Literature

12mo: 2 pp. 28 lines. Good, on lightly aged paper, with unobtrusive small spike hole and traces of mounts adhering to four corners. Interesting animated letter between a Victorian author and his printer. Relates to Tupper's 'A hymn for All Nations; translated into thirty languages; nearly fifty versions; the music composed expressly by S. Sebastian Wesley.' (1851). Asks his printer to 'Attend to Hymn as within' (not present). 'We cannot help all this trouble'. Tupper has written to Dr Gavassi, but has had no answer: 'get Rossetti's as soon as you can.

One page, creased and marked, text in pencil but legible. An explanatory docket in another hand: "Epigram by Moncrieff - a blind man's writing". The Epigram reflects this situation, text "translated" below in another hand: "Oer me, you've this advantage, great indeed | What I may write at pleasure you may read | But still I've one advantage in Fate's spite - | You cannot make me read the stuff I write!"

All three items in very good condition. Interesting series of letters by an obscure 1890s poet. Letter One (12mo, 7 pp): Although he realises that some are 'rather poor', he is sending, through his brother (possibly the artist Alan Wright, 1864-1959), 'all the lyrics I have by me': 'I have not had time to "weed" yet, being veryy busily engaged writing lyrics for a Comedy-Opera ['Ethelinda, or a Philanthropic Fad' (1890), on which he collaborated with Hamilton O. Wylde] - & a libretto for Operetta; also been trying my hand at very sensational prose'.

(Letters) Total thirteen pages (13), 8vo; (List) Total five (5) pages, 4to.

Octavo: 21 pp. Leaf of prices and buyers' names loosely inserted. Stapled. In original yellow printed wraps. Somewhat creased and chipped, on aged, spotted paper. Two-page foreword. Maggs were the main buyers, but the three highest sellers among the 105 lots, all Shelley letters, went to other dealers: lot 13, 'quoting 36 lines of original verse', for £155 to Pickering; lot 55, 'describing the origins and method of his elopement with Mary Godwin', £175 to Quaritch; lot 65, 'dealing with many topics', £360 to W. H. Robinson.

Quarto: 65 pp. Numerous plates. In original grey printed wraps. Internally good, with a little spotting and creasing to the ruckled edges; wraps worn and stained. A beautifully printed item, on thick laid paper. Among the printed matter are books of hours, breviaries, psalters, and letters (with facsimile plates) by Byron, Keats, Johnson and Sterne; and manuscripts of Fielding and Horace Walpole.

One page, quarto. Good, on lightly aged paper. Some offsetting and smudging from Denwood's folding of letter. Reads '72 Kirkgate | Cockermouth | Aug 8 - 1931 | Jonathan. Mawson. Denwood | Dear Sir, | I send you autograph. I cannot write further At the moment I can scarcely hold a pen.'

One page, on back of printed postcard. Very good. Photograph of the Via Appia on reverse. Reads 'Dear Sir | In reply to your request I have pleasure in sending you this'.

One page, 12mo. Very good, on lightly aged paper mounted on piece of card. Reads 'London | July 28/13 | Master M. Bull | I append autograph as requested | Yours truly | John Oxenham'.

On strip of paper roughly two inches by eight wide. Good. Two bold signature reads 'Yours sincerely | Richard Adams'. Presumably the collector was expected to cut the autographs off individually - for wgatever purpose.

Dimensions of card roughly two and three-quarter inches by four inches wide. Good, with light creasing to corners. Clear signature reads 'Yours very sincerely | Max O'Rell | 18 March 1895'.

One page, 16mo. Good, on lightly aged grey paper, with previous paper mount adhering to reverse. Reads 'I have pleasure in sending you the Autograph you desire'.

One page, 12mo, on mourning paper. Aged and cropped at foot. Dusty, and with minor paperclip stains to edges, and traces of previous mount on reverse. Reads 'Dear Sir, | I have much pleasure in sending you my Autograph. | Yours truly | "Allen Raine" '. Four-line cutting giving printed biography neatly laid down in bottom right-hand corner.

Four pages, 12mo. Mourning border. Aged and spotted, with remains of three mounts adhering to one edge. She is enclosing a note from 'Miss Yonge', and 'one from Miss Roberts [Margaret Roberts] who wrote "Madlle Mori", "In the Olden Time", "The Atelier du Lys" &c. She refers to Miss Yonges mother in her note'. She is also sending a note 'from Mr. Dodgson too. Who is "Lewis Caroll'. (Alice in Wonderland) - & one from Isa Craig - now Mrs. Knox.

All items good, though on dusty and aged paper. Five items are addressed to sellers of manuscripts (probably the same individual). ONE (to H. Barker, 23 April 1885, on letterhead of 'The Antiquarian Magazine and Bibliographer', one page, octavo): Asks to be offered Wellesley autographs purchased at a recent Sotheby sale, of which he sent an account to 'The Times', which was 'crowded out'. TWO (to F. Barker, 25 April [1885], 'at T.

