Literature

One page, 12mo. Good, if a little aged and lightly creased. He apologises for the delay in 'sending the drawing that now I ask you to please me by accepting' (not present). He asks her to accept it as a present for 'that almost superannuated festivity' of Christmas. 'I send you a coat-of-arms as that includes a certain amount of letterpress which you will I think prefer to a simple drawing'. He has delivered all the drawings bought by Mrs Samuel's friend and has received his thanks.' Signed 'E. T. Rees'.

One page, 12mo. Very good. He presents his correspondent with 'deux petits ouvrages sortis de ma plume'. The first was mentioned by 'Mr. Burgess' and the second is 'un petit traite qui a eu le bonheur il y a quelques ans de remporter le prix annuel dans l'Universite d'Oxford'. Signed 'Willm. Roberts'. In a postscript asks to be recommended to any acquaintances Van Santen may have 'a Rotterdam Anvers ou Bruxelles'. Address, with broken wafer, on second leaf of bifolium. Roberts is perhaps best remembered for the controversy brought on by a passage in Byron's 'Don Juan'.

Two pages, 12mo. Good, but with some light glue stains on reverse, to which a small printed strip giving a printed list of Mrs Charles's works is attached. 'I was hoping to hear your boy was better - & I am very glad he is - thanks - but I am engaged on Thursday, & for some little time to come - so many people from all quarters coming just now & I hope you may be able to come & see me before very long'. Signed 'Bettie Charles'.

One page, 12mo. Good, though aged and foxed. 'My best thanks & gratitude for your noble notice | Were you ever in low spirits If so sympathise with me I feel as if I would never wish to be acted again . . Chastelard the first night my god almighty ! ! ! - | Your sincere friend | W G Wills'. Chastelard is a character in Wills's play 'Marie Stuart' (1874).

Illustrated by [George] Cruikshank, pp.[xviii].556, 8vo, hf.lea., apparently rebacked (inc. corners), front board detached, contemporary marbled boards and endpapers, covers bumped, contents sound and clean.

One page, small octavo. Very good, though with a little offsetting of ink from folding of letter, and a small closed tear at head. A reply to a request for an autograph - in a close, neat, hand - reading 'Dear Sir | With much pleasure as I assure you that I am | Sincerely yours | Alfred Sutro'.

In very good condition, on a greetings card containing a reproduction of an illustration of a black cat by Barry Moser, from Godden's translation of Carmen Bernos de Gasztold's 'Prayers from the Ark'. The prayer, in Godden's hand (and probably one of her translations from the book) reads 'Lord, I am the Cat. It is not exactly that I hahve something to ask of you! No - I ask nothing of anyone - but, if you have by some chance, in some celestial barn. a little white mouse, or a saucer of milk. I know someone who would relish them.

Australian Novelist, author of "Mystery of a Hansom Cab" (1886). One page, 8vo, suitable for framing, with bold signature, minor defects, text clear and complete as follows: Dear Sir, / Better late than never. Herewith the autograph you asked me for 14th February last / Yours faithfully, / Fergus Hume..

American diplomat and author (1817-1911), editor of Benjamin Franklin's works. All three items are very good on paper discoloured with age, though all with small punch holes for binding in upper corners, resulting to loss to six words of text. All three signed 'John Bigelow'. The second letter represents an important exposition of Bigelow's religious position at the very end of his life. LETTER ONE (14 March 1911, 21 Gramercy Park, two pages, octavo): In response to his correspondent's 'Syrenic appeal' he is sending a cheque for $25, 'at the rate of $5 for the next five years'.

Small 8vo. Pages: viii + 24 + [4 blanks]. Original cream paper wraps: title and price in red and engraving in green on front. Wraps discoloured, rubbed and stained, with covers loosening and loss at foot of spine. Internally sound and tight, but quite heavily foxed. Dated ownership inscription on flyleaf. Titlepage vignette and 15 engravings. Collection of whimsical poems about places like Hampstead Garden Suburb and people like G. K. Chesterton and Bernard Shaw. Taylor & Sewell A125b.

Miscellaneous author. Two pages, 8vo, good condition. He asks politely for two pieces of information. Firstly, they have a book with engravings about Liberia "fondee par les Americains". He wonders if Liberia has a charge d'affaires in Paris or London. Secondly, he'd like to publish an article on "votre Bibliotheque americaine" and hopes they'll provide documentation.

Dramatist and novelist. One page, 8vo, good condition. In a difficult hand, he says that he has heard from [M. Rey?] that he hasn't concluded his engagement in Brussels and has no interest in the role mapped out except in a few days. He goes on to talk of the work involved in corrections which has prevented him from sending a "manuscript exact". Note: The place and date are written in another hand on the reverse.

Conveyance of Lands at Stapleton in the County of Leicester, Joseph Knight and John Edwards (the other signatories) to Baroness Noel Byron, widow of the poet, and others (family). A vellum deed, 26" x 20", folded, 2 leaves, with a PL:AN including the land (coloured) involved in the agreement, c. 12 x 12", adjacent to Wigstones Farm Stapleton and Kirkby Lordship.. Good condition although front panel of folded item is stained without loss or obscuring.

Northern Irish Author and drama critic, see DNB. Three substantial and characteristic letters, total 8pp., 4to. She has submitted some of her plays for his critical appraisal and he has been plain-spoken. In the first letter, he comments on "The Long Duel" that he appreciates its literary rather than its dramatic qualities, but likes it. He finds two "grave faults" "one of which is common to dramatists who are primarily novelists.

