Literature

Eighteen pages, octavo, with four plates on art paper. In original grey printed wraps. Some light staining, creasing and wear. One of 600 copies. Lists seventy-seven items, with addenda of a further eleven. This milestone catalogue was published, according to Sims (A Life in Catalogues, 1994), in May 1949. At foot of title-page: 'N.B. This collection, with the exception of the Addenda of Books, has been sold.'

Both letters two pages, quarto. LETTER ONE (annotated in ink with some ink marks in the blank space beneath Goold's signature): Written at the point at which Goold was relinquishing the University College Latin Chair to return to Yale. 'I told you I should be visiting Yale this autumn; and now I have to tell you that I shall be going on to Stanford after Christmas till March. Still, if I shan't have the pleasure of coming in occassionally to the bookshop, it probably means that I shall be ordering more books from you!' Orders a couple of copies of Austin's 'Aeneid'.

One page, 4to, good condition. He gives belated thanks for writing to them "and sending us your contribution for our catalogue." They delayed so that thanks would accompany a copy of the catalogue. They have sent the catalogue under separate cover and "hope you will find it enertaining. Too, we hope that you will find our comments on your work not unworthy of your talents." See Donald C. Dickinson, "Dictionary, for discussion of the "rambunctious" bookseller, including his interaction with major literary figures.

4to, good condition. Dobell describes a defective "tract" ("A Precious Apple") and speculates on its authorship (Lady Eleanor Douglas). He will send it to be examined. Another hand (presumably Windle) has added pencil notes on the reference works which do not list the item and speculating "probably part of a larger work with different title."

Ian Hay Beith, novelist. One page, 8vo. He is sending his autograph "with great pleasure" and apologising for delaying.

Dimensions roughly four and a quarter inches by eight wide. Good on lightly aged paper, and with traces of previous grey-paper mount adhering to reverse, which is docketed, in a nineteenth-century hand, 'Handwriting of the Author of Lorenzo de Medici'. Also docketed in left-hand margin of recto. Begins 'One of the most fatal enemies to the tranquility & happiness of human life is that jealous & timid apprehension which foresees evils at too great a distance, & often imagines them when they do not exist'. Initialled in top left-hand corner.

American-born British journalist (1864-1948), editor of the Daily Express, 1904-32. One page, quarto. Good, but on slightly discoloured paper, with slight staining to the four corners from previous mounting. Reads 'As one printer to another I want to tell you what I think of your magazine "Change". It does you all great credit. It is exceedingly well produced, presented with remarkably good taste, and I am astonished at the knowledge and technique.

Printer, editor, classicist, and publisher. Three pages, 8vo, minor damage but text clear and complete. "The Virgil [pubd. 1819 re.BLC] was I assure you sent thro Baldwins at the time it was published but the first 10 Nos are not mine & therefore I have no choice in giving away a copy - I forward you a copy of early Poems [?Sanderson, "Poems chiefly sacred original and translated"] - they are mine, & not my Fathers. I know nothing of the prose trans[latio]n of Faust.

Three pages, octavo. Very good on lightly aged paper. Kenyon's paper was 'much enjoyed' when read on Saturday, and there was 'a good attendance'. '[T]he pleasantries were not missed': '1. the confusion of the inexhaustible emender; 2. the thrift of the canny Odysseus in his role of wooer; 3. Burne Jones's Law.' 'At the end some interesting questiosn were asked', for example, 'why second-rate Greek annalists shd. seemingly have been preferred to Herodotus & Thucydides'.

Small 8vo. Pages: x + 74. In original cream printed wraps. One of two hundred copies of the 'Small Paper edition'. In the 'Moray Library'. Internally sound and clean. Light spotting and wear to wraps. Minor foxing to endpapers. Trenchant observations on an interesting selection of late-Victorian authors.

One page, on piece of grey card roughly three and a half inches by four and a half wide. Very good. Twelve lines and one-line postscript in Sutro's tiny and difficult hand. Sends his 'sincerest congratulations on the best volume of memoirs I have read this many a day' (Hicks published his autobiography in 1910). 'There isn't a dull line in it from start to finish; I could dine out for a week on the stories'. Reference to Irving and other actors. Ends 'A damned good book, Seymour! Tous mes compliments!' Postscript reads 'This does NOT require an answer!'

