Autograph Letters

Total 12pp., 8vo, remnants of laying down obscuring some letters, mainly clear and legible. Subjects: [1874] Gratitude to correspondent and a woman; two bad falls; Lady Newry setting fire to herself; compliments on his sketches; their fruit continues to abound; notes on happinesss then a cause for gloom; [Undated] Lady K. ruminating on present for Williams' birthday - he decides himself, the original of [his] sketch; illness in the family; about to distribute the annual gift to our poor (1200 pounds of beef); [1878] Discusses Williams' philosophical remarks and account of P.H.

12mo, 1 p. Fifteen lines. Text clear and complete. Very good on lightly-aged paper. The valediction ('Yours sincerely | C. Bradlaugh') in Bradlaugh's hand, the rest in a secretary's. Addressed to 'F. Harris Esq'. Docketed by Harris: '18 or 20th of Feb. or March. Length unlimited: but more valuable short.' Bradlaugh is working on the article, but 'must not send it' before the report is presented to parliament, which Lord Derby assures him 'will be within fourteen days of the Reopening of the House'. He asks about length and deadline.

Photographs: All black and white prints. The first (21 x 15 cm) a portrait of Waller (reproduced in Baxendale, p. 26, below). The second (23 x 17 cm) a family photograph of six Edwardian individuals, three younger ones (including a woman and with Waller at centre) standing, and three older men seated. The other six (all 14 x 8.5 cm and taken at the same time) showing Waller and family outdoors: one of him rowing, and one with a smiling woman (presumably his wife). Overall condition of the photographs is fair. They are lightly-aged, with a little creasing here and there.

12mo, 3 pp. 30 lines. Text clear and complete. Fair, on aged and creased paper. He sends a 'list of pieces' which he considers 'suitable for a Short Company'. The first piece named is 'The Silver Lining (the St James's Comedy)', in which he says there are 'only 4 Men & 3 women exclusive of Helen Maltravers'.

12mo, 3 pp. On bifolium, with the printed playbill for the 'Benefit of Mr. Chas. Calvert' at the Theatre-Royal, Newcastle, on the recto of the first page (including a performance of Much Ado About Nothing, with Calvert as Benedick and Miss Fanny Alexander as Beatrice. The letter is 42 lines long. She feels that, 'with but one rehearsal', the 'Merchante's Storye will scarcely go', and suggests performing 'Nine Points, The Household Fairy, and Head of the Family' instead, considering it 'a good bill' and 'lighter works for all the company'.

Both good, on aged paper. Both docketed and with the Society's stamp. ONE: 14 October 1915. Folio, 1 p. Regarding a 'special examination in English, for Belgian refugees'. TWO: 21 October 1915. 4to, 1 p. Headed 'Examination for Belgians in the English Language'.

4to, 1 p. Thirteen lines. Text clear and complete. Good, on aged and lightly-creased paper. The letterhead features an engraving of Chaucer with a lion and eagle. Stating that 'the Pilgrims Society has no funds available' to pay for the sending of 'a representative to the Conference that you are holding with the object of preserving the Old Cottages of England', although 'individual Pilgrims might be willing to subscribe' and the Society is 'in full sympathy with your object'.

12mo, 3 pp. 28 lines. Text clear and complete. Good, on aged paper. He does not understand how they can have 'a record of a second edition [of Burns's poems] dated 1786, for the book was not published until April 1787'. He describes the two issues of the second edition ('a stinking or a skinking issue') and concludes that he will be glad to hear from them, should they 'meet with a 1786 second edition, or with a copy having the addenda incorporated in the list of subscribers, or one having Roxburgh spelled correctly'.

Leaf detached from album, some staining, complete and clear. On one side a photographic portrait of jan Kubelik which he has signed and which has been annotated with the above place and date. Overleaf appear the signatures of Phyllis Neilson-Terry, actress and the Russian tenor, Stefan Bielina, dated by him 9/12 1921.

