Literature

One page, 12mo. Very good on lightly aged paper. Difficult hand. He is sending 'one number of the Magazine which was mislaid', together with 'a book of the . The is very cold & , the <?>, to have a late Spring.'

On one side of the card. Dimensions, 8.5 x 11 cms. Very good. Neat inscription reading 'For Charles Wilson | with Alec Waugh's best wishes | July. 31. 1948 /.'

Poet (1871-1962). One page, 8vo. Poem first published in the "Saturday Review", later in "The Mystery and other Poems" (1913), and later. Minor variations from the printed form ("&" becomes "and").

Four pages, 12mo. Very good, on lightly aged paper, with minor traces of two mounts adhering to verso of second leaf of bifolium. Praises 'the excellent Sermon'. 'You will doubtless have a difficult work at Rossall, but every term will render it less difficult' [...] One can't ask for a greater blessing than difficult work when it is also - as yours is & will be - entirely hopeful & immensely useful.

Illustrated copy - Price Two Shillings. Green printed wraps, 40pp., 8vo, wear and tear, contents shaky (staples rusting), wraps worn and sl. soiled, contents partly stained but clear and complete. St J. Hornby's copy. INSCRIBED by St John Hornby "StJH" on front on which is stamped (some faded) "Please do not use in the press before 6 Nov. 1931" i.e advanced review copy for distinguished customer.

4to, good condition. Dobell describes a defective "tract" ("A Precious Apple") and speculates on its authorship (Lady Eleanor Douglas). He will send it to be examined. Another hand (presumably Windle) has added pencil notes on the reference works which do not list the item and speculating "probably part of a larger work with different title."

Stapled and unbound. Octavo: four leaves (eight unpaginated pages). On aged and lightly spotted paper. Vignette on title page. Includes list of plates and 'Specimen Entry' of pages 51-3. Verso of last leaf headed 'from CONSTABLE'S BIBLIOGRAPHICAL LIST', comprising 'THE CARTER-POLLARD DISCLOSURES', 'BIBLIOGRAPHIA SERIES' and 'DORMY HOUSE CATALOGUES'.

Two pages, 8vo, vestiges of an album page on reverse, good condition. He sent a presentation copy of his "Rosemary & Pansies", somne of which "appeared in the privately printed ed[ition]" he gave him. He also sends a booklet "by one 'Lucian Lambert' - a gentleman who seems to have a good deal of gall in his composition, however much he may be wanting in the other qualities of a satirist. He has a signed copy of one of Jerrold's grandfather's books (Douglas) and some letters which his correspondent can view at the shop.

Forty-four pages, octavo, with two-page leaf of addenda loosely inserted. Four pages illustrating seventeen pictorial covers on art paper. In printed card wraps. A worn and creased copy of an influential catalogue, issued at a time when, as the introduction points out 'catalogues devoted to detective fiction [were] something of a rarity in the book trade'.

Both letters two pages, quarto. LETTER ONE (annotated in ink with some ink marks in the blank space beneath Goold's signature): Written at the point at which Goold was relinquishing the University College Latin Chair to return to Yale. 'I told you I should be visiting Yale this autumn; and now I have to tell you that I shall be going on to Stanford after Christmas till March. Still, if I shan't have the pleasure of coming in occassionally to the bookshop, it probably means that I shall be ordering more books from you!' Orders a couple of copies of Austin's 'Aeneid'.

Eighteen pages, octavo, with four plates on art paper. In original grey printed wraps. Some light staining, creasing and wear. One of 600 copies. Lists seventy-seven items, with addenda of a further eleven. This milestone catalogue was published, according to Sims (A Life in Catalogues, 1994), in May 1949. At foot of title-page: 'N.B. This collection, with the exception of the Addenda of Books, has been sold.'

