TURNER

Two pages, 12mo. Aged, grubby and creased, with closed tear repaired with archival tape. 'The second plate arrived too late unfortunately for the April number of the Journal as we had to print off at the end of the week.' He is busy with examinations and does not finish till the Monday, but 'would like much to see your work'. Signed 'W Turner'.

One page, 12mo, asking her friend to dinner "to meet a friend from the country", fearing that "there is small chance of finding you disengaged" with such late notice.

One page, octavo. Good, on aged paper with some loss to extremities repaired with archival tape. Fifteen lines of text clear and complete. On learning of Dawson Turner's celebrated collection of autographs from her son, Elizabeth Palgrave's 'kind old neighbour' Lady Bentham asked her 'some questions which led to the enclosed note & the letters I send' (none present).

Two pages, quarto. Very good. With traces of blue paper mount adhering to addressed verso of second leaf of bifolium. Dawson Turner having declined to buy a collection on the grounds that it is 'wholly out of his line of collecting', Russell now offers it to Thompson. They are 'not so interesting' as he anticipated when he 'bought them at an auction without looking at them till they were on the table'. Gives details of the purchase and describes the volumes, estimating their cost in binding.

Three pages, 12mo. On aged paper, with some foxing, a few closed tears and wear to extremities. Glue and strip of mount adhering to blank verso of second leaf of bifolium. Text clear and entire. He is in 'a maelstrom of work and worry' and asks Ross 'a question which you are almost certain not to be able to answer!' Asks if he has 'seen Tom Smith's crackers', and if so, whether he observed 'anything specially and eminently notable'.

All five items good, on lightly aged paper. All five bifoliums, bearing traces of previous grey paper mount on the verso of the second leaf. LETTER ONE (one page, 12mo, 30 May 1865): He is 'very poorly', with a 'bad bilious attack which has threatened to turn into jaundice'. 'Yesterday I met Mr Herbert in Regent Street. We talked for a few minutes at cross purposes, my thoughts running on his journalistic prospects and projects, while he was thinking and speaking about his election at the Savage Club.

On a piece of aged, creased paper roughly five inches square, with some fraying to extremities. Reads '<...> an artist. & his case as one <...> | Andrew Robertson | D Colnaghi | M. H. Colnaghi | R Ackermann | CTurner | John | Saml Woodin'. Rudolph Ackermann (1764-1834), bookseller; Dominic Paul Colnaghi (1790-1879), print dealer; M. H. Colnaghi (1821-1908), picture dealer and collector; Andrew Robertson (1777-1845), Scottish miniature painter. From a collection of material relating to the Artists' General Benevolent Fund.

all octavo, in worn nineteenth-century binding, with front hinge loose, lacking spine. New endpapers. All items good, on aged paper with occasional foxing. An invaluable collection, providing a snapshot of secondhand bookselling in provincial Victorian England within an extremely short timescale. Several of the booksellers are not represented in the British Library collection, and others are only represented by catalogues of a later date. Of note are the two catalogues published by Sotheran's Manchester arm, the existence of which is not mentioned in Andrew Block's 'Short History' (1933).

On India paper roughly three and a half inches by six and a half wide, mounted on a thick piece of wove paper ten inches by fourteen and a half. Cooke's name is engraved on the illustration, and printed on the mount are the title, Lewis's name and a double ruled border. Good clear impression. The mount is a tad grubby, with foxing to the extremities. Atmospheric representation of a populated pier snaking to the left, with a number of sailing ships and a row boat taking advantage of the low tide nearby. No reference found.

EXCESSIVELY RARE. Apparently not present in the National Portrait Gallery collection. The portrait is on a piece of India paper roughly four and a half inches by three and a half wide, mounted on a piece of thick wove paper roughly eleven inches by eight and a half wide. The mount bears the text. Good, though somewhat grubby, and with the mount lightly creased and foxed. While Sayers is best-known as a Pittite caricaturist this image is certainly not a caricature.

Architectural draughtsman (1780-1847). Three pages, quarto. Good, but heavily folded and with some loss to second leaf of bifoliate from breaking of red wax seal, the remains of which still adhere. Addressed, with postmarks, on verso of second leaf of bifoliate 'Robt. Rising Esq | Horsey. | To the Care of Robert Cory Junr Esq | Yarmouth'. Rising, of Horsey Hall, was a Norfolk landowner, and Cory (1776-1840) an antiquary. A long and interesting letter. He regrets that he has been unable to spend 'a few happy hours with you and of doing justice to the Chief Magistrate of that Gt.

Vulliamy (1780-1854) was a London clockmaker. Allnutt (1773-1863) was a wealthy wine merchant, a patron of Constable and Turner with a noted collection of paintings. Reads 'B L Vulliamy | Jn Allnutt, Clapham | 28 Nov. 1843'. From a collection of material relating to the Artists' General Benevolent Fund.

Three pages, 12mo. Good, but with a couple of closed tears on crease and with the remains of a brown-paper mount adhering to the blank verso of the second leaf of the bifoliate. The letter (2 pages) reads 'The coming coach drove my husband [Sir Francis Palgrave, 1788-1861, civil servant and antiquary] into London before he had well finished his note [see below].

Melvill was a noted English botanist (1845-1929). 8vo bifoliate. Four unpaginated pages. In very good condition, with some discolouration from age and remains of stub from previous mounting adhering to verso of second leaf. Decorative vignettes on all four sides. Engraving of Museum on recto of first leaf. 'PROGRAMME' (reception; tea and coffee; address by Sir William Turner Thiselton Dyer; inspection) on verso of first leaf. Description of 'AN EXHIBITION | of | A SERIES OF SPECIMENS | from the Herbarium' on both sides of second leaf.

Turner (1815-85; DNB) was the son of the noted botanist and autograph collector. 4 pages, 16mo. Creased, stained and grubby. Odd cross between an offer of work and a begging letter. Marked 'Private'. From their 'former relations' Hamilton feels sure Turner will assist him as he did before, when he was 'engaged in bringing out the West-End'. He hopes 'it will not be long before I can again avail myself of your facile pen for a few more of your graphic sketches of what comes under your observation.

Scottish antiquary (1802-1869). (To Dawson Turner) Two pages, 8vo, good condition, citing the brevity of his stay in Yarmouth as his reason for not visiting and accepting an invitation. "On some future occasion you will perhaps allow me the gratification of seeing some of the book treasures you have the happiness to possess." (To George Stokes) One page, 8vo, good condition. He has received Stokes's letters but has anticipated his "wishes and corrections. "I returned the sheet marked merely "for press," but no doubt the printers will proceed with it immediately".