Literature

One page, quarto. On aged and lightly creased paper. He is sending the signature with 'one or two others'. 'Possibly the work I have done for South Africa (I have been upholding the Imperial cause for a quarter of a century) is your reason for paying me the compliment.' Thinks he recognises from Freeman-Matthews' crest that he is 'a descendant of the Llandaff Mathews family'.

One page, octavo. Good, on aged paper with some loss to extremities repaired with archival tape. Fifteen lines of text clear and complete. On learning of Dawson Turner's celebrated collection of autographs from her son, Elizabeth Palgrave's 'kind old neighbour' Lady Bentham asked her 'some questions which led to the enclosed note & the letters I send' (none present).

12mo: 3 pp. 26 lines of text. Good, on lightly creased and aged paper. Chatty, apologetic letter. She thanks her for her invitation for the following day but she is already engaged. Unclear reference to 'Sir Boyle Roche's bird'. She would like to see her again, but 'I dare not make any engagements now, The weather is now my jailer'. She has to go to Malvern one day the following week. Suggests other possibilities. She may have to 'take my chance of finding you at home'. She was 'sorry to miss you when you were away & I called'.

Four pages, 8vo, creased and somewhat soiled, small closed tears, soiled, remnants of laying down, mainly good. An interesting but puzzling letter (partly because incomplete). "I thank you for your note. I should have called yesterday had I not known from experience that Todays & Saturdays are busy days [for periodical publishers?]. I will do so on Monday. / The 'Spottiswoode Gang" charge me with [exposing?] their Coryphaeus in your journal. When I do take him in hand it shall be to some purpose. So even as the V.C.

On one side of a piece of laid paper, dimensions 11.5 x 17.5 cm. Good, lightly creased with one small spot at head and a light thumbprint (Warren's?) in top right-hand corner. Clearly responding to a request for an autograph. Reads 'The Heavens declare the glory of God, and the Firmament sheweth His handy work. Ps. XX, I. | [signed] Samuel Warren | 16 Manchester Square | W. | 23d January 1866.'

The front of a wove-paper envelope, 8 x 12.5 cm. Good. Reads 'London December | Ninth 1833 | Honble. Cecil Lawless | The Wick | Brighton | [signed in bottom left-hand corner] William P. Lennox'. The postmark, in red ink in the top right-hand corner, is circular, topped with a crown, and reads '9 DE 9 | 1833'.

8vo: 1 p. Very good. He has 'pleasure in complying' with his correspondent's request. 'You may have seen a book I have recently published - "Retrospect of a Long Life" - and have learned that I am in the 84th year of my age - born on the 9th May 1800. | I am thankful to God for good health and for many other blessings.'

English economist and novelist. The letterhead engraving of 'The Knoll Ambleside' by W. Banks of Edinburgh is circular, around two inches in diameter,with printed signature. The fragment of text - comprising ten lines - is on the reverse. Creased, grubby and stained.

12mo: 1 p. Very good. 14 closely-written lines. 'A friend of mine was asked by our dear old kind friend Chorley to assist in procuring for a Protege of his a musical education. I think the young person was originally introduced to him by Lady Devonshire. A sum was promised for two years, and the time is approaching for the payment to be made.' Asks if she can tell her 'anything about this'. 'You will be glad to hear I know that my husband is still well - His birthday the 21st. Novr. found him 84.'

Orig. bds, worn and stained, foxing on eps, contents g-vg. Inscribed "With the author's compliments

12mo: 1 p. On discoloured paper with wear at head and traces of previous mount adhering to blank reverse. He sent the publishers Chatto & Windus her novel the previous Monday, 'begging them to write to you on the matter, and giving your work my best recommendation'. He has not heard anything from them himself, but expects it will 'take a week or two, before they can give an opinion'. The recipient may be Edith Nesbit, although this is unlikely as Nesbit was her maiden name. She became Edith Bland in 1880. None of her works appear to have been published by Chatto & Windus.

12mo, 1 p, 17 lines. Very good. He has been 'from home visiting here & there', and has returned to 'a mass of correspondence which is perfectly appalling'. He is sorry she 'sent back the book', as he meant her 'to keep it in perpetuity'. 'The recent work which finds most favour with the public is Lord Cockburn's Memorials. It is entertaining but not in all respects accurate. It is however worth reading & will serve to beguile a winter's evening.

On piece of paper roughly 2.5 x 4.5 cm. Good, on lightly discoloured paper. Docketed on reverse '1755'.

12mo: iv + 132 pp. Unbound. In original red printed wraps. Stapled. A poor copy of a scarce item (COPAC only lists copies at the British Library and National Library of Scotland). Dog-eared and grubby, with wraps faded and with loss to extremities and spine repaired with tape. Staples rusted and worn through prelims. Text complete and entirely legible. Five essays: 'Chatterton and the Rowley Poems', 'Macpherson's Poems of Ossian', 'The Shakspeare Forgery', 'Psalmanazar and the Formosa Imposture' and 'Bentley and the Epistles of Phalaris'.

