THE

ONE: Letter: 1p., 4to. In fair condition, on lightly aged and worn paper. He asks Duncan to look out for books in a number of fields, beginning with ones 'on old-time stagecraft giving technical data & information on trick effects, transformation scenes, etc, with particular reference to pantomime'. TWO: Advertisement. Printed in black on one side of a 14 x 26.5 cm piece of blue card. Folded twice to make three 14 x 8.5 cm pages in concertina. In stamped postmarked envelope, with his device printed in red on cover, addressed to Duncan at the Thule Gallery, St Martin's Court.

Printed in black on one side of 15.5 x 25 cm card. In fair ondition, aged and worn, with traces of mount on reverse. The illustration, winding along the edge of the page from top left to bottom right, is a pleasing detailed line drawing, showing a fashionable crowd (men in top hats, ladies in coaches and so on) viewing the race from what is probably the Club's part of the bank of the river (a chimney and crenelated wall may serve as identifying landmarks). Among the myriad of faces may be caricatures of individuals.

1p., 12mo. In good condition, lightly aged. Illustrated letterhead, printed in gold, red, blue and purple. Writing on behalf of his wife as well as himself, he explains that 'absence from England will prevent them accepting the kind invitation of Ms. Harrison Blair for Easter Sunday'.

Five items, in fair condition, on lightly aged and worn paper, with slight rust staining from staple which held them together. Laver's two letters are both 2pp. long (one 8vo and one 12mo). The two relate to a collection of Dalziel wood-engravings, there being 'too many already in the Museum to justify our purchasing the collection in its entirety'. Laver suggests taking a selection of 100 engravings for £5, and with the second letter returns the residue, the price paid being £7 10s 0d. With Laver paying personally for two engravings damaged while in his care.

On one side of a 7.5 x 10.5 cm piece of grey paper. Laid down on a piece of cream paper cut from an album. In fair condition, aged. Reads (with manuscript additions in square brackets): 'LYCEUM THEATRE. | Mr. Henry Russell's Entertainment, | ADMIT [Four Dress Circle] | On [ Wed ] day, September [ 7th ] 1853. | [Henry Russell.] | Not admitted after a quarter to 8.' Also included is an undated newspaper cutting of a letter from Russell 'To the Editor of the Daily News', from '74, Kensington-gardens-square, Bayswater, Nov.

1p., 4to. In fair condition, on aged paper, with minor traces of glue from mount on reverse. Reads: 'My ydear Massingham. | Will you give me an admission for myself & friend to see the Pantomime - I hear it is great - how are you - can I do any thing for you! - | Thine sincerely | Henry Massingham'. 'Old Massingham' was well-known in his day as 'the lessee of the box-office at the Princess's Theatre during the reign of Keeley and Charles Kean'. His collection of theatrical material was auctioned after his death.

ONE: Autograph family reminiscences by Rosa Mary George (née Grossmith). 19 pp., 12mo. Rough pencil notes, on ruled pages torn from a notebook. Seventeen pages on George Grossmith junior, with a page apiece on 'His Father' and 'His Uncle'. TWO: The two letters, totalling 9pp., 12mo. In fair condition, on lightly-aged paper.

1p., 8vo. In fair condition, lightly aged and worn. Brammall's address is given as Cheetwood, 123 Dartmouth Road, Brondesbury, NW. Note Wilson's parsimonious or thrifty use of his old Premier's letterhead despite his return to England. He regrets having to decline Brammall's invitation 'relative to the Dinner of the Diggers' Club to be held on the 8th June', due to his 'being absent in the North of England on that date'. A manuscript list of attendees (presumably by Bramall) is on the reverse, with the note: 'I should like a small table in the room for the artistes after dinner'.