One page. Dimensions of paper roughly four inches by seven. On piece of aged, stained paper, mounted on piece of card. Remains of biographical cutting in bottom right-hand corner. Reads 'Here you are Sir | Autographs cheap today | F. C. Burnand | F. C. B. | 10 Dec 1901'.

Printed Post Card, dimensions three and a half inches by five and a half. Good, on aged paper, but with the reverse (showing the remains of a photograph of Brighton) damaged by its removal from an autograph album. Unobtrusive vertical crease. Reads (apparently in Egerton Castle's hand) 'Dear Miss Gray | Your letter has been forwarded to us here. We have much pleasure in sending you the autographs you desire'.

One page, 12mo. Grubby, and with traces of previous mount adhering to reverse. Small circle containing '170' in red in top left-hand corner. He is sending his autograph, 'which I could not do while at . I am glad you have read some of my stories; I presume those now in book form as "1001 Indian Nights." '

One page, 12mo. Neatly mounted on card. Nine-line biographical newspaper cutting neatly laid down at foot. Ten lines from another newspaper cutting, relating to Madame Patti, at head. Reads 'Dear madam | I thank you for your flattering letter and subscribe myself, as you wish, | Yours truly | Henry Newbolt'.

Two pages, quarto. Well preserved, on good lightly-aged paper, but with the original piece of paper (which was roughly nine inches by seven and a half wide) now neatly cut into three strips (the top and bottom of which are two and three-quarter inches high, and the middle three and a half inches high). The text is extremely neatly written and entirely legible, and the whole easily repairable with archival tape. The whole of this long, interesting letter (thirty-five lines and a two-line postscript) is given over to the current craze for autograph collecting (for which see A. N. L.

12mo, 3 pp, 35 lines. Good, on lightly aged paper, and with a thin strip from mount adhering at head of blank verso of second leaf of bifolium. Discusses 'the restriction on the importation of paper and paper making materials', imposed 'with the object of securing more tonnage space in incoming vessels'.

One page, 12mo. Good, though a little grubby at the right-hand margin, and with the name of the recipient neatly torn away at foot. 'Dear Sir | Neither Lady Martin nor myself feel any interest in any letters of ours, which may have come into your hands.'

One page, 12mo. Very good. 'I have much pleasure in sending you my signature, as I am told you wd. care to have it.

One page, 12mo. Very good on lightly-aged grey paper. Reads 'Dear Sir. | Here is the autograph you require. | Faithfully your's | [signed] Edmund Yates'. The words 'Here' and 'to' are slightly smudged.

One page, octavo. Good, on aged paper with some loss to extremities repaired with archival tape. Fifteen lines of text clear and complete. On learning of Dawson Turner's celebrated collection of autographs from her son, Elizabeth Palgrave's 'kind old neighbour' Lady Bentham asked her 'some questions which led to the enclosed note & the letters I send' (none present).

One page, quarto. On aged and lightly creased paper. He is sending the signature with 'one or two others'. 'Possibly the work I have done for South Africa (I have been upholding the Imperial cause for a quarter of a century) is your reason for paying me the compliment.' Thinks he recognises from Freeman-Matthews' crest that he is 'a descendant of the Llandaff Mathews family'.

Four pages, 12mo. Very good on lightly aged paper. Docketed by Gaskell at head of first page 'This letter is written to myself in reply to my offer of the loan of 91 Shirley Brooks' letters. | J. B. Gaskell'. Acknowledges the receipt of the letters which Gaskell has 'so generously' placed at his disposal, and assures him that they will be 'treated with the greatest care' and returned as soon as possible, together with the photograph of 'Epicurus Rotundus' (Brooks's pen name), 'which is new to me'. Asks for 'any reminiscences, hearsay or otherwise of S. B.

One page, 12mo. Very good. Docketed in pencil at head. 'I have no knowledge of Mr Tupper [presumably the poetaster Martin Farquhar Tupper, 1810-89] or of his address. I was in hopes that the madness of collecting autographs had subsided - but I am sorry to perceive, from your letter, that this is not yet the Case.'

The letter: one page, 12mo. Good, but with removal from mount having thinned the paper in places, and with traces of brown paper mount still adhering. He is sending the autographs of 'Henry Seton Merriman (Hugh Scott); Gertrude Atherton; Miss Fowler; and Douglas Sladen. Also a photo from Ted (not a good one, but the only one I have left).' He enjoyed himself 'so much' at Langford. 'It was a week of real enjoyment to me.' The fragment: one page, four inches by four and a half wide.

2pp., 8vo, good condition. "I am very sorry to hear that you think the book has gone wrong - I certainly posted a copy to the address you gave me, specially remembering the fact - because I unfortunately forgot to autograph the book as you had asked me to do." He asks him to make enquiries and keep him informed.