Illus. paper wraps, some creasing, tiny owner inscription on title ("Ellen [?]). Inscribed by Hughes on half-title: "Dear John, Keep up the good work. I'll send the stuff on to my editor, / Yours,/ Ted Hughes//"

One page, 12mo. Very good on lightly aged paper. Giving details of a proposed lecture. He was to have been in Salford, Manchester, but the dates have been changed. Can only offer two dates. '<?> the two years' <?> has been a huge success & a most interesting journey by which we have all benefited. I remember the Bolton audience with great pleasure. Kindly name the subject you choose. My fee: ten guineas as before.' Accompanied by magazine cutting of photographic portrait captioned 'M. PAUL BLOUET ("MAX O'RELL"), NEW EDITOR OF THE PARIS "FIGARO."

One page, 12mo. On creased, brittle, aged paper. Repaired with archival tape on reverse, which carries traces of previous mounting. He is sending some lines of introduction 'to my cameo friend who lives in Grafton St Bond St. - No. [i.e. number] unknown, but it is the second or third house on the right going from Bond St.' Hullah's 'Music Hall' - St Martin's Hall in Long Acre - opened in 1850. It burnt to the ground ten years later.

Unbound. Large Octavo bifolium on grey wove paper. Good only, with creasing to corners (that would carefully iron out), and some marking to front cover. Title in large gold letters on front, details of edition on versos of both leaves, and specimen page on recto of second leaf. Illustration ('The author | A reproduction of Tegetmeier's frontispiece') on Arches paper (twelve and a half inches by nine wide) loosely inserted, together with printed 'Book order' leaf.

The Memorandum is a four-page folio (leaf size roughly fourteen inches by nine and a half) bifolium. In very good condition, lightly creased and folded. It details Mrs Wright's royalties (as 'proprietor'), advance and percentages. The paperback rights agreement consists of four typewritten pages, on four leaves, each roughly thirteen inches by eight, stapled together at the head beneath green tape. Very good, though lightly creased and with some fraying to tape. It is signed by the Hamilton & Co. chairman Joseph and witnessed by his secretary E. M. Holloway.

Sambourne (1844-1910) contributed illustrations to Punch for more than forty years. On good laid paper, dimensions roughly 22 inches by 17 1/2. With facsimile signature and date. Folded twice. Slightly discoloured and a little creased, but suitable for framing. Depicts Mr Punch, with his dog Toby, sitting atop a pile of the 'evolutions of the century' (including a bicycle and typewriter), and waving to 116 of the century's worthies, including Bismark, General Tom Thumb and the jockey Fred Archer, but without Karl Marx.

Dimensions of plate roughly four and a half inches by six and a half wide. Dimensions of paper roughly five inches by seven wide. Clear image on stained, grubby laid paper. Shows mythological figure with helmet and shield holding up a book, within a monumental border with coins, ivy, statuary, etc. This bookplate has been found in conjunction with another reading "Ex Libris Alexandri Torrigiani Med. Doct. Coll. Parmensis", and this may provide a clue to the provenance.

Two pages, 12mo. Very good on lightly-foxed blue paper. He has sent his correspondent's letter to the naval correspondent of The Times, and hopes 'that some good may come of it.' Would like to receive 'any more snippets you have from time to time. I didn't know, for instance, that the racing whaler had Sussex until the other day, otherwise I should have tried to make a song about it!' Sends seasons greetings, and wishes him the 'Best of luck'.

Postcard with painting of Rialto Bridge by Canaletto. Postmarked 1970. Ruckled with damp but entirely legible. An amusing communication, beginning 'Thought I would let you know that we were not involved in the great tornado that sunk a voporetto [sic] on Lirica 4, and that the Hotel alla Fava is still very comfortable.' Refers to the Lambs' 'self-contained eyrie' and 'the weak fast coffee which tastes of mud; but clearly and obviously isn't'.

12mo: [iv] + 88 pages. Unbound. In original olive printed wraps. PRESENTATION COPY to 'Dr. Elliott | With kind regards', with around a dozen manuscript emendations. On aged paper, with loss to front wrap and spine. Each page, including the front wrap, within ruled red border. COPAC lists only five holdings.

