THE

Sub-title "A Guide for Electors in Choosing Lord Rectors". Pamphlet, [iv].35pp., 8vo, disbound, lacking wraps, minor defects, good condition. Ascribed to a 'John Allan' in COPAC entries. Note: A contribution to the background of Victorian science and Darwin, a lampoon of Huxley when seeking election as Rector of the University of Aberdeen and an attack on Darwinism. Scarce.

On rectangle of laid paper, roughly 4 x 7 cm. In good condition, lightly-aged paper with one vertical fold. Good firm signatures, wih Rochester's above Ernle's. Writing on reverse relates to Sir Thomas Vernon and the payment of an order.

8pp., 8vo, paginated 213-220, with separate title page. In fair condition, aged and worn, with rusted staples. Address given at Chatham House on December 17, 1946.' Stockdale explains how 'The Anglo-American Commission was established on March 9, 1942, for the purpose of encouraging and strengthening social and economic co-operation between the United States of America, its territories and bases in the Caribbean and the United Kingdom and the British West Indian Colonies. [...] President Roosevelt [...] was largely instrumental in the formation of the Commission and selected Mr. Charles W.

Of the twelve items (all black and white), the ten small photographs are uniform at 7 x 9 cm; the portrait of Scovell is 21 x 13 cm., and the image of the Spion Kop battlefield 14.5 x 11 cm. Accompanied by a note by Scovell on a slip of paper: 'Relics of the S. African Campaign | 1901-1902 | belonging to G. J. S. S'. The ten small pictures and are in good condition, loose and in an envelope.

Printed on a piece of 14 x 9.5 cm india paper, laid down on a piece of 17 x 11.5 cm card, with rounded edges, good condition. Printed at the head of the card is 'R. LEHMANN'S PORTRAIT STUDIES.' And at the foot: 'G.F. WATTS | FRED. BRUCKMANN, LONDON, | 17 Southampton Street, Strand.' Beneath the image, in small type: 'Lehmann del.' and 'Registered.' Lehmann was born in Hamburg and moved to London in 1866. He wrote two books.

12mo: 2 pp. Eleven lines of text. A bifolium, docketed on the otherwise-blank second leaf '8 June 1830 | Ld. Ellenborough'. Good: lightly spotted and with traces of grey paper mount adhering to edge on reverse of second leaf. He is enclosing a letter (not present) 'from Keene' (docketed [by Astell?] ('Kearney.)', and possibly the watercolourist W. H. Kearney). 'I must not enter into a Correspondence with him and he asks nothing definite.' Asks Astell to 'consider the matter' and to let him know his opinion on the coming Saturday.

Christmas Card, 2 leaves, bifolium, 17 x 12cm, good condition. Photograph of manned raft on Euphrates, 13 x 9cm, good condition. Stark has written "Euphrates 1977" beneath photograph and the following brief note on the verso of the second leaf: "Thank you so much about the 'letter' news. | I thought you might like to see one Raft! | All good wishes from | Freya Stark". The card was found in a copy of the "Letters", vol. four (London, 1977), edited by Lucy Moorehead who could well be the recipient of this card.

1p., 12mo. In fair condition, with light signs of age. He hopes to make his Breakfast Club 'debut' the following Saturday morning.

2pp., 12mo. 55 lines of closely-written text, with a few minor emendations. In fair condition, on lightly aged and worn paper, with 'John Fonblanque' in another hand at foot of first page. The document begins: 'I have been considering whether the Distinction that we notices this morning in the Description of the Heir sometimes as Lord & sometimes not may not fornish another Criticism for distinguishing Barons by Tenure from Barons by Writ'. He proceeds to argue the point learnedly.

6.5 x 10 cm piece cut from envelope, with the seal (roughly 1 x 1.5 cm) in black wax (2.5 cm in diameter) attached on a strip of paper. The seal a firm impression in good condition and the envelope fragment in fair condition, on aged paper, strip carrying typewriten caption laid down at foot. The Princess's autograph is unsigned, and simply reads: 'À mon cher petit Léopold.'