3pp., 12mo. Bifolium. In fair condition, lightly aged and worn, with unobtrusive spike hole through both leaves. The signature is unclear, and appears to read 'Eleyn Zahn', but the only one of Charles Kenney's sisters with a name beginning in 'E' was Ellen. She asks for a private box for the following Thursday on behalf of her sister 'V. Kenney [ Virginia Kenney, born 1821]and self'. She refers to his 'long and prosperous reign', and fears that it will be 'long before we shall enjoy the gratification of seeing both you and Mrs. Kean again, as we leave for Paris in a few days'.

1p. 4to. Enclosing £2 10s 0d, and written out by hand on a piece of aged ruled paper. With acknowledgment by Duncan at bottom right. In stamped and postmarked envelope, addressed by Brahms to Duncan at his London shop, 11 St Martin's Court.

2pp., 12mo. On tinted paper. In fair condition, lightly aged and worn. The letter begins: 'Dear Gen. Townshend | Won't you come with me to the Famous Players Ball on Wed. eve? | I am going to ask Miss Balfour. We can all dine here at my office at 7 on that eve - & have time to see later a litttle entertainment prior to the dancing.' He offers to present him to 'some of our leading lights in the picture world especially Elsie Ferguson who is now playng in Arnold Bennetts "Sacred & Profane Love' (which appeared in 1921).

Both items in good condition, on lightly-aged paper. ONE: ALS. 1p., 4to. In stamped envelope addressed to Ducan in St Martin's Court, London. Begins: 'O, thank you for the beautiful print. I think it's really lovely - couldn't be more delighted.' She thanks him for 'the charming note', adding: 'If I'd known it helped I'd have smiled more often!' TWO: ACS. In red ink. Begins: 'How lovely - the programme. So pleased to have it'. She ends: 'Hope we manage as well as they did!'

4pp., folio. Bifolium. In fair condition, on aged paper slightly worn at head. The front page is headed 'H.R.H. Princess Christian and the Royal Members, are Patrons of a Private Farewell Matinee arrranged by Lady Romney on behalf of the Green Park Club for Mr. and Mrs. Luther Munday'. The names of twenty performers are listed beneath this, headed by Herbert Beerbohm Tree, with various other individuals named.

1p., landscape 12mo. In good condition, on lightly-aged paper. Reads, with manuscript text in square brackets: 'Royal Italian Opera, | Covent Garden. | [Madle Vestris] | Londres, [Le 6 Juin] 18[66]. | Recu de M. Gye la somme de [£40 - -] | [G Vestris | B.V, | £[40 : - : -']'.

The full title reads: 'The Spirit of the Doctor; comprising Many Interesting Poems; selected from the original manuscript of the Late Mr. James Watson, Formerly Librarian of the Portico, in Manchester; and commonly called Doctor Watson. [Four-line quotation in Latin from Terence.] To which is prefixed A Lithographic Portrait of the Doctor; with a short memoir of his life: And various Anecdotes relative to Him - After, and to which are subjoined The Humors of Trim, [Two-line quotation from Sterne].;151pp [xxxvi + 51 + 64]., 8vo. Lithographic portrait of author as frontispiece.

1p., 4to. In fair condition, on aged paper with wear to extremities. A twenty-three line letter discussing Council business, with the last paragraph reading: 'I have to thank you on behalf of the Council for the notes which you so kindly sent in for use at the last meeting. Mr. Hornell will do a certain amount of ethnological work, but in view of your opinion and that of others on the Council as to the difficulties involved, it is not proposed to appoint anyone else for this branch.' On the reverse of the letter are pencil notes by Seligman, made while reviewing a book.

1p., 8vo. On aged and creased paper. Lily Braytonis is a 'vague relative' of his, and she sends her 'good wishes [...] a propos the Chu Chin Chow article'. She would like to 'read through the relevant proofs' and Routh sends on her address. Brayton appeared in more than 2000 performances of 'Chu Chin Chow'. For more on Routh, see his obituary in the Independent, 8 June 2008.

