BRITISH

4pp., 12mo. Bifolium. In acceptable condition, aged and somewhat grubby. He thanks him for sending his article in the 'Musical Gazette', and comments that it is 'certainly curious about the Purcell Catch & the coincidence of the four notes, but it is difficult to say whether it was done purposely or by accident'.

27pp., 8vo. (The article on 'The Budapest War Cemetery' is 7pp., 8vo, and the accompanying 'Register of the Graves in the Budapest War Cemetery' is 21pp., 8vo. There is also a page of 'Abbreviations to the Register'.) A few manuscript emendations. The covering letter is addressed to 'David', and is effusive in its offer of further assistance, the author urging 'David' to rewrite the piece as he sees fit. It is signed, faintly and undecipherably. The author writes in good, but not entirely idiomatic, English, and has gone to some trouble.

In blue ink, on 3.5 x 10 cm piece of thick paper, cut from a letter. In good condition, with traces of glue from mount on reverse. Reads: 'Yours faithfully | Walter Greenwood'.

A good, firm signature on the reverse of an 8vo endpaper removed from a book. In good condition, lightly-aged. Reads simply: 'Marie Corelli'.

Both items in good condition, on lightly-aged watermarked laid paper. The 'Private Circular' is 4pp., 4to, in a bifolium. Contains a description by 'J. J. H.', beginning: 'At the suggestion of several friends interested in genealogical research, and with the assistance of Mr. F. A. Crisp, I have been induced to print a portion of my collections illustrating the last three generations of families resident in England and Wales. | The information now collected would in a few years' time be almost unattainable.' The final two pages carry a list of 'Pedigrees in Volumes I.

Good, firm signature, on 5.5 x 14.5 cm piece of paper. In good condition, lightly aged, on card backing bearing traces of mount on reverse. Reads simply: 'Florence Marryat.'

31pp., 64mo., i.e. 10 x 6.5 cm. Stitched, in green printed wraps. Heavily aged and worn. Penny pamphlet with three illustrations. Contemporary inscription on p.30: 'Thomas Richard Woollard his Book | Given him by Ann Wright 1840'. The signature of Sarah Wollard is also present. BBTI has Frederick Lankester active in Bury St. Edmunds between 1821 and 1864, but this may reflect a confusion between Frederick and Francis Lankester. COPAC holds items by published by Frederick Lankester between 1824 and 1837. No other copy of this particular edition traced, either on OCLC WorldCat or on COPAC.

Two pages, 8vo, good condition. His correspondence reports a "chapter of misfortune" only to be capped by Belfrage's information about his father's cancer, brother's ulcer [Cedric Belfrage, alleged Soviet spy] and son's sending hom from school because of an outbreak of "infantile paralysis2. "All this made me forget to draw your attention to a broadcast discussion on the film industry which I chaoired at Cardiff last Saturday.

114 items, ranging in size and format. Many are extracted from eighteenth and nineteenth century English and French volumes. In fair condition, with signs of age and wear. Containing a few duplicates. Perhaps indicating provence is the presence, with two other items in a folder titled 'Hunt Family of Ireland', of a TLS to Grey from W. H. Hunt of Selkirk, 25 February 1923, asking him to supply genealogical 'extracts'. Of the present collection, the pedigrees, variously in manuscript, printed and engraved, are 24 in number.

1p., 4to. Sixteen lines of closely-written text. The letter begins: 'On my return yesterday from a lecture tour in America I happened to hear of the series on Mahatma Gandhi that you have compiled, with Maurice Brown, for the Third Programme.' He complains that, although Watson had previously had his assurance that he was willing to participate in such it programme, it is 'rather hurtful to find that you have evidently decided to cut me out of the programme.

Two pink cloth bandages, in brown cloth packet, roughly 8 x 11 x 2 cm. The contents are described as 'Two Dressings in Waterproof Covers, each consisting of a gauze pad stitched to a bandage and a safety pin.; The printed text, encased within a border, also includes instructions 'To Open' and 'Directions for Use'. The Imperial War Museum has three such dressings (1940, 1942 and 1944), but none with the same date as the present item.

