BIRMINGHAM

1p., 12mo. Fair, on lightly-aged paper. In envelope addressed by De Tabley to 'Mrs. Kate. A. Wright. | Monona House | Small Heath | Birmingham.' In reply to her letter of 18 June, he states that he will have pleasure in permitting her to 'insert the five pieces' which she enumerates in her 'forthcoming Collection of Poems and Ballads of the Nineteenth Century'. Kate A. Wright's 'Dainty Poems of the Nineteenth Century' was published in Birmingham in 1895. The titles of the five poems are given in another contemporary hand [Mrs Wright's?] on the reverse of the second leaf.

8vo, 43 pp. In original grey printed wraps. Text clear and complete. Fair, on aged paper, in discoloured wraps. Title taken from front wrap. Title-page reads, in abridged form: 'By order of Messrs. W. & T. Avery, Limited, who have recently acquired the Freehold. | Soho Foundry, Smethwick, Birmingham. To Engineers, Boiler Makers and Others.

2 pp, 12mo. He is only in Putney for a day, and does not expect to be able to see Schnadhorst. Sir Charles Dilke 'says that Oct. 13 is fixed for Halifax, and that he is not sure that he may not be able to go there after all'. If this is so, 'it would be best to change my day at Newport from the 13th. October'. He will tell '', and would be grateful to Schnadhorst for arranging another day.

Folio, 1 p. Text clear and complete. Lightly-aged and creased. Remains of red wafer in left margin. Folded into a packet, and docketed on reverse 'Case for Mr. Wheler | 1 G[uine]a. | Martin & Hay for Nevill'. The upper half of the document consists of eighteen lines in the hand of the enquirer (presumably one of a firm of solicitors named 'Martin & Hay", acting for one 'Nevill'), with the last two lines posing the question; the lower half consists of fifteen lines in Wheler's hand, signed by him 'Frans Wheler', and dated by him in the bottom left-hand corner.

12mo (leaf dimensions 22 x 14.5 cm), 4 pp. Bifolium. Text clear and complete. On lightly-worn and aged paper. Excessively scarce: no copy in the British Library, on COPAC, or on WorldCat. Five songs: 'The Union Jack. Air "Nancy Lee." ', 'The Shamrock, Thistle, & Rose. Air "The British Grenadiers." ', 'The Unionists' song. Air "The Mermaid." ', 'Here's To Our Cause. Air "Drink, Puppy, Drink." ' and 'Loud Roars The Gladstone Thunder. Air "Bay Of Biscay." '

Two copies: one a revised proof, the other out-of-series, with manuscript additions to the list of subscribers. Both copies 8vo, 25 pp, in original grey printed wraps. Both copies internally tight and clean, in grubby wraps. Attractively printed on thick laid paper, with the wraps printed in red and black. Pp.7-9 of the proof have been deleted, with the manuscript instruction, p.7: 'Take out this & the passages marked on next two pages & insert MS. sent'.

12mo (leaf dimensions 22.5 x 14 cm): 12 pp paginated [3] to 14. Lacking (presumed) title-leaf. Unstitched, and consisting of one sheet of paper, 45 x 28 cm, folded twice to make four leaves; and one half sheet, 22.5 x 28 cm, folded to make two leaves. Text clear and entire, on heavily aged and spotted paper chipped at extremities. In an attempt to defend a perceived attack on his honour, W. D. B. prints, with commentary, three letters written by him to the editor of the Naval and Military Gazette, only the first of which was published (6 August 1839).

12mo: iv + 164 pp. In original green cloth, with the title in gilt on the front cover. All edges gilt. Slightly foxed. Good and tight, in lightly worn cloth. A curious collection, with the index of first lines containing such entries as 'Sweet Edgbaston bells' [this poem dated 1844], 'Dear Varinka', ' 'Twas a boy in a cut-off jacket' and 'They call me little Trottie'. All three series are excessively scarce. The only copy of this third series on COPAC is in the British Library, and the only copy on WorldCat in California.

12mo, 4 pp. Good, on aged paper with a little light staining at head. A significant letter, in which Warren gives information of those of Warren's 'poor works' which have been engraved: 'they have been chiefly for book illustration and are spread through many publishers'. Begins by describing how 'Murray's Childe Harold has many vignettes, very well engraved from my drawings'. Ends by saying that 'There is also a print in the mixed style of considerable size engraved by Humphreys but not yet published. It is from my picture of a story teller reciting in a coffee house of Damascus'.