One page, 4to, good condition. He gives belated thanks for writing to them "and sending us your contribution for our catalogue." They delayed so that thanks would accompany a copy of the catalogue. They have sent the catalogue under separate cover and "hope you will find it enertaining. Too, we hope that you will find our comments on your work not unworthy of your talents." See Donald C. Dickinson, "Dictionary, for discussion of the "rambunctious" bookseller, including his interaction with major literary figures.

Ian Hay Beith, novelist. One page, 8vo. He is sending his autograph "with great pleasure" and apologising for delaying.

Dimensions roughly four and a quarter inches by eight wide. Good on lightly aged paper, and with traces of previous grey-paper mount adhering to reverse, which is docketed, in a nineteenth-century hand, 'Handwriting of the Author of Lorenzo de Medici'. Also docketed in left-hand margin of recto. Begins 'One of the most fatal enemies to the tranquility & happiness of human life is that jealous & timid apprehension which foresees evils at too great a distance, & often imagines them when they do not exist'. Initialled in top left-hand corner.

American-born British journalist (1864-1948), editor of the Daily Express, 1904-32. One page, quarto. Good, but on slightly discoloured paper, with slight staining to the four corners from previous mounting. Reads 'As one printer to another I want to tell you what I think of your magazine "Change". It does you all great credit. It is exceedingly well produced, presented with remarkably good taste, and I am astonished at the knowledge and technique.

Printer, editor, classicist, and publisher. Three pages, 8vo, minor damage but text clear and complete. "The Virgil [pubd. 1819 re.BLC] was I assure you sent thro Baldwins at the time it was published but the first 10 Nos are not mine & therefore I have no choice in giving away a copy - I forward you a copy of early Poems [?Sanderson, "Poems chiefly sacred original and translated"] - they are mine, & not my Fathers. I know nothing of the prose trans[latio]n of Faust.

Three pages, octavo. Very good on lightly aged paper. Kenyon's paper was 'much enjoyed' when read on Saturday, and there was 'a good attendance'. '[T]he pleasantries were not missed': '1. the confusion of the inexhaustible emender; 2. the thrift of the canny Odysseus in his role of wooer; 3. Burne Jones's Law.' 'At the end some interesting questiosn were asked', for example, 'why second-rate Greek annalists shd. seemingly have been preferred to Herodotus & Thucydides'.

Small 8vo. Pages: x + 74. In original cream printed wraps. One of two hundred copies of the 'Small Paper edition'. In the 'Moray Library'. Internally sound and clean. Light spotting and wear to wraps. Minor foxing to endpapers. Trenchant observations on an interesting selection of late-Victorian authors.

One page, on piece of grey card roughly three and a half inches by four and a half wide. Very good. Twelve lines and one-line postscript in Sutro's tiny and difficult hand. Sends his 'sincerest congratulations on the best volume of memoirs I have read this many a day' (Hicks published his autobiography in 1910). 'There isn't a dull line in it from start to finish; I could dine out for a week on the stories'. Reference to Irving and other actors. Ends 'A damned good book, Seymour! Tous mes compliments!' Postscript reads 'This does NOT require an answer!'

Illus. paper wraps, some creasing, tiny owner inscription on title ("Ellen [?]). Inscribed by Hughes on half-title: "Dear John, Keep up the good work. I'll send the stuff on to my editor, / Yours,/ Ted Hughes//"

One page, 12mo. On creased, brittle, aged paper. Repaired with archival tape on reverse, which carries traces of previous mounting. He is sending some lines of introduction 'to my cameo friend who lives in Grafton St Bond St. - No. [i.e. number] unknown, but it is the second or third house on the right going from Bond St.' Hullah's 'Music Hall' - St Martin's Hall in Long Acre - opened in 1850. It burnt to the ground ten years later.

