ERIC

On 12.5 x 9 cm piece of cream paper. In good condition, with light signs of age. Boldly written and underlined, at the top of the page, reading 'Eric Linklater.' No other writing on either side of the leaf.

1p., 12mo. Seventeen lines of closely-written text, with postscript. Slip of paper with biographical note in contemporary hand attached. He begins by stating that he has sent the 'differents papiers' of which he spoke that morning. He next reminds the recipient of 'l'affaire du brave colonel Pozac', regarding which 'vous avez bien voulu charger d'etre mon ambassadeur auprès du maréchal'. Pozac obtained the 'sabre d'honneur comme sr.

The thirteen items are in good condition, with moderate signs of age and wear. In buff folder, with '265/G(SD) | LESSONS DERIVED FROM TUNISIAN CAMPAIGN' in red pencil on cover. The material, including a report by Harrison, a questionnaire and two responses to it, was produced shortly after the campaign, following an order from the Army Commander that a printed report of the lessons learned be produced as quickly as possible.

1p. 8vo. In good condition, on lightly aged and worn paper. With envelope addressed by Ambler to Pitt at Kennister in Somerset. Also present are copies of two letters to Ambler from Pitt, dated 2 January and 20 February 1980. In the first Pitt congratulates Ambler on the receipt of an OBE, reminds him of their previous correspondence through Peter Janson-Smith, and sends 'Part I of my trilogy on the North African campaign' ('If it gives you one tenth of the enjoyment I get from every one of your books, it will have been worth writing.').

2pp., 12mo. Written in a small close and neat hand. In good condition, on lightly aged paper.

IDENTITY CARD: Bifolium. 12 x 8 cm. Printed in black and grey on outer covers and in black over green inside. In fair condition, lightly aged and worn. Cover headed 'IDENTITY CARD' with 'WORLD CITIZEN' in a variety of scripts around a circular logo of human figure. Internal statement: 'This card certifies that the holder is registered as a world-citizen. He will try to recognise his responsibilities as a member of the World Community.' Korn is 'No 12030'. Filled-in in ink for Michael Korn of 62 Aberdare Gardens, Hampstead, London.

Printed in black ink on 8 x 12 cm piece of thick watermarked laid paper. In very good condition. Sims acquired the Gill archive from the artist's widow, and it seems likely that he had the illustration made from one of the artist's blocks. The illustration shows a bearded man in loincloth, trailing a sword along the ground as he runs from a tree. Printed beneath the illustration: 'With the compliments of | George Sims'. Above the illustration is typed 'for Tony & Jean', and below the printed text 'just before it was remaindered'.

First edition. 8vo, 32pp., original mottled blue cloth, gilt titling to spine, bumped, dustwrapper, browned at edges. Small bump to front board, good copy in good dustwrapper. Enclosed more by accident than design: George Sims' Compliments slip, 11.5 x 7.5, light blue, edges browned, featuring a design by Eric Gill (whose archive Sims rescued) of an athleticllly poised swordsman. Sims has typed on the verso, "for the Rota Foundation - this good piece of printing - these [the Gill engraving presumably] passed through my hands 25 years ago!".

1p., 8vo. Priestley's agents have forwarded an invitation from Crozier 'to write a piece on Alan Herbert for a special issue you are planning'. Although Priestley has 'a high regard' for Herbert, he is 'particularly anxious just now not to accept commissions of this kind, and so must reluctantly refuse'.

The two items in good condition, on lightly-aged paper. ONE: 1p., 4to. Regarding the loan by him to Hubbard of drawings, and delivery options for them. TWO: 1p., 12mo. 'You vanished very suddenly after our Meeting and I did not have the chance of discussing arrangements with you. Will you please let me know what time it passes through Tonbridge on the following Monday.' He hopes to bring two more pictures 'straight to Albany from Charing Cross, arriving about mid-day? If you are not to be there I will take them to the Royal Academy and deliver them in the afternoon.'

The two items in good condition, on lightly-aged paper. ONE: 1p., 4to. Regarding the loan by him to Hubbard of drawings, and delivery options for them. TWO: 1p., 12mo. 'You vanished very suddenly after our Meeting and I did not have the chance of discussing arrangements with you. Will you please let me know what time it passes through Tonbridge on the following Monday.' He hopes to bring two more pictures 'straight to Albany from Charing Cross, arriving about mid-day? If you are not to be there I will take them to the Royal Academy and deliver them in the afternoon.'

The three items in good condition, with light age and wear. CARD: He has been told about Korn by 'Barbara and Cyril Connolly': 'Maybe we might meet, though I shall now be leaving England for a time. Do you ever have a catalogue? If so please put me on your list. I chiefly want classics & archaeology & (old) travels in Greece & Central Asia, but sometimes modern poetry. I am always at or c/o this address. Peter Levi.' THREE POEMS: Landscape 8vo, folded twice to make three panels. Printed in blue. The first poem is titled 'Riddle' and the other two are untitled.