On a piece of paper roughly 8.5 x 19 cm. Heavily aged, creased and with wear to extremities. Signatures clear and entire. Some loss to bottom left-hand corner. Printed text (involving a transfer) with manuscript insertions. Two red wafers. Signed 'A Whitehall | Admiralty | Paymaster R.N.'; 'E. M. Primrose'; 'Henry Crane | 14 Broad St | Clerk'; 'Joseph Chamberlain'. Chamberlain left Southbourne in Edgbaston in 1880.

One page. Dimensions of card roughly three and a half inches by four and a half. Right-hand side and bottom edge of card cropped. 'Autograph of' printed at head, and beneath this 'To Albert Millwa | With very best wi | Murray Kash'. The right-hand edges of the letter 'K' in Kash's name extend rightwards over the rest of the word, and may be very slightly cropped. Upper four lines of biographical cutting laid down at foot. Fragment of printed letter from Millward (and signed by him) requesting the autograph, beneath remains of plastic film on reverse.

Two pages, quarto. Well preserved, on good lightly-aged paper, but with the original piece of paper (which was roughly nine inches by seven and a half wide) now neatly cut into three strips (the top and bottom of which are two and three-quarter inches high, and the middle three and a half inches high). The text is extremely neatly written and entirely legible, and the whole easily repairable with archival tape. The whole of this long, interesting letter (thirty-five lines and a two-line postscript) is given over to the current craze for autograph collecting (for which see A. N. L.

One page, 12mo. Black border. Good, on aged and ruckled paper, with small glue stain at head (not affecting text). Asks to be released from 'coming to Oldham Road' on 4 July, as 'Saturday is an evening wich I usually make a rule of keeping to myself for the purposes of preparation for the Sunday'. Docketed at head in contemporary hand, 'Revd Arthur Mursell, Manchester'. Mursell's most interesting work would appear to be 'Bright Beads on a Dark Thread; or visits to the haunts of vice, etc.' (London, 1873).

The studio photograph, with printed label of 'Walter Baker, 159, Mosely Road, Birmingham. Highgate Studios.' on reverse, and the manuscript number '24704 | 98'. is a good clear head and shoulders portrait (dimensions roughly three and a half inches by two and a quarter wide), in very good condition. Although untitled, it seems to be Carl, as represented on the title-page of his book, without the moustache and a little younger. The book is twenty-eight pages, octavo, in original coloured printed boards. Numerous line drawings.

British economic historian (1860-1927), a disciple of Arnold Toynbee, and proponent of the historical method pioneered in Germany by such scholars as Roscher, Hildebrand and Knies. The manuscript items are all 12mo, the typed item quarto. All twelve docketed and bearing the Society's stamp, and signed 'W. T. Ashley'. The collection is in very good condition, though grubby in parts and with one or two creased corners. An interesting and characteristic correspondence. ITEM ONE (3 pages, 12mo, 5 August 1913): Declines proposal to act as examiner.

English artist (1809-42). One page, quarto, with the second leaf of the bifoliate bearing the address ('To | William Haines Esqr.. | Sol[icito]r. | Cannon Street | Birmingham'), with the remains of a red wax seal, and two postmarks. Discoloured, and with damp stains causing discoloration and damage to the paper, but not affecting the legibility of the text. Small spike hole through both leaves, not affecting text. Having been 'from home yestereday on a painting expidition' he could not acknowledge Haines' letter sooner.

Architect (1915-98), designer of the National Exhibition Centre, Birmingham. All items very good. ITEM ONE (one page, folio): typed copy of Mills' 'programme' ('The object of the proposed research is to study at first hand the effect of these new techniques on building types in the United States [...]'.). ITEM TWO (one page, quarto, typed): letter by Mills dated 3 March 1969. Congratulates the Society on 'the new appearance of the R.S.A. Journal which is an enormous improvement on the past'. Explains that he has been awarded the Fellowship and encloses copy of programme.

According to the British Library Bisset's Directory was published in 1800. Paper dimensions roughly 5 1/4 inches by 9 inches; print dimensions roughly 4 1/4 inches by 7 inches. In very good condition although somewhat grubby. Paper watermarked '<179?>9 | TMAN'. At head of plate: 'M'. At foot of plate: 'Reynolds. Sct. Birm'.

Four manuscript leaves ranging from 16mo to 4to, with covering typewritten letter, the whole held together by a pin. Somewhat discoloured, but in good condition overall. The letter, in purple ink on Lintine & Co.'s florid black-and-white letterhead, is dated 1 January 1903 and addressed to Messrs Challoner & Shaw, Solicitors, Leek. No more than a note, it requests a list of the creditors to Birch's estate. With the cyclostyled signature of 'David F. Lintine'. The other, manuscript, papers are all clearly from the Challoner archive.