Novelist and playwright, author of the "flawed masterpiece" "Hunger and Love". Two pages, 8vo, fold marks but good condition, one ms. correction. A substantial letter dated 30 Oct. 1956, in which he reports on a letter from "Miss Black of Curtis Brown Ltd" (literary agents) in which she reports that Miss Farjeon does not want to sign a second agreement for "The Impossible Guest" (novel by Joseph Jefferson Farjeon published in 1949 which Britton presumably adapted for the stage).

Liberator of Greece (see DNB). Three pages (one cross-written making essentially four pages), 4to, sl. damage with obscuring of a word or two, mainly good condition, apparently missing the first leaf.

Andrew Spottiswoode ( Boase), of the printers and publishers (BBTI as printers only), proprietor of Hood's Magazine from early 1844 (see Jane Hood #3138). Hewlett has obviously followed Hurst's suggestion (above) that he contact Spottiswoode about the editorship of the Pictorial Times and contributions. The latter here replies that there is no vacancy and comments that it is not desirable "to fill up the Pages of a Newspaper with Novels".

George Alder (1; [1844?]) discusses the nature of a "new periodical" for which he hopes Hewlett will write (prob. the short-lived "Great Gun" - see Bell (#3128) and Gruneisen below), naming potential fellow-contributors in confidence. Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

Robert Bell (DNB) (4; 1845), author and editor. (Jan.) He encourages Hewlett to contribute to a "publication called the Great Gun, the scope of which is more comprehensive than Punch". (See George Alder (#3127)). He characterises the sort of contribution required, and gives other detail including payment terms. He refers him to the editor, C. L. Gruneisen (see below). (July) He is unhappy to have introduced Hewlett to the "Great Gun" whose proprietor, Edwards (below), appeared to have committed suicide (not so, it transpired).

Drinkwater Meadows (DNB), actor, taking up Hewlett's offer of help to get him published in the New Monthly Magazine. (Nothing by Meadows is listed in the Wellesley Index for NMM, but he contributed a series to Ainsworth's Magazine, Oct. 1845-August 1845.) Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

(John Bull) W. Shackell (2; 1844), prob. printer (BBTI) and publisher and/or joint-proprietor of John Bull. He encourages contributions and anticipates "the Proprietor" making a proposition "for your further and permanent connexion with [John Bull]." See immediately above and below for more material from the J.T.J. Hewlett archive. Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

Henry Flower, presumably the bookseller and publisher in BBTI, discussing Hewlett's Dunster Castle in congratulatory terms, hoping for a meeting. Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

Joseph Schroder Moore, barrister (Post Office Directory 1846), brother to J.C. Moore ("The Letters of Thomas Hood", passim). Initially he is chasing up a manuscript promised by Hewlett. He then explains why the delivery of the manuscript was declined by his brother, suggesting that the proprietors of the Rejected's Magazine (see Francis Brown, #3130) would not have stopped its publication if his manuscript had come to hand.

(John Bull) William Mudford (DNB) (7; 1844), author and journalist. Five letters are signed "The Editor of the John Bull" or similar but two are signed by Mudford who suggests that his name is no longer a secret to Hewlett because of Barham. (Although the article in DNB on Mudford says that he succeeded Hook as Editor in 1841, no other authoritative source gives this information, from CBEL to the Waterloo Directory.) He tells Hewlett the Proprietors' requirements and his policy, presenting Theodore Hook, former Editor, as the model writer for the periodical.

Samuel Phillips (DNB), journalist and novelist, editor and owner of John Bull (see #s3131, 3132) at one time. He refers to an introductory letter to Blackwoods and sympathises with him in ill health: "Essex is not the place for poor curates or . . . poor literary men". Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

William Naisby (1; [1843]), giving a detailed and hostile critique of Hewlett's College Life. Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

C. L. Gruneisen (DNB), journalist, music critic, editor of the Great Gun. He explores the possibility that the author of Peter Priggins might write for the Great Gun, explaining his policy and agreeing "in Masonic confidence" to give him the names of the principal contributors.(Presumably these names were sent by George Alder above.) According to DNB, Gruneisen edited the Great Gun from 16 Nov. to 28 June 1845, prob. the life of this weekly. (Copy in British Library Newspaper Library.) WITH: Mrs. C.L.

[William] Edwards, possibly the proprietor of the Great Gun mentioned by Robert Bell (above #3128)), Mrs Gruneisen (with husband #3134), and in Diaries (J.T.J. Hewlett below). He accepts a Bill of Exchange and discusses it. Originally from a larger archive, the residue of which is described in #3157 (Hewlett's papers), this and other items appear in my ABE inventory in book id#s 3124-3156.

Frederick Oldfield Ward, temporary editor of Hood's Magazine (see "The Letters of Thomas Hood", passim). He discusses the prestige of a name (such as "Peter Priggins") and speculates that authors write better under the name "to which their fame is attached". Colburn is trying to insist that Hewlett cannot use this name, but Ward advises a "more independent and more honorable position with regard to Colburn." He mentions Hood's health on several occasions, later mentioning his death. He asks for stories not dependent on College life, explaining why.

4 volumes, 4to, each with a preface by John Oldcastle. Number one: Sir Charles Grandison, 36 pages, 6 illustrations; number two: Solomon Gessner ("The Swiss Theocritus"), 28 pages, 6 illustrations and extra portrait; number three: Thomson's Seasons, 32 pages, 4 illustrations and extra portrait; number four: Tristram Shandy, 28 pages, 6 illustrations. All four numbers replete with attractive vignettes. Only these four numbers were published (vide number four, page 4). Each of the four numbers has an eight-page publishers' catalogue at the end.