OPERA

Printed on piece of thick paper 31.5 x 22.5 cm. Dimensions of image 24 x 18 cm. Removed from mount, and with glue adhering to reverse and in thin strip at head (not affecting image). Small closed tear in border at foot, just beneath Mascagni's dating of his note. Soft-focus black and white head and shoulders shot, showing a firm-jawed jowlly bow-tied Mascagni staring abstractedly to his right, with a medal in his buttonhole.

The sepia photograph, 11 x 4 cm, is a full-length shot of a radiant Jeritza, posing stylishly in Grecian décolleté dress and sandals. It is neatly mounted in the top left-hand corner of a leaf of cream paper (24 x 20 cm) removed from an album. The whole attractive and in good condition. In a large, bold hand Jeritza has written, diagonally across the paper and upwards towards the photograph, 'With best wishes | [signed] Maria Jeritza | 1923.'

One page, octavo. Good on aged and lightly creased paper. 'As you see by the enclosed it was returned to Mme D'Alvarez. | She is so sorry, but hopes it will now reach you. | Yours Truly | [signed] Evelyn Woolf | Secretary'.

Dimensions roughly 14 x 9 cm. Very good. The photograph, captioned 'Anneliese Rothenberger', is a head and shoulders shot of a smiling Rothenberger. The note on the reverse, in green ink, reads 'dir, liebe Liesel, alles ! | diese | [signed] Anneliese | 1956'.

On a piece of paper roughly 3.5 x 9 cm, with embossed details of stationers. Good, with tiny crease to one corner. A clear signature, in pencil.

12mo: 1 p. Very good. Reads 'January 1866 | [signed] Jules Benedict'.

Three pages, 12mo. Good, on lightly aged and ruckled paper, with a little glue adhering to the reverse of the second leaf of the bifolium. She has received the two packets containing the small photographs. Apart from wanting the hair to appear lighter and clearer, she is satisfied with the large photograph, and would like several copies before her departure on 2 August. If this is not possible copies are to be sent to her at the theatre du Gymnase in Paris.

Three pages, 12mo. Good, on lightly spotted and aged paper. Traces of glue and previous mount adhering to blank verso of second leaf of bifolium. Concerns a 'concert on June 16yh in aid of the <?> L G[uild] at Mrs. Beudel's house'. 'It grieves me more than I can express to find that I shall be unable to attend, or give my services on that occasion, unfortunately my arrangements will not permit of my being in London then'.

One page, 12mo. On creased, brittle, aged paper. Repaired with archival tape on reverse, which carries traces of previous mounting. He is sending some lines of introduction 'to my cameo friend who lives in Grafton St Bond St. - No. [i.e. number] unknown, but it is the second or third house on the right going from Bond St.' Hullah's 'Music Hall' - St Martin's Hall in Long Acre - opened in 1850. It burnt to the ground ten years later.

Italian Opera Singer (1810-1883), "the most famous tenor of the 19th century. In French. One page, 6" x 5", remains of the album page on which it was laid down on reverse, probably trimmed leaving just the body of the letter as follows: "Monsieru Mario presentes compliment a Mlle Maria [Julivan?] et il est bien {?} de ne pouvoir accepter son invitation ne donnat pas de lecons - il prend la liberte de recommander Mr [Segira?] - avev le quel il a etudie lui meme et qui croit {?] le meilleur [maestro? ??] a Londres."

The Dictionary of National Biography states that T. J. Dibdin (1771-1841, closely associated with Sadler's Wells, Drury Lane and the Surrey Theatre) wrote 'nearly two thousand songs and about two hundred operas and plays'. This list, which covers the whole of his life from his earliest known work in 1789 to his death in 1841, is compiled with considerable care on the rectos and some of the versos of 79 bound and numbered leaves (most being the letterhead of the North-East Coast Exhibition, of which E. Rimbault Dibdin was the Director).

English contralto singer (1821-85). Signature on piece of paper of irregular shape (practically oval): roughly nine centimeters by four centimeters at the widest points. In poor condition: on paper discoloured by age and glue from previous mounting, and with hole and closed tear slightly affecting signature. Reads 'Your's very truly | Charlotte H Dolby', so presumably predating the singer's marriage in 1860.

He has heard that "a prospectus of the Company now being formed for the establishment of an English Opera Theatre in London has been sent to you at Thurloe Square", but he sends another with a few words. "I think that we have undertaken a good work: and I feel confident that, were the Company established, we should prosper." Needs to fill list of shareholders by 13 inst. Asks his correspondent to take a few shares "for the love of an art, which, if not your own, is akin to it".

Opera singer. Photograph by James Dickinson of Newcastle-on-Tyne, 5¼ inches by 3¾, of a pensive Alexander dressed in the costume of a knight, wearing a patently false beard and moustache, seated with his head resting on his right hand, and holding a harp against his left leg. Card mount stamped in silver "Jas. Dickinson, / [Crest] / The City Galleries, / Newcastle on Tyne." The reverse carries an advertisement for Dickinson ("PHOTOGRAPHIC ARTIST"), and is inscribed "Yours Faithfully, J.

Opera singer. Full-length photograph by James Dickinson of Newcastle-on-Tyne, 5¼ inches by 3¾, of a dashing Dickinson dressed as a matador, left hand on hip and right hand resting on a sword. Mounted on grey card. The reverse carries an advertisement for Dickinson ("PHOTOGRAPHIC ARTIST"), and is inscribed "Yours Faithfully, J. Alexander / Character in Carmen / Moody-Manners Opera Co." In bad condition: faded, stained and worn.