Both items quarto. On worn, discoloured paper, with a couple of closed tears to the folds. Pertwee was the author of numerous anthologies for recitation, and these letters presumably relate to his 'Reciter's treasury of prose and drama: serious and humorous' (Routledge, 1904). TLS: 'Provided, of course, that Messrs. Routledge have actually agreed with you to publish the book of humorous prose recitations, I shall be very willing to allow you to reprint any one of the stories the titles of which I give below.

The notes, on three 12mo bifoliums, cover three pages, with a few lines on a couple of others. In excess of eighty lines. Very good. Brief chronology and list of notable residents, presumably an outline for the description of the district in Besant's 'London' (1892) or another of his many writings on the city.

Quarto: 4 pp. Unbound bifolium. Grubby and creased, with a couple of pin holes and small closed tears, and a little ink staining to the margins (not affecting text). Five illustrations, including full page engraving of two cherubs, entitled 'L'Enfance de l'amour'. Claims that 'neither labour nor expense will be spared to achieve and maintain the highest standard of literary and artistic excellence', and that the magazine will be 'strictly non-political, in the sense that it will champion the views of no particular party'.

8vo: 1 p. Good, with slight wear to outer edge, and strip from previous mount neatly adhering to reverse. With name of recipient at head, and docketed on reverse. He has 'seen some charming & useful Leaflets advocating Humanity to Animals' and has been 'led to understand they may be obtained through' his correspondent. He would like a hundred of the leaflets to be sent to him, 'for which I will gladly send stamps'. Hall was a sanctimonious figure, supposedly the model for Dickens's Pecksniff.

12mo: 2 pp. Good, with thin strip of glue and grey paper from previous mounting adhering at foot of reverse (not affecting text). While it is possible that Howell may have given 'Mr. Gill' [tMichael Henry Gill, later of McLashan & Gill?] 'letters [of introduction]' when he 'went to New York ten or fifteen years ago', it is unlikely.

Pp.[viii].38.[2], disbound, minor damage around stab-holes, foxing, mainly good condition. Scarce. INSCRIBED by the author (part in square brackets lost through trimming): "Countess of Harcourt - From the Au[thor]". A convict transport was presumably named after her ("Countess of Harcourt") - it mainly transported Irish convicts. Spencer was the source of "How noiseless falls the foot of time". "Urania" was "a burlesque of German ghost literature" (DNB).

Two pages, bifolium, 4to, fold marks and minor faint staining, good condition. An earlier draft of the satirical piece printed first in "Comic Miscellanies" (1840)(no other publication listed by LION, though one has to suspect an earlier periodical publication). Comparison with samples of Horatio's and James's hands (the latter is poorly represented by a hasty note in the BL collections) lead to my conclusion that Horatio wrote out this version in his neat hand with its flourishing capitals.

12mo: 2 pp. On creased, discoloured paper, with small closed tear and traces of previous mount adhering to reverse. An amusing, playful letter in a smudged, expansive hand. Reads 'My dear Phil | The other Phil Phil May will Phil the page in Xmas No. This will fill up & give it a fillip. ergo no Caran d'Ache | With Phil we're full. | Ought to be a fine number. | Have asked Phil May to contribute previously - | Well Phil May - but will Phil? | perhaps a wilfil person'. Accompanied by long typed commentary, giving provenance 'From a group of letters to Phil Agnew.

12mo: 2 pp. On lightly creased, discoloured paper, with traces of hinge from previous mounting adhering to margin of first page. He has 'an uncomfortable feeling' that he 'laid aside' a letter from Fulton 'to be answered, but which I cannot now find. It must somehow have got mixed up with other papers [...] If I am right in my fear, may I ask you to send me a copy of it?'

12mo: 1 p. On discoloured paper, ruckled and with traces of glue from previous mounting on reverse. He is returning 'the account of the Burns Volume' which accompanied his correspondent's letter of 8 October. 'It does not suit me to purchase it, as I have already other & more important memorials of Burns.'

Dimensions of photograph 9 x 5.5 cm. Good sepia image, on backing card with Mayall's details printed in red at foot. Reverse of card mostly covered with remains of previous cream paper mount. This image does not feature among the three portraits of Martin listed in the National Portrait Gallery's online catalogue of its collection.

On piece of lightly discoloured paper roughly 4 x 10 cms, with horizontal fold on left. Reads '[typed] Yours sincerely, | [signed] Mary A. Ward.' Docketed in pencil at foot 'Mrs Humphry Ward 1914'.

8vo: 8 pp. Stapled and unbound. In original grey printed wraps with rusted staples. Grubby and dogeared. Signed ('L. Conrad Hartley') presentation inscription dated 31 May 1915. No copy of the offprint of this short story on COPAC.

8vo: 11 pp. Unbound and stapled. In original beige printed wraps. Grubby and dogeared, with rusted staples. Signed (L. Conrad Hartley') presentation, dated 31 May 1915. No copy of the offprint off this short story on COPAC.

8.5 x 11 cms. Grubby and lightly spotted. Reads 'My dear Mr Sonnenschein | Kindly send draft as I can collect here - | Merrily Yours | Marshall P. Wilder'. Presumably refers to the English printing of his 'The people I've smiled with: recollections of a merry little life' (1889).

12mo: 1 p. Good. Since he 'liked the last little thing' she sent for his magazine, she ventures to think that he may approve of the piece she encloses (not present).