AND

On wove paper roughly eleven inches by seven and three-quarters; dimensions of print roughly seven inches by four and a half. Image clear and unaffected, on paper aged and creased, with some staining to extremities. Smith's monogram in bottom left-hand corner. The figure is formally dressed, in frock-coat and stockings, with his hat tucked under his left arm. Clearly a portrait, but of whom is uncertain: it is not among the six works by Smith catalogued by the National Portrait Gallery. A charming evocation of print culture in the early part of the nineteenth century.

Striking advertisement, in red ink, on one side of a piece of paper roughly seven inches by seventeen wide. With something of a prewar feel, it reads 'DORKING URBAN DISTRICT | BOOK, WASTE PAPER | and CARDBOARD DRIVE | [in box on right] 12th April | TO | 1st May | 1948 [end of boxed text] | Save the Nation from having to import Waste Paper from abroad | PROVIDE | MORE Employment = MORE Cartons for Food | = MORE Materials for Housebuilding ='.

On thin laid paper roughly two and three-quarter inches by three and three-quarter inches wide. Good clean image, on aged paper with slight wear in bottom left-hand corner. Enclosed by a border. Reads, in a variety of hands, 'Thomas Payne | BOOKSELLER, | Near the South Sea House | BISHOPSGATE-STREET | LONDON. | Sells all Sorts of Stationary [sic] Wares.' According to BBTI the Thomas Payne who was at this address in 1750 may possibly be the eminent bookseller Thomas Payne I (1719-99) of the Mews Gate.

Good clean image of a seventeenth-century engraving, from an earlier idealised portrait of the putative 'father of printing'. It is of irregular shape, the background having been carefully cut away. Neatly mounted on piece of beige paper, illustrated with a brown pseudo-frame with decorative book devices in the four corners. Half-length portrait of a bearded Gutenberg in fur-lined hat and coat, with composing stick in left hand and stylus in right. Dimensions roughly eight and a quarter inches by seven wide. Engraved beneath is 'P Stent Excudit: R Gaywood fecit'.

On good thick wove paper, roughly six and a quarter inches by four and three-quarters wide. Dimensions of plate indentation five inches by three wide. Good, on aged and lightly-foxed paper, left edge irregular indicating extraction. A very attractive card, carrying an engraving of a sylvan scene giving a very good idea of Sandon's qualities. Reads, in a variety of hands, 'EVERY | Description | OF | ENGRAVING & PRINTING | Neatly executed. | [vignette] | HENRY SANDON, | 60, Wellington Street, Goswell Street, | London.' Sandon does not feature in BBTI. is he real?

Paper dimensions roughly ten and a half inches by eleven and a half; print dimensions eight and a half inches by ten and a half. Aged and with three inch strip, roughly half an inch wide, torn away from surface of print in top left-hand corner. Depicts a crowded and rather grand hall, containing a long horseshoe-shaped table around which are crowded connoisseurs of both sexes contemplating engravings and illustrated books or engaged in discussion. Arti et Amicitiae is an Amsterdam society of artists and art lovers, founded in 1839.

Dimensions roughly six inches by three and a half. Wormed (but only affecting two letters of text) on aged paper. One page, blank reverse. Wood cut at head, roughly one and a quarter inches square, illustrating a leather-bound book with clasps. Thirty-three lines of text, beginning 'At the Bible in Newgate-street, over against the Blue-Coat Hospital Gate.

Stapled and unbound. Octavo: four leaves (eight unpaginated pages). On aged and lightly spotted paper. Vignette on title page. Includes list of plates and 'Specimen Entry' of pages 51-3. Verso of last leaf headed 'from CONSTABLE'S BIBLIOGRAPHICAL LIST', comprising 'THE CARTER-POLLARD DISCLOSURES', 'BIBLIOGRAPHIA SERIES' and 'DORMY HOUSE CATALOGUES'.

All items one page, quarto, and all very good. Two docketed and one bearing the Society's stamp. Letter 1: He will be pleased to attend a committee meeting. Letter 2: He has 'a long-standing engagement' and will be unable to attend 'the Architectural Decoration Committee'. Along with Godfrey Giles he has 'had a long discussion' with Mr. Grigsby 'with reference to the conditions of the Lewis Berger Scholarship'. Letter 3: He knows 'Professor Richardson very well, and this is just the information which I am requiring. I will send my man on to see the secretary as you suggest'.

Dimensions of paper approximately 36 x 25 cms. Good, though lightly foxed and with corners a little dog-eared. His Lordship, in full-sleeved clericals, is seated, and bare-headed, looking to his right with a piercing stare. Dated 1815 by the National Portrait Gallery.

One page, octavo. On aged, grubby paper with minor staining at foot. He has spent 'all his monney for prints & Books I bought at Sale last Week. I have no balance in my Bank at all. (ganz nichts) if you are not inconvenient [sic] Please bring some L. S. D. on Saturday next'. Postscript: 'My business is Ratton N. B. G.' It is thought that Kato obtained a large portion of the Japanese prints for Sir Edmund Walker's celebrated collection.

