THE

A recipient of the Military Cross, Beazley was educated at Rugby and Sandhurst.

Printed in black ink on one side of a piece of 18 x 11 cm piece of laid paper. Dimensions of image 15.5 x 10 cm. In fair condition, lightly aged and worn. The image forms the upper part of the engraving, within a decorative border, with the caption, covering eleven lines, as the lower part, within its own lapidary border. The image is, as the caption explains, from 'a curious M.S. in the Archbishop's Library at Lambeth'.

1p., 8vo. (roughly 27.5 x 18.5 cm). On a piece of watermarked laid paper. The present item is the original handbill reproduced on pp.41-44 of 'The Bath Contest: Being a Collection of all the Papers, Advertisements, &c. Published Before and Since The Death of Mr. Derrick, By the Candidates For the Office of Master of Ceremonies, And their Friends, Digested in Regular Order' (Bath: Archer and Cruttwell, 1769). It is scarce: no other copy being traced, either on OCLC WorldCat or on COPAC. A frail survival, on aged, worn and creased paper, with loss at head and to left-hand margin.

On 1 x 5.5 cm slip of paper cut from letter. In fair condition, aged, and with slight discoloration at one end. The signature is present in full, but the underlining flourish hs been truncated.

A total of 6pp. (5pp. in 12mo and 1p. in 4to). The five items in fair condition, with light signs of age and wear. In the first letter, 15 June 1898, he says he is posting 'the MS. (untouched: it is excellent) to Sir Douglas' (i.e. Whitley's editor, Sir Douglas Straight). The following day he informs her that 'the interview reads charmingly', and that 'everybody in the theatre is delighted with it', adding that he has 'just posted it to the Poet'.

The six items in fair condition, with light signs of age and wear. The four letters all with Morley's expansive signature ('Sheridan Morley').

The collection of seventeen items in fair condition, with light signs of age and wear. Two of the letters are signed 'Frank Pettingell', the others signed 'Frank (P.)' and 'Frank'. Two of the letters are in their original envelopes. They total 5pp., 12mo. On 22 August 1947 he writes regarding his collection of playscripts, mostly acquired from the son of the comedian Arthur Williams, and now at the Templeman Library, University of Kent: 'We are on holiday here [in Broadstairs] since "Fifty-Fifty" finished [...] When I get back next month I would like to sort the old M.S.

1p., 4to. On aged and worn paper. In response to Duncan's advertisement in 'The Stage', he asks whether he would be 'interested in the famous cartoons, in colour, which, with the signature of "Spy," used to appear in "Vanity Fair."? I have about seventy in good condition, all published between 1860 and 1885'. He also offers 'several volumes of old plays - some of them over 140 years old, and asks whether Duncan 'might care to drop in and have a look at these "treasures. | But, give me a tinkle on the 'phone first as I am rather a busy Man.'

The three items are unconnected, but clearly derive from the papers of a descendant. All three are in good condition, with light signs of age. ONE: The charcoal drawing, in colours, is on a 13 x 19.5 cm piece of wove paper, and is an impressionistic representation of his head, close cropped and with eyes closed, sleeping or in death. TWO: The letter from 'M. Jackson' is 3pp., 12mo. Bifolium. In it Jackson invites Henry Keene, shortly after C. S.

In good condition, lightly aged, with one vertical crease. Stamped and postmarked, and addressed to 'Cyril Maude Esqre. | Redlap | Dartmouth. | Devon'. For more about Hambourg, see his entry in the Oxford DNB. He writes: 'My dear Cyril | I'm afraid the Chappell Piano is necessary for me, as however good a theatre piano, it would not be good enough for a performance at your "Grand Benefit." | Yours with best wishes | Mark Hambourg'. Maude's 'Birthday Benefit Matinée' took place for charity at the Haymarket Theatre, 24 April 1942.

1p., 8vo. In fair condition, aged and creased. The letterhead, in orange and blue, boasts that Franklin is 'The World's Worst Wizard', and is headed 'Too Tuubes [sic] | The original cod prestidigitateur with a new act which is packed with crazy comedy and clean fun'. He asks him to send 'Stevenson Toy Theatre Book', and asks if he has 'any books on Marionette & string Puppets'.

