre, A.M.]
Publication details: 
London: J. Hatchard and Son, 187, Piccadilly. 1828. 'A NEW EDITION, ENLARGED AND ILLUSTRATED, WITH AN INTRODUCTORY SKETCH OF THE AUTHOR'. Printed by Ibotson and Palmer, Savoy Street, Strand.

First appearance of biography of the author (pp. xi-xxviii) by his son in law, dated 'Islington, | Feb. 21st, 1828.' 12mo. Pages: xxviii + 360 + four pages of publisher's advertisements. Frontispiece portrait engraving of author by E. Finden from painting by Livesy; three engravings by Finden from drawings by R. B. Harraden. Nineteenth-century leather binding; marbled endpapers. Tight copy, but dusty and with staining, particularly to binding and prelims. Scarce in this edition; no copy in British Library. Dedicated to William Wilberforce.

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