AUTHOR'S COPY, WITH HIS MANUSCRIPT REVISIONS FOR THE SECOND EDITION. Octavo: 96 pages. Seven plates (of eight). Original olive cloth gilt, with pierrot on front board. Numbered copy twelve in the edition. One leaf (pages 49-50) removed. Aged, and in heavily worn boards. Carrying manuscript changes on twenty-two pages, as well as on a plate and the front board. Cutting loosely inserted, regarding a couplet by 'E. V. L.' of Brighton (clearly E. V. Lucas) addressed to Mew regarding the word 'hyperbole'. Six of Greiffenhagen's seven illustrations are present.

16mo. 194 pages. In original stamped binding. Grubby and spotted, with wear to binding and fraying at foot of spine. Lithographic frontispiece and title by W. Monkhouse of York. Translation of 'La mare au diable', preceded by 27-page memoir. Possibly a piracy of Francis George Shaw's 1850 edition (London: George Slater). No copy in British Library.

Six pages, 8vo, water-stained but texts clear and complete. Much of the letters are concerned with elements of his executorship of the will of William Morris - (and trusteeship). In the letter to May he begins by expressing relief that "the Horace [book or manusript] was safe", then discussing a payment of £785 due to her (she adds the comment "About £785 due to me" in pencil at the end) and the payment due to Jenny. "When we were at Kelmscott I explained ot her that all claims contracted after Jan.26 would be payable by your father's executors.

Egerton published first Austen novel. The invoice, 8 x 6.5", lists histories, a basic law book, and military books. Colonel [William] Bosville was a celebrated bon vivant, friend of Horne Tooke, Cobbett, etc (see DNB). The recipient of teh receipt, Thelluson, was a merchant (1737-97)(DNB). One page, c.7.5 x 3", embossed receipt, damage at right edge with loss of three letters only: "Received 14 May 1796 of P.I. Thellus[on] Esq. Fifty five Pounds six Shillings for Books bill delivered/ £55.6-0 Thos Egerton". No other Egerton signature found in BL MSS, HMC or NUCMC.

Novelist. The two surviving pages, 4to, from a lengthy letter which has already been crudely repaired but which has an additional tear which does not, however, lead to textual loss. "I was very much rejoiced at the sight of your truly welcome letter" except that it announced a death. She eulogises the departed "He was one of the few of whom you may know little yet think much . . ." She explains how she had planned to visit her within a more complicated trip but "all my plans were laid aside and certainly my pleasures annihilated by an attack of inflammation in the eyes.

Two pages, 12mo. Very good on aged paper, with small closed tear at head not affecting text. Appears to concern an exhibition of women painters. Wants to 'personally thank' her for 'the privilege of having seen the International & in particular, your charming pictures. 'Early Morning' has quite carried away my heart! But the others are very fine. it must be so difficult, & so interesting to paint grey darkness. [...] Nothing of Miss Lister's there having in my opinion come up to her 'Builth Bridge' which we have. [...] Next to it I like 'A lonely Tree'.

Four pages, 12mo. Very good, with unobtrusive remains of stub along one edge. In interesting letter discussing the state of the English stage. Her tardy response is due to 'pressure of work". 'What you say about the present condition of the stage is only too true.

Two pages, quarto. Very good, with a little wear and light creasing. 'I often think of those days, & how timid & shy & stupid I was! Yet I enjoyed myself too, & shall never forget your great kindness, & the help you gave me. Since then I've had many adventures & experiences. I am not the thing I was!' She has been in London for the winter, and hopes they will be able to meet. 'We're so glad you like "Yellow Sands" - & I'm very pleased you like "Tomek". She has 'just finished another novel & play'. Asks what has become of a number of common acquaintances.

Novelist and philanthropist. Mrs Milner Gibson, wife of the statesman, Thomas Milner Gibson, was a society hostess of note (see DNB). 2pp., 8vo. She says "It is very cruel to pounce upon those just arrived but [?] the Tale of our poor gentlemen the belongs most to be pitied perhaps of all sufferers. I take advantage of hearing that you are expected in London to beg of you to help us next week. We remember well all you did for us on a former occasion".