Page detached from album, stained but writing clear and complete. The plain signature of Jean Vallier, French Bass, is followed by the title Ave Maria followed by two or so bars from the song, with words (A-ve Ma-ri-a gra-ti-a ple-na), itself followed by Best wishes from | Percy B. Kahn Stoke Jan 21st 1921. Note: His most noted composition was the song Ave Maria with accompaniment by piano, and violin obbligato.

Page detached from album, some wear and tear but no losses, which contained numerous autographs provided at performances in Stoke mainly in the 1920s. One side of the leaf has the signatures of Agnes Nicholls Harty, Hamilton Harty, an illegible, and Frank Mullings, while overleaf are the signatures of John Booth, Margaret Balfour and Andrew Clayton.

12mo, 1 p. Nine lines. Text clear and complete. Good, on lightly-aged paper. Docketed in pencil on reverse 'R. A. Bennett re T. P. O'Connor'. He is enclosing 'the promised note to "T. P". I see that he is ailing and going to the Riviera at an early date, so you had better try and catch him at once.' Bennett had to get the recipient's address from his publishers, as O'Connor left without passing it on.

The letter is of 23 lines, written on the front and back of an opened envelope with the cancelled address of 'John Wickham Flower Esq, Park Hill, Croydon'. In good condition, on aged paper. The rear of the envelope carries a good impression of a red wax seal, and the letter begins: 'My dear Sir, I had written this letter having obtained my object through my friend the York Herald and I still send it on account of the Seal which was the counter seal of Richd Neville Earl of Warwick killed at the battle of Barnet'.

Both items good, on lightly-aged paper. Palmer's letter: 4to, 6 pp. Text clear and complete. He begins by apologising if his letter to her 'sounded very ungracious': 'I was unaware at the time that you had made any acknowledgement to me, and as I have had my brains picked so frequently without acknowledgment (including, of course, plagiarisms from my poems) I was again feeling rather depressed & exasperated'. While describing her book as 'really [...] very good' and 'reliable', he suggests a number of changes, giving examples of 'where we clash'.

Total (Smith letters) 7pp., 8vo, RSA stamp on all, good condition. Subjects: (1917) letter from a Mr. W. Foxton; a word with a Mr. Kendrick about judging; reception of parcels for the Owen Jones Competition; (1918) measures taken because of possible increase of risk from attack by hostile aircraft; need for the RSA to take back some works deposited by them to make room in the basement for withdrawals from exhibition (pencil note attached about the deposit); arrangements for Mr.

Deatched leaf of album with these five signatures in hhArabic script [?] the rest of the page being occupied by the list of signatorees and the information about the visit to Stoke in 1921 (as above). On the verso are the signaturs of Fred Terry and Julia Neilson-Terry, actor and actress.

Three pages, 4to, bifolium, not bound, very good condition. Election to Burgess apparently means being the MP to represent the University at that time, apparently elected by some sort of proportional representation. In the circular, Murray's achievements, alignments, principles, and views (Liberal) are summarised (including how dangerous a continuance of the Conservative Government would be, listing their failures). Advice on voting is given, bearing in mind PR system.

Four pages, cr. 8vo, handwriting faded but readable, folded, foxing/staining, some damage, some crudely repaired, marginally affecting text (two words lost). Baillie Cochrane discusses a visit to Greece and the political situation in Greece from the point of view of a Philhellene. Letter addressed to The Honble. Mr. Leicester Stanhope, Ashburnham House, Kensington, Chelsea, London. Added at top of letter: France 24 Jany. 1847 | My dear Dewing, | Pray read this letter from Mr. B. C. I deeply regret that I shall not be in England to exert my self in doing honor to Gl.

Page detached from album, 17 x 14cm, good condition, headed Kedroff Quartet, with signatures, as far as I can make out, T. Kasakoff, Const Kedroff, J.. Denisoff, N. Kedroff, dated 19.1.1926.

Page of album, 17 x 14, good condition, signed as follows: Souvenir from | Luisa Tetrazzini | Stoke on Trent 9th Dec. 1921 [underlined]. On the same page, the signature Ivor Newton [pianist] who accompanied her.