Both items in good condition, on lightly aged and worn paper. ONE: ALS of 11 September [1891]. 3pp., 12mo. Bifolium. With stamped envelope addressed to 'Mrs. Wead | Buckingham | Old Shoreham | Sussex', with postmark supplying year. She thanks her for 'the kind invitation Cyril brought me to stay with you on our return from Switzerland', but cannot accept, 'as I may at any time be called for rehearsals after next week & the intervening few days I really must spend at home.

ONE: Note. 1p., 12mo. In fair condition, lightly aged. In envelope addressed to Duncan at 11 St Martin's Court, London. Reads simply: 'Please let me have your catalogue when its ready | C L'. Lefeaux's name in capitals at head. TWO: Letter. 1p., 12mo. In good condition, lightly aged. He asks him to 'put the enclosed leaflet about the Repertory Players' in his window as agreed, offering two tickets as a mark of the commitee's gratitude.

ONE: Letter: 1p., 4to. In fair condition, on lightly aged and worn paper. He asks Duncan to look out for books in a number of fields, beginning with ones 'on old-time stagecraft giving technical data & information on trick effects, transformation scenes, etc, with particular reference to pantomime'. TWO: Advertisement. Printed in black on one side of a 14 x 26.5 cm piece of blue card. Folded twice to make three 14 x 8.5 cm pages in concertina. In stamped postmarked envelope, with his device printed in red on cover, addressed to Duncan at the Thule Gallery, St Martin's Court.

Printed in black on one side of 15.5 x 25 cm card. In fair ondition, aged and worn, with traces of mount on reverse. The illustration, winding along the edge of the page from top left to bottom right, is a pleasing detailed line drawing, showing a fashionable crowd (men in top hats, ladies in coaches and so on) viewing the race from what is probably the Club's part of the bank of the river (a chimney and crenelated wall may serve as identifying landmarks). Among the myriad of faces may be caricatures of individuals.

1p., 12mo. In good condition, lightly aged. Illustrated letterhead, printed in gold, red, blue and purple. Writing on behalf of his wife as well as himself, he explains that 'absence from England will prevent them accepting the kind invitation of Ms. Harrison Blair for Easter Sunday'.

Five items, in fair condition, on lightly aged and worn paper, with slight rust staining from staple which held them together. Laver's two letters are both 2pp. long (one 8vo and one 12mo). The two relate to a collection of Dalziel wood-engravings, there being 'too many already in the Museum to justify our purchasing the collection in its entirety'. Laver suggests taking a selection of 100 engravings for £5, and with the second letter returns the residue, the price paid being £7 10s 0d. With Laver paying personally for two engravings damaged while in his care.

On one side of a 7.5 x 10.5 cm piece of grey paper. Laid down on a piece of cream paper cut from an album. In fair condition, aged. Reads (with manuscript additions in square brackets): 'LYCEUM THEATRE. | Mr. Henry Russell's Entertainment, | ADMIT [Four Dress Circle] | On [ Wed ] day, September [ 7th ] 1853. | [Henry Russell.] | Not admitted after a quarter to 8.' Also included is an undated newspaper cutting of a letter from Russell 'To the Editor of the Daily News', from '74, Kensington-gardens-square, Bayswater, Nov.

1p., 4to. In fair condition, on aged paper, with minor traces of glue from mount on reverse. Reads: 'My ydear Massingham. | Will you give me an admission for myself & friend to see the Pantomime - I hear it is great - how are you - can I do any thing for you! - | Thine sincerely | Henry Massingham'. 'Old Massingham' was well-known in his day as 'the lessee of the box-office at the Princess's Theatre during the reign of Keeley and Charles Kean'. His collection of theatrical material was auctioned after his death.

ONE: Autograph family reminiscences by Rosa Mary George (née Grossmith). 19 pp., 12mo. Rough pencil notes, on ruled pages torn from a notebook. Seventeen pages on George Grossmith junior, with a page apiece on 'His Father' and 'His Uncle'. TWO: The two letters, totalling 9pp., 12mo. In fair condition, on lightly-aged paper.