1p., 12mo. In good condition, on lightly-aged paper. He would agree to sign 'the introduction to the Sea Stories, for a special edition', if he was not 'convinced this "special edition" promotion has been overdone of late'. He concludes: 'I would rather not: but I am greatly obliged by the invitation.'

The envelope is 7 x 12 cm, with penny stamp printed on. In fair condition, lightly-aged, with back flap intact (i.e ungummed rather than cut open). The address - certainly in Swinburne's hand - simply reads: 'The Hon. J. Leicester Warren | 67 Onslow Square | S.W.'

3pp., 12mo. Bifolium. In good condition, lightly-aged. Addressed to 'Mr Cornish | 33, Piccadilly | Manchester'. The letter begins: 'Mr. Ormerod has received Mr Cornish's enquiry whether Mr O. has "any Io [i.e. folio] Paper Hist: of Cheshire for sale.' He replies that he 'has now only two Io Paper copies of Hist: Cheshire One is extensively illustrated and bound in ten Volumes in Morocco - This, of course, cannot be parted with.' Ormerod would part with the other set 'for £100, (one Hundred pounds) Cash - not less'.

1p., folio. In good condition, with light signs of age. Addressed to 'Wm. Griffith Esqre. | Becket Street Chapel | Derby.' Informing Griffith that he has 'laid before My Lords Commissioners of the Admiralty the petition from the United Methodist Free Church, Derby, requesting the alteration of the 93rd. Clause of the Marine Mutiny Act'.

Jardine, dubbed by the press 'the Poor Man's Pastor', travelled to France to perform the ceremony. As a result, his vestry committee resigned and he resigned his living, emigrating to the United States. The cuttings are laid down on 19pp of a Victorian folio volume, in superior brown calf binding, tooled in gilt, with marbled endpapers, and 'HARMONY OF THE GOSPELS' stamped on the spine. As the title on the spine indicates, the volume contains the manuscript of a harmony of the gospels, covering 127pp, with the text written around columns of printed text cut from a printed bible.

3pp., folio. Bifolium. In good condition, on lightly-aged paper. Title in large type on first page and text on central two pages.

The sepia photographic print is 15.5 x 11.5 cm, and shows a sumptuous domestic interior, showing paintings around an ornately carved wooden doorframe, into another room, with hangings draped footstool, piano, and other accoutrements of high Victorian interior decoration. In pencil on reverse: 'The Lyric Club'. The cutting is 12 cm and forty-five lines long. It begins 'The new Lyric Club is starting on its career with every propsect of a brilliant success.

1p., 4to. Bifolium. Addressed on reverse of second leaf, with postmarks, to 'Thomas Hill Esq | New Inn'. In good condition, lightly-aged. Headed by Oakley 'Circular' and entirely written out in his own hand. The letter begins: 'In consequence of the embarrassing finances of the Old Drury Club, and its being uncertain whether, or no, it can any longer hold its deliberative meetings at its accustomed place of redevous [sic] - it has been determined by a majority of its members - to resolve themselves into a committee of ways and means'.

The Oxford DNB's entry on Bunn states that from 1819 to 1824 he held the lease of the Theatre Royal, Birmingham. 1p., 8vo. Bifolium. Addressed on reverse of second leaf to '- Perkins Esq'. In fair condition, with light signs of age and wear. Bunn begins his letter: 'My dear Sir, | The dreadful bustle attendant on producing "Waterloo" must be my apology. The Music & Manuscript are herewith sent - & not a note or a syllable of either has been copied.' He thanks 'Mr Howes for his kindness', which he offers to reciprocate, 'whenever in my power'.

2pp., 4to. In fair condition, lightly aged and creased. After beginning 'Dear Popie / | How are you?' she asks what the 'immediate prospects' are for her to 'get a book and a series in the paper running', as she has 'scanned a tremendous amount of George's material' since moving to 'The Lawns'. In a postscript she describes the material as a 'wonderful story for T.V. too to say nothing about the films!', adding that she has 'got G. to record a lot of his old & recent material ready!' Macqueen-Pope was an admirer of Robey's, as his 'The Melodies Linger On: The Story of Music Hall' makes clear.