Both items in fair condition, bifoliums on lightly aged paper. ONE: 16 December 1883. 3pp., 12mo. Telling the story of the 'Wallingford Belles', beginning with the family of 'Thomas Clark [...] landlord of the Lamb Hotel, formerly called the Bell' When Grant visits him the following summer he will give him 'lessons in painting & as much Lawn Tennis as you like and there is no end to the Archaeology of the neighbourhood'. TWO: 23 December [1883]. 4pp., 12mo. He begins by offering to aid Grant's researchehs by search the parish registers.

2pp., 12mo. In fair condition, on lightly-aged paper, with slight smudging to second page. Annotated by the recipient 'read & burn'. He explains that he is 'just off to Eastbourne', and asks her to send on her letter 'to The Editor [of the Morning Post]', adding that it is 'a risk to send to me'. He concludes by explaining that he and his wife have 'given our present long ago & I am subscribing to a Kensington one. We cannot subscribe to all.'

1p., 4to. In good condition, on lightly-aged paper, laid down on a leaf removed from an album. The letter begins by directing the recipient to 'place the head stone upon the figure if you intend to place it before the rest of the figure is erected'. If the recipient's 'previous arrangements did not contemplate putting the whole figure together' he asks him not to do as he has directed. Chantrey is 'desirous that the figure should be in the best possible condition to be looked at' before the next Wednesday morning.

30pp., 12mo. Disbound without wraps. In good condition, lightly aged. The only copies of this edition on COPAC at Oxford and the Humanist Library.

16pp., 12mo. Disbound without wraps. In good condition, lightly aged. 'You do not exactly appreciate my feeling. I do not hate Presbyterians; I hate Presbyterianism. I hate with all my heart the creed of that Church, and I most heartily despise the God described in the Confession of Faith. But some of the best friends I have in the world are afflicted with the mental malady known as Presbyterianism.' Uncommon.

15 + [1]pp., 12mo. Disbound without wraps. In good condition, with light signs of age. Last page carries a list of 'Works by Colonel R. G. Ingersoll.' Scarce: no copy at the British Library, and the only copies on COPAC at the Humanist Library and Oxford.

16pp., 12mo. Disbound without wraps. In fair condition, with light signs of age, and slight damage at margin of title-leaf from disbinding. The introduction reads: 'On Thursday evening, January 14, 1892, the Unitarian Club of New York, held its annual dinner at Sherry's.

Printed on one 12mo page of a bifolium of thick orange paper. The invitation is to a show of 'Mr. Andrew Storie's drawings of modern, mediaeval and theatrical dresses at her studio on Friday, 20th July, 1928 from 4 to 7 - (p.m. of course)'. Casson's note, in top left-hand corner, reads: 'Mr. Ian Davison kindly told me he was sure you would be very interested in Mr. Storie's work. - I do hope you can find time to come. | Jill Casson'.

12pp., 12mo. Disbound. In detached grey printed wraps, with portrait of Ingesoll on cover. In good condition, on aged paper. Only one copy of this twelfth edition on COPAC, at the London School of Economics.

8pp., 12mo. Disbound without wraps. In good condition, lightly aged. Drophead title only. Scarce: no copy at the British Library, and the only copy on COPAC at Oxford University.

15 + [1]pp., 12mo. Disbound without wraps. In good condition, with light signs of age. Last page carries a list of 'Works by Colonel Ingersoll.' Foote's introductory note reads: 'During November and December, 1889, the North American Review printed a number of articles by representative men on the subject of Divorce. The editor framed a series of four questions, which the various writers replied to. Colonel Ingersoll answered them seriatim and fully, without the least evasion and reserve, having a habit, not only of meaning what he says, but of saying what he means.

16pp., 12mo. Disbound without wraps. In good condition, with light signs of age and wear. Scarce: no copy at the British Library, and the only copies on COPAC at the Humanist Library and Oxford University.

31 + [1]pp., 12mo. Disbound without wraps. Engraved portrait of Ingersoll on title-page,with facsimile signature. Last page carries a list of 'Colonel Ingersoll's Works.' The essay begins: 'The Brooklyn Union has interviewed Robert G. Ingersoll, who criticises the Union's recent interviews with clergymen.