MOVIES

4to, 1 p. On aged, worn paper with small area of loss at head (not affecting text). He will be 'pleased to act on the Committee to judge of the stories for filming', and is glad that 'the work will not be onerous'. In a postscript gives the version of his name he wishes given for announcing ('Right Hon. Sir Gilbert Parker Bt.'). According to his entry in the Oxford DNB, no fewer than sixteen of Parker's novels were filmed. As head of British propaganda in America, 1914-1916, Parker had a direct involvement with the medium.

One page, quarto. On paper discoloured with age. Attached along one edge of blank verso to card mount. Reads 'To simply tell you that your work is good would be putting it mildly. Things that I have heard all about me as I sat and watched the performance for the first time, from a loge seat, if you heard them, make [sic] you very very happy. | Your appearance is majestic; your enunciation beautiful; your reading and interpretation a delight. I cannot tell you how proud I am of you.

One page, 12mo. Very good. 'Do forgive my delay. I had lost your letter!'

On a piece of thin card roughly 8.5 x 11.5 cm. Very good. Good signature, 7.5 cm long, neatly centred.

The sepia photograph, 10 x 7 cm, shows Korff's head and torso. He is dressed in the costume of a flying ace, with leather coat, gloves, googles and scarf, and is striking a match while staring moodily at the viewer. It is mounted on a leaf of cream paper (24 x 20 cm) removed from an album. In very good condition and attractively mounted, with a piece of nicely-patterned paper (12 x 8.5 cm) beneath the photograph acting as a frame. Korff's large, bold signature runs across the page beneath the phtograph, reading 'Arnold Korff | Wien 25. Oct. 1923'.

The sepia photograph, 10 x 7 cm, is a head and shoulders shot of Aslan staring at the viewer in the character of Hamlet holding Yorick's skull. It is neatly mounted on a leaf of cream paper (24 x 20 cm) removed from an album. The whole attractive and in good condition. In a firm, bold hand Aslan has written, across the page beneath the photograph: '"Zu was für schnöden Bestimmungen | wir doch kommen, Horatio"! - | (Hamlet) | Ein Erinnerung | [signed] Raoul M. Aslan: | Wien, Oktober 1923. -'

8vo, 2 pp. Very good. She has been recovering from influenza at Brighton. 'I think your Paper is going on Splendidly [last word underlined] & I am so glad! [last two words underlined]'. 'Yes, isnt Margaret Ettinger a charming Creature! She told me you had talked together of me'. Asks for Ettinger's address. 'How's the home? - how's the charming wife? - & when shall we discuss the affairs of the world, the flesh, & the devil?!' She is well, 'all but my knee, which has been behaving like an ungrateful child'.

12mo, 2 pp. Very good. Attractive letterhead with engraved illustration of 'Renishaw Hall | Derbyshire' (last word crossed out by Sitwell). Written in purple ink. Asks if there is 'anything to be made of a curtain-raiser, or short film, which wd. show Napoleon catching the cold, which lost him the Battle of Waterloo? . . It is an amusing idea.' He considers that it is 'sure to have been some very silly person who sneezed at him . . . Or is the idea nonsense!'

Written in pencil by 'Mayhew' on an official printed 'Post Office Telegraphs' form, stamped with telegraph number and dated postmark. Good, on aged high-acidity paper, dimensions roughly 14 x 21.5 cm. Neatly laid down on a piece of brown card. Sent on Pickford and Fairbanks' honeymoon voyage to Europe. The couple have 'received so many lovely messages from friends in England' that Pickford's 'Life Long dream of visiting the old country seems to be all [she] had hoped more [sic] and that saying great deal Douglas is ready to jump from the Top mast the minute we sight Southampton'.

On a leaf of cream paper, 8.5 x 12 cm, part of a bifolium taken from an autograph album. Very good. All three signatures are bold and clear. The signatures of Lawrence and St Helier are on one side of the leaf, and that of Carey is on the other. Lawrence's signature is in ink, and the other two in pencil. Three signatures,

On piece of cream paper, roughly 8.5 x 12 cm, removed from an autograph album. Good, on paper with a few light marks. Bold, firm signatures in pencil, one on each side of the leaf. Two signatures,

Movie cowboy (1880-1940) whose real name was Thomas Hezekiah Mix. Dimensions approximately 2 inches by 3 inches, with the signature 'Tom Mix,' in blue ink and approximately 1 1/2 inches long. In good condition although the 'om' of 'Tom' slightly smudged, and with a small brown stain above the tip of the 'T'. Mounted on an irregularly-shaped piece of blue card, docketed '93 | Famous Cinema Star | noted particularly for His wonderful riding and His famous horse Tony'.

American film actor. 1 page, 8vo. In good condition with some minor creasing. He was interested in his correspondent's comments, in a letter of 14 August, regarding the parish church of St George's at Gravesend. 'I, like so many others, am familiar with the church and its association with Pocahontas.

American actor. In the first letter he says he has Mackenzie's letter of 22 November inviting him to become vice-president of the Empire Art Council. 'I am deeply sensible of the honour you offer me and I am touched by the gesture. I accept most heartily and gratefully. | I have known the Empire Art Council for some time and have been keenly interested in its aspirations and have applauded its progress.

English army officer and agent in the film business. Long and informed summary of 'the necessary points of our conversation'. Begins with description of Indian film industry: 'I have checked with India House these figures, and discovered that my sources of information are far more up to date than the Government's'. He encloses (not present) one of the stories he has found to 'make into Arabic films': 'Enslaved' by the Poet Laureate John Masefield. 'I have his written permission to make it into an Arab film'.