1p., landscape 8Vo. In fair condition, aged and with a number of vertical crease lines. Reads: 'Dear Mr Clarkson, | Will you please give instructions that any wigs that are being made for Sir Arthur Pinero's new play should be here not later than 11 o'clock on Monday morning next. Our Dress Parade is at 12 o'clock.' The play Boucicault refers to is 'The Widow of Wasdale Head'.

2pp., on bifolium with leaf dimensions 36.5 x 28 cm. On thick wove paper. In good condition, lightly-aged. The attractive calligraphic testimonial is on the recto of the first leaf, and is laid out in a sort of modified Gothic script, with initial capitals in red and gold. It is headed in large script 'To Ralph Griffin, Esq., F.S.A., | Registrar of Designs and Trade Marks.', with the date at the foot.

The six items are all disbound and in fair condition, with light signs of age and wear. Items One and Five are not productions of the Society, but are closely connected with it. The first five items are scarce: the only copies of One on COPAC at Oxford and the British Library; no copy on COPAC of Two; the only copies of Three and Four at Oxford; Five is a galley proof; and Six only to be found at Oxford, the British Library, the LSE and University College, London. ONE: 'The Idea of an Oxford Modern Ethical Society.

xii + 959pp., 8vo. With three fold-out family trees. Two continuously-paginated volumes bound together, and including title-leaf to second volume. In fair condition, aged and worn. In worn contemporary grey buckram half-binding, with marbled covers. A weighty piece of biblical exegesis. A family copy of an uncommon book, the volume descending to Tyrwhitt's relation Thomas Colmer.

116pp., 4to. (Paginated to 117, without a p.95, but with no text lacking.) No prelims. Each page typed on a separate leaf, and the whole bound together by string through punch holes. Text complete. Dog-eard and worn, with the first two leaves separated from the rest. No record discovered of author or title. The play is set during the Second World War, and begins: 'Afternoon fourclock ... Late spring ... side of road, North Cork district six miles from town of Kilneesh, Irishman trying to fix a tire ... car protruding from wings showing a flat.

Strip of paper cut from end of letter. In good condition, on lightly-aged paper. Reads: 'Your obedt humble Sert | John Scott'.

ONE: Typescript of '"Small Hotel" | A Comedy in Three Acts |by | James Gardiner'. 144pp., 4to. Bound with ribbon in blue card wraps with typed label. Text on rectos only. In pencil on title-page: '56 Welbeck Street'. In fair condition, on aged paper, in heavily worn wraps. 'The action takes place in the Lounge of the Bay View Hotel, near Dormouth, a South Coast Naval port.' No record of the play has been found, either on OCLC WorldCat or on COPAC, or on the ITDb. TWO: Typed Letter Signed to Commander Vivian Ellis from Olive Harding of Myron Selznick (London) Ltd.

1p., 12mo. In fair condition, aged and worn, with staining from glue used in previous mounting. He apologises for not being able to 'do what you asked', as he 'did not go to the Garrick until to day when I found your letter with others waiting me'.

ONE: Typescript. [3] + 94pp., 4to. Stapled in green tyed wraps. In good condition, on lightly-aged paper; in aged and worn wraps. Stage directions underlined in red pencil, and a handful of minor manuscript changes. 'The action of this play takes place in Malta G.C.

1p., 12mo. In good condition, on lightly-aged paper. The seven signatures are on top of one another, with the fifth in pencil and the others in ink. They read: 'Teddy Gwenn | [ ditto ] Michael | Lawrence | Sevier | Tommy Shale | Jan Hurst. | Patersen Story'. From the papers of Herman Finck (1872-1939), with whom Jan Hurst was connected. According to one authority: 'In 1929 [Hurst] secured the all year round post of Musical Director to the Brighton Corporation and as such, he was in charge of their Municipal Orchestra.