Both items in fair condition, on lightly aged and creased paper. The second letter addressed by the secretary on the reverse, with four torn stamps and postmarks, to 'Mr. Lawrence Hodson | Bradbourne Hall | Ashbourne | Derbyshire'. The 'set of stations' referred to in the first letter is likely to have been based on those executed by Gill in stone in Westminster Cathedral, and completed in 1918. Letter One (3 November 1920): 1p., 12mo.

One page, cr. 8vo, good condition, giving a brief c.v. of his son, Lewis Cleverdon from Primary School to William Ellis [Marsh's school], Dartington to work experience (dry-stone walling, carpenter's mate, training with wheelwright. He asks Marsh to send a reference toi the Clerk of the Skinners Company, giving address.

All three are air mail letter cards. Each with 'Field Post Office' postmark and censor's stamp. The three in fair condition, lightly aged and creased. Letter One: To his father, 17 March [1944]. Addressed to 'My dear Father', with the envelope addressed to 'Sir E. de la Rue Bart. | The Sol | Cookham | Berkshire | England.' 1p, 4to, and 1p., 12mo. A light-hearted letter, in which he jokes about his father's inability to read the word 'Aviv' ('I suppose a series of "i"s and "v"s is rather difficult even if printed') and find the place on the map ('it is much larger than Bournemouth').

Monty Shaw's 'Banks and Miles: Thirty Years of Design Evolution' was supposedly published by Lund Humphries (London) in February 1993 but no copy can be found on the internet (one listed on WorldCat appears to be a ghost).. This collection, in a buff card folder, contains material relating to Shaw's monograph, grouped as follows: ONE.

12mo, 1 p. Thirteen lines. Text clear and complete. On aged and foxed paper with some fraying to edges (not affecting text). He would like to show Taylor 'something of interest with reference to Sir Herbert Taylor [sometime soldier and Private Secretary to teh KIng]' and suggests meeting that night. 'It seems rather late, but I shall be at von Herkomer's till then'.

4to, 2 pp. Thirty-nine lines of text. Clear and complete. Neatly and closely written. Begins by discussing two books recommended by Bower: Otto Hammann's 'World Policy of Germany' and a work by Sir Francis Younghusband. Hammann's book 'confirms what Sir Sidney Lee writes about the Kaiser's telegram'; he is pleased that Younghusband's, which he has not yet read, contradicts the story that 'Lord Ripon was prepared for such drastic measures'. He has been 'correcting the proofs of the 600-page history of South Africa which I undertook to write for Longmans Green five or six years ago'.

The engraving illustrates the biblical passage describing an incident during the wreck off Crete of a ship carrying Saint Paul. Acts 27:35: 'And when he had thus spoken, he took bread, and gave thanks to God in presence of them all: and when he had broken it, he began to eat.' Printed on one side of a piece of paper, 28 x 19 cm, with one rough edge. A striking image, irregularly shaped, with white lines against a black background, showing centurions and others on the deck of a ship on a stormy sea, with land in the distance.

All three items in very good condition. Interesting series of letters by an obscure 1890s poet. Letter One (12mo, 7 pp): Although he realises that some are 'rather poor', he is sending, through his brother (possibly the artist Alan Wright, 1864-1959), 'all the lyrics I have by me': 'I have not had time to "weed" yet, being veryy busily engaged writing lyrics for a Comedy-Opera ['Ethelinda, or a Philanthropic Fad' (1890), on which he collaborated with Hamilton O. Wylde] - & a libretto for Operetta; also been trying my hand at very sensational prose'.

Leaflet. Two pages, 12mo. Tasteful bifolium on cream wove paper. Unbound. Good, though a tad grubby. Gill woodcut (roughly two inches by one and a half) on front: two hands around the front of a large 'V' with rest of word 'Veritas' on stem and cross at head. Apparently numbered in pencil bottom-right of woodcut 579.

Small 8vo. Pages: viii + 24 + [4 blanks]. Original cream paper wraps: title and price in red and engraving in green on front. Wraps discoloured, rubbed and stained, with covers loosening and loss at foot of spine. Internally sound and tight, but quite heavily foxed. Dated ownership inscription on flyleaf. Titlepage vignette and 15 engravings. Collection of whimsical poems about places like Hampstead Garden Suburb and people like G. K. Chesterton and Bernard Shaw. Taylor & Sewell A125b.

4 leaves. 8 unpaginated pages. 16mo. 9 centimeters by 12 centimeters. Dusty but very good indeed. Evan Gill 272 describes the first edition of 1923 and a subsequent edition of 1929, but makes no mention of an undated issue. Wood engravings by Gill: lawyer's wig on cover-title; bird in cage on verso of third leaf; angel before tombstone on verso of last leaf. 'WITABEL WATLO' engraving [by David Jones?] on recto of third leaf. Prob. Taylor & Sewell 117c

Attractive illustration, in red, green, yellow and black, on piece of white card roughly nine and three-quarter inches by six and a quarter, neatly mounted on piece of black card roughly ten and a quarter inches by seven and three-quarters. At head a parody of the London Underground black rectangle over red circle, roughly six and a half inches by three and a quarter, bearing the notice 'ALIGHT HERE' in white letters. Beneath this the words 'FOR EVERY SMOKER.', with a red arrow at foot pointing to a box of Swan Vesta matches. Very good, though lightly foxed.