Page detached from an album, 17 x 14cm, slightly foxed, mainly good condition, inscribed Every good wish | Paul Robeson | [Mar?] 1930 | Lawrence Brown. Note from wikipedia: Robeson and his accompanist and arranger Lawrence Brown were the first to bring spirituals to the concert stage; their association lasted through four decades.

Detached album leaf, c.17 x 14cm, good condition, on one side signed Fritz Kreisler | 2/XI 1922, the other Nellie Melba | 1923. A small image of Kreisler, extracted from a magazine, is below the signature.

12mo, 4 pp. Bifolium. 32 lines. Text clear and complete. Fair, on aged paper. In answer to a request for autographs, she has 'some duplicates somewhere, but tonight I send you only three cards', as she has 'no letters of Miss Yonge that I should like to part with'. She names the authors of the 'three signed postcards' (not present) as: James Payne ('Editor of Cornhill, author of many novels'), Charlotte Yonge and Richard Monckton Milnes, Lord Houghton.

For more information about Stephen Manton Bradbury, or Stephen Manton as he was known professionally, see his obituary in The Times, 8 September 1970. The collection is in good condition, on aged paper. The correspondence from various figures in various BBC music departments, both London and regional, and in a variety of formats from 4to down to 12mo, breaks down to the following number of items per year: 1944, 8; 1945, 5; 1946, 30; 1947, 34; 1948, 32; 1949, 22; 1950, 11; 1951, 15; 1952, 1.

Both letter and estimate clear and complete; both good, on lightly-aged paper. Letter: 4to, 3 pp. Bifolium. Addressed, with faint circular 'ABER | DEEN' postmark in black ink, on reverse of second leaf, to 'The Right Honourable | The Earl of Aboyne | Montrose'. The letter is in two parts: the first (12 lines) on the recto of the first leaf, informs the Earl that 'The Buttons were sent by yesterdays Mail', and that, 'Some days since', he 'sent by the Mail Coach a pattern Coat as a Uniform for the Band.

4to, 1 p. Twenty-lines. Text clear and complete. He has found 'il Barone' and is going to see 'Der Freishutz'. Monico is 'una gran bella citta', where he has seen 'molte belle cose'. He finds the Madonna of Rafael 'Divina'. A postscript concerns the print-seller Ackermann, as well as the art dealer Woodburn, and 'Cockerill'. The reverse carries a closely-written 30-line manuscript, in another hand, apparently in German, and followed by an indecipherable signature. It contains at least two references to 'Campball' [sic].

Two pages, 4to, several closed tears, two small hole, one stain, 1in. dia., on p.2. , text clear and complete. "I am much obliged to you for sending me a copy of your 'Proteus' No.6 - the Goethe Commemoration Number. It was a happy idea to concentrate on this centenary. My interest naturally centres on the 'Metamorphosis of Plants'. Had Goethe lived as a post Darwinian his keen insight would have led him to a rather different statement of his great synthesis. He would have accepted I am pretty sure a theory of segregation rather than a theory of metamorphosis.

Both one page, c.21 x 17cm, small closed tear, some dusting, mainly good, texts clear and complete: [10 June] "Re. Infected Books | A few days ago one of your Clerks saw me in reference to the above, and said that it was Miss Strong's intention not to replace the books as they and numerous dresses were taken away by Sanitary Authorities.

Two pages, 12mo, some creasing and staining, and a few wards faded, but text readable and complete. A letter or spoof letter from (or purportedly from) "The Blacksmith of Gretna Green", with newspaper clipping attached giving the text of this letter and commenting on it.

Two pages, 4to, fold marks, four small closed tears. A difficult hand. He thanks Crow for his book, "Contributions to the Principles of Morphology", just published, suggesting that Crow must have enjoyed reviewing "older views", adding, "The Philosophy on which Biology has [?] based is much neglected ...I never came across any Botanist for example who thought the two [?] of Goethe, & his theory of meta-morphosis has been a great curse ... for 100 years. The mistake of [?] was, that we had no 'definitions' of a leaf to begin with. ...