16pp., 4to. Illustrated with photographs of PoWs and camps. Stapled pamphlet on cheap paper. In fair condition, aged and with rusted staples, with slight wear at corners of last few leaves. Milne's contribution, titled 'It depends on the Book', and with two illustrations, takes up p.10. Milne writes that 'To a prisoner of war, shut up for an indefinite time in an enemy country, any book must be a haven of escape from his thoughts; any book must be better than no book. [...] the Prisoners of War Department of the British Red Cross and St.

1p., 4to. In good condition, on lightly-aged paper. With the date stamps of the Royal Society of Arts. He thanks him for 'the cuttings, several of which I had not seen', and states that he will be delighted to 'present a copy of my book to your library'. He had been meaning to give one 'at the conclusion of the exhibition'. He is grateful to Menzies for offering to review the book in the Society's journal, and is 'already so much indebted to te Royal Society of Arts for kindness received'.

20pp., 12mo. On ten 26.5 x 21 cm numbered leaves, nine of them printed on one side only and the seventh with the text duplicated in error by being printed on both sides. Each leaf folded once, and the ten leaves stitched up to make a 21 x 13.25 cm booklet. The text written around a total of 20 illustrations by the author (including 'a covered market cart' in Oxford; 'Uncle Mervyn's Pajamas'; 'a Performing Elephant'; 'Rougemont', 'The Logan Stone', 'The Armed Knights & Enys Dodnan Rocks at The Lands End', the Clifton Suspension Bridge). In good condition, lightly aged and worn.

The duplicated typescript of the play is 79pp., folio, on 79 leaves attached with a stud. Aged and worn, with slight staining to early leaves. Accompanied by a BBC compliments slip, with the typed name of the play's producer Shaun MacLoughlin. Also present is a BBC postcard, with short typed message dated 26 July 1979: 'We are sorry but there is nothing in print for the play "Shadowfall".' A carbon copy of the typed letter from Mrs. D. G.

1p., folio. Good, on a lightly-aged piece of ruled paper. In two columns, with the left-hand column, written out by Roberts with his address at the foot, headed 'Name of Exhibition', and listing twelve international exhibitions between 1862 (Amsterdam) and 1898 (Brussels). The right-hand column, headed 'Picture Exhibition', carries Alma-Tadema's responses, some of which are written in darker ink than others, indicating that they were added at more than one point. Alongside 'Paris (EU) 1867' he writes '13 pictures amongst them.

Wrench was the son of a clergyman, and well educated and well connected (being presented to the Prince of Wales and staying at Chatsworth in his old age). His obituary in the British Medical Journal (27 April 1912), describes how, after service in the Crimea, 'he was transferred to the 4th Lancers, went to Madras with that regiment in the following month, and served with it during the whole of the Indian Mutiny. For his services in India he received the Indian medal and clasp for Central India. He returned to England in 1860, and married in 1861 his cousin, the daughter of Mr.

Wrench was the son of a clergyman, and well connected, being presented to the Prince of Wales and staying at Chatsworth in his old age. His obituary in the British Medical Journal (27 April 1812), describes how he went out to the Crimea in 1854. 'He had been gazetted Assistant Surgeon to the 34th Regiment in November, and joined it on its arrival in the Crimea. He served during the terrible winter of that year, and was present at the capture of the quarries, the successful assault on the Redan of June 18th, and the final capture of Sebastopol on September 8th, 1855.

1p., 16mo. Bifolium. In fair condition, lightly aged and worn. Docketted on reverse of second leaf 'Sir H Bishop June 17th/46' (17 June 1846 was a Wednesday, so probably a mistake for the previous day). He is much obliged by her 'kind thought, in sending me a Ticket for you Concert', but it is uncertain whether he will be in London at that time, 'but I wish you, most sincerely, every success'.