One page, 12mo. Very good on lightly aged paper. Giving details of a proposed lecture. He was to have been in Salford, Manchester, but the dates have been changed. Can only offer two dates. '<?> the two years' <?> has been a huge success & a most interesting journey by which we have all benefited. I remember the Bolton audience with great pleasure. Kindly name the subject you choose. My fee: ten guineas as before.' Accompanied by magazine cutting of photographic portrait captioned 'M. PAUL BLOUET ("MAX O'RELL"), NEW EDITOR OF THE PARIS "FIGARO."

Unbound. Large Octavo bifolium on grey wove paper. Good only, with creasing to corners (that would carefully iron out), and some marking to front cover. Title in large gold letters on front, details of edition on versos of both leaves, and specimen page on recto of second leaf. Illustration ('The author | A reproduction of Tegetmeier's frontispiece') on Arches paper (twelve and a half inches by nine wide) loosely inserted, together with printed 'Book order' leaf.

The Memorandum is a four-page folio (leaf size roughly fourteen inches by nine and a half) bifolium. In very good condition, lightly creased and folded. It details Mrs Wright's royalties (as 'proprietor'), advance and percentages. The paperback rights agreement consists of four typewritten pages, on four leaves, each roughly thirteen inches by eight, stapled together at the head beneath green tape. Very good, though lightly creased and with some fraying to tape. It is signed by the Hamilton & Co. chairman Joseph and witnessed by his secretary E. M. Holloway.

Sambourne (1844-1910) contributed illustrations to Punch for more than forty years. On good laid paper, dimensions roughly 22 inches by 17 1/2. With facsimile signature and date. Folded twice. Slightly discoloured and a little creased, but suitable for framing. Depicts Mr Punch, with his dog Toby, sitting atop a pile of the 'evolutions of the century' (including a bicycle and typewriter), and waving to 116 of the century's worthies, including Bismark, General Tom Thumb and the jockey Fred Archer, but without Karl Marx.

Dimensions of plate roughly four and a half inches by six and a half wide. Dimensions of paper roughly five inches by seven wide. Clear image on stained, grubby laid paper. Shows mythological figure with helmet and shield holding up a book, within a monumental border with coins, ivy, statuary, etc. This bookplate has been found in conjunction with another reading "Ex Libris Alexandri Torrigiani Med. Doct. Coll. Parmensis", and this may provide a clue to the provenance.

Two pages, 12mo. Very good on lightly-foxed blue paper. He has sent his correspondent's letter to the naval correspondent of The Times, and hopes 'that some good may come of it.' Would like to receive 'any more snippets you have from time to time. I didn't know, for instance, that the racing whaler had Sussex until the other day, otherwise I should have tried to make a song about it!' Sends seasons greetings, and wishes him the 'Best of luck'.

Postcard with painting of Rialto Bridge by Canaletto. Postmarked 1970. Ruckled with damp but entirely legible. An amusing communication, beginning 'Thought I would let you know that we were not involved in the great tornado that sunk a voporetto [sic] on Lirica 4, and that the Hotel alla Fava is still very comfortable.' Refers to the Lambs' 'self-contained eyrie' and 'the weak fast coffee which tastes of mud; but clearly and obviously isn't'.

12mo: [iv] + 88 pages. Unbound. In original olive printed wraps. PRESENTATION COPY to 'Dr. Elliott | With kind regards', with around a dozen manuscript emendations. On aged paper, with loss to front wrap and spine. Each page, including the front wrap, within ruled red border. COPAC lists only five holdings.

AUTHOR'S COPY, WITH HIS MANUSCRIPT REVISIONS FOR THE SECOND EDITION. Octavo: 96 pages. Seven plates (of eight). Original olive cloth gilt, with pierrot on front board. Numbered copy twelve in the edition. One leaf (pages 49-50) removed. Aged, and in heavily worn boards. Carrying manuscript changes on twenty-two pages, as well as on a plate and the front board. Cutting loosely inserted, regarding a couplet by 'E. V. L.' of Brighton (clearly E. V. Lucas) addressed to Mew regarding the word 'hyperbole'. Six of Greiffenhagen's seven illustrations are present.