3pp., 12mo. Bifolium. In fair condition, lightly aged and worn, with unobtrusive spike hole through both leaves. The signature is unclear, and appears to read 'Eleyn Zahn', but the only one of Charles Kenney's sisters with a name beginning in 'E' was Ellen. She asks for a private box for the following Thursday on behalf of her sister 'V. Kenney [ Virginia Kenney, born 1821]and self'. She refers to his 'long and prosperous reign', and fears that it will be 'long before we shall enjoy the gratification of seeing both you and Mrs. Kean again, as we leave for Paris in a few days'.

1p., 8vo. In fair condition, lightly aged and worn. Brammall's address is given as Cheetwood, 123 Dartmouth Road, Brondesbury, NW. Note Wilson's parsimonious or thrifty use of his old Premier's letterhead despite his return to England. He regrets having to decline Brammall's invitation 'relative to the Dinner of the Diggers' Club to be held on the 8th June', due to his 'being absent in the North of England on that date'. A manuscript list of attendees (presumably by Bramall) is on the reverse, with the note: 'I should like a small table in the room for the artistes after dinner'.

1p. 4to. Enclosing £2 10s 0d, and written out by hand on a piece of aged ruled paper. With acknowledgment by Duncan at bottom right. In stamped and postmarked envelope, addressed by Brahms to Duncan at his London shop, 11 St Martin's Court.

2pp., 12mo. On tinted paper. In fair condition, lightly aged and worn. The letter begins: 'Dear Gen. Townshend | Won't you come with me to the Famous Players Ball on Wed. eve? | I am going to ask Miss Balfour. We can all dine here at my office at 7 on that eve - & have time to see later a litttle entertainment prior to the dancing.' He offers to present him to 'some of our leading lights in the picture world especially Elsie Ferguson who is now playng in Arnold Bennetts "Sacred & Profane Love' (which appeared in 1921).

Both items in good condition, on lightly-aged paper. ONE: ALS. 1p., 4to. In stamped envelope addressed to Ducan in St Martin's Court, London. Begins: 'O, thank you for the beautiful print. I think it's really lovely - couldn't be more delighted.' She thanks him for 'the charming note', adding: 'If I'd known it helped I'd have smiled more often!' TWO: ACS. In red ink. Begins: 'How lovely - the programme. So pleased to have it'. She ends: 'Hope we manage as well as they did!'

4pp., folio. Bifolium. In fair condition, on aged paper slightly worn at head. The front page is headed 'H.R.H. Princess Christian and the Royal Members, are Patrons of a Private Farewell Matinee arrranged by Lady Romney on behalf of the Green Park Club for Mr. and Mrs. Luther Munday'. The names of twenty performers are listed beneath this, headed by Herbert Beerbohm Tree, with various other individuals named.

121pp., folio, with each page on a separate leaf. The author's own pagination skips p.20, but the text is complete. In fair condition, on lightly aged and worn watermarked laid paper. Manuscript emendations (corrections, deletions and additions) throughout, and also occasional directions to a printer in the margin (for example, p.18: 'Indent an M piece') suggesting contemporary publication. (The Otago Witness in 1891 reproduced under the same title a few short extracts from the present item - starting at p.24 of it.

1p., landscape 12mo. In good condition, on lightly-aged paper. Reads, with manuscript text in square brackets: 'Royal Italian Opera, | Covent Garden. | [Madle Vestris] | Londres, [Le 6 Juin] 18[66]. | Recu de M. Gye la somme de [£40 - -] | [G Vestris | B.V, | £[40 : - : -']'.

The full title reads: 'The Spirit of the Doctor; comprising Many Interesting Poems; selected from the original manuscript of the Late Mr. James Watson, Formerly Librarian of the Portico, in Manchester; and commonly called Doctor Watson. [Four-line quotation in Latin from Terence.] To which is prefixed A Lithographic Portrait of the Doctor; with a short memoir of his life: And various Anecdotes relative to Him - After, and to which are subjoined The Humors of Trim, [Two-line quotation from Sterne].;151pp [xxxvi + 51 + 64]., 8vo. Lithographic portrait of author as frontispiece.

147pp., 8vo. In fair condition, on aged paper, with rusty binding, in worn covers. In manuscript on the cover are the return address and 'Producer's Copy'. In the same hand is an addition to the ending: 'Judy | Then there is a ghost' | Geoffrey | Not a word to your father'. 'Who's Who in the Theatre' records a production of the play in 1938, but there is no reference to it on either OCLC WorldCat, or on COPAC.