Full subtitle: 'With a comparative review of the systems proposed by H. Cranmer Phillipps, R.N. and by Captain Levin Joergen Rohde, of the Royal Danish Navy, Knight of the Dannebrog, &c. &c.' The letter was previously attached by four small pieces of red sealing wax on the verso of its blank second leaf to the title-page of the pamphlet. Letter and pamphlet are now detached, with traces of wax adhering to both, but not affecting the text of either. LETTER: 12mo, one page. Good on aged paper.

The studio photograph, with printed label of 'Walter Baker, 159, Mosely Road, Birmingham. Highgate Studios.' on reverse, and the manuscript number '24704 | 98'. is a good clear head and shoulders portrait (dimensions roughly three and a half inches by two and a quarter wide), in very good condition. Although untitled, it seems to be Carl, as represented on the title-page of his book, without the moustache and a little younger. The book is twenty-eight pages, octavo, in original coloured printed boards. Numerous line drawings.

Three pages, octavo. Very good on lightly aged paper. Kenyon's paper was 'much enjoyed' when read on Saturday, and there was 'a good attendance'. '[T]he pleasantries were not missed': '1. the confusion of the inexhaustible emender; 2. the thrift of the canny Odysseus in his role of wooer; 3. Burne Jones's Law.' 'At the end some interesting questiosn were asked', for example, 'why second-rate Greek annalists shd. seemingly have been preferred to Herodotus & Thucydides'.

Three pages, 12mo. Good, on lightly spotted and aged paper. Traces of glue and previous mount adhering to blank verso of second leaf of bifolium. Concerns a 'concert on June 16yh in aid of the <?> L G[uild] at Mrs. Beudel's house'. 'It grieves me more than I can express to find that I shall be unable to attend, or give my services on that occasion, unfortunately my arrangements will not permit of my being in London then'.

Thirteen pages, octavo, and fold-out 'PLATE XXI' (eight and a half inches by twenty-two and a half wide), with nine illustrations, headed 'THE DRAWING OFFICE BY MR. ARCHIBALD DENNY.', by Robert Gardner & Co., Engineering Lithographers, Glasgow. Unbound and stapled. Good, on aged and lightly foxed paper. Original pink printed wraps detached, chipped and with minor loss. PRESENTATION COPY, with front wrap (which has minor offsetting in ink) headed in pencil 'With the Authors Compts'. Ownership inscription of 'H. J. Young | Nov: '95' at head of first page.

Small 8vo. Pages: x + 74. In original cream printed wraps. One of two hundred copies of the 'Small Paper edition'. In the 'Moray Library'. Internally sound and clean. Light spotting and wear to wraps. Minor foxing to endpapers. Trenchant observations on an interesting selection of late-Victorian authors.

On piece of aged, laid paper roughly six inches by eight and a quarter wide. Two inch closed tear at head, and three-quarters of an inch closed tear, with a little loss, to the right. Quarter-inch hole towards top right-hand corner, in sky above archway. Mounted on piece of grey paper. Negligible wear to bottom left-hand corner.

Leaflet. Two pages, 12mo. Tasteful bifolium on cream wove paper. Unbound. Good, though a tad grubby. Gill woodcut (roughly two inches by one and a half) on front: two hands around the front of a large 'V' with rest of word 'Veritas' on stem and cross at head. Apparently numbered in pencil bottom-right of woodcut 579.

One page, quarto. Very good, though slightly aged and creased, and with minor damp staining at foot, affecting bottom three lines including signature. Wilkinson has written to say that he 'has not the space' Smith has 'named'. '[Y]ou express an opinion that Circus business would pay, & I, from my personal knowledge of Brighton & experience therein, feel sure a really good Circus would prove an immense attraction & a paying one, & would stand some time by introducing fresh novelties'.

Thirty-six broadsheet pages. On aged paper, with chipping to extremities and first and last leaves detached, but with text clear and entire. Articles on 'The Four New Railways', with photographs, by Sir Herbert Walker, Felix J. C. Pole, Arthur Watson and R. L. Wedgwood. Other articles include 'Electrification - The Metropolitan's Experience' by R. H. Selbie, 'Railways - Their Position and Prospects' by Sir Sam Fry, 'Railway Rates under the New Regime' by Sir W. M. Acworth and 'Finance of British Railways' by W. J. Stevens.

On India paper roughly three and a half inches by six and a half wide, mounted on a thick piece of wove paper ten inches by fourteen and a half. Cooke's name is engraved on the illustration, and printed on the mount are the title, Lewis's name and a double ruled border. Good clear impression. The mount is a tad grubby, with foxing to the extremities. Atmospheric representation of a populated pier snaking to the left, with a number of sailing ships and a row boat taking advantage of the low tide nearby. No reference found.

Four pages, on four A4 leaves. Entirely legible, though dogeared and with some wear to extremities. Rust staining from paperclip. Complete from 1066 to 1937, beginning with the Cuneators and giving dates of Chief and Under Gravers together with Remarks on each individual. Dated and signed by Anthony.

Sambourne (1844-1910) contributed illustrations to Punch for more than forty years. On good laid paper, dimensions roughly 22 inches by