Heavily influenced by its author's own journalistic career, 'The Pen and the Sword' is not only of great significance in the development of Michael Foot's thinking, but is also an important work in the study of Jonathan Swift. The book was a firm success, going through four printings between 1957 and 2008. It was first published in London by Macgibbon and Kee, with the subtitle 'A Year in the Life of Jonathan Swift' (the year in question being 1710).

2pp., 12mo. Written in a small close and neat hand. In good condition, on lightly aged paper.

2pp., 4to. In good condition, lightly aged and worn. On two leaves stapled together. The letterhead, printed in red, is a cartoon portrait of the artist with palette and brush, pointing to the address on a blackboard. A long chatty letter, listing the titles and prices of an order Malcolm has made, describing his activities at a time when he is 'pushed like mad', arranging an 'interview for ERG', discribing the contents of the four albums of his stamp collecting ('I wouldn't call myself a philatelist . . . .

ONE (12 January 1975): 1p., 4to. In good condition. First page of letter only, and lacking signature. A generally positive review ('When I write, I suffer from excess, a disease which you and your contemporaries, Aldis, Brunner, Bulmer, etc long since cured yourselves of. [...] The story was, as I am sure you know, good.'), but with some caveats ('I also don't think that a female covered with body hairs would also have hair reaching down to her waist.'). TWO: 1p., 8vo. Signed in green ink. In fair condition, on aged paper with wear at head.

3pp., 4to. Bifolium. In fair condition, aged and creased. An interesting piece of ephemera, relating to one of the most significant events in the history of modern Britain. The recto of the first leaf carries Hill's circular letter, with facsimile signature, beginning 'The National Health Service Bill is upon us. | In order that the profession my be financially armed for any conflict which might arise, the Council of the B.M.A.

16pp., 4to. Unbound and unstitched pamphlet. On aged and worn paper. The first page has the Wesley stamp, and is headed 'Specimen Of First Seven Plates' It also carries nine lines describing the 'object of the author'. The seven plates are accompanied by captions, and there is also an explanation regarding them.

3 + [1]pp., 12mo. Bifoliate pamphlet. In good condition, on lightly-aged paper. Evans's book on 'The Shaft Graves and Bee-hive Tombs of Mycenae' had been published by Macmillans in 1929, and Evans writes that the present item 'has been prepared in view of the considered opinion concerning the author's important discovery expressed by Professor Friedrich von Duhn, the distinguished German archaeologist, a little before his death'. This opinion of Duhn ('the "Grand Old Man" of German Archaeology') was 'addressed to the Author a little before his death'.

The signature 'Louis Haghe' on 0.8 x 5 cm. piece of grey paper, evidently cut from a letter. In good condition, close cropped and lightly aged.

The two prints are in good condition, with light signs of age and wear. The 'Sing As We Go' (1934) photograph is 24 x 19.5 cm. In pencil on the reverse: 'Gracie Fields | S.G.P 4 | "Sing as we go" 1935 [sic] A.T.P. Studios' and is stamped 'CYRIL LEESTON | LONDON | TELEPHONE 3884 PADDINGTON'. It is a head and shoulders shot of Fields, leaning slightly forwards as she looks straight into the camera, smiling. The 'Look Up And Laugh' (1935) photograph is 25.5 x 19.5 cm. It has in pencil on reverse: 'LL | P.24 | Gracie Fields in "Look up & Laugh" | A.T.P. Studios 1935'.

8pp., 12mo. Stapled. Heavily aged and worn. A trim little catalogue, with 158 books described on the first seven pages, and the last page devoted to prints. Beneath the drophead title: 'Post Office Orders to be made payable at High Holborn. | No books or prints sent on approval.

[4] + 81pp., 8vo. The four pages 50-53 have been deleted in pencil, and a new version, on four pages also paginated 50-53, has been loosely inserted. Duplicated typescript, on 85 leaves, stapled together. In fair condition, aged and worn, with minor damp staining at head. 'No. 22' in red ink at head of cover. The play is said to be 'based on fact; on an actual historical situation', and is 'set in Cape Town and London between July 1899 and March 1992'. Aaronson was the author of 23 books on royal subjects. The present title is not to be found on either OCLC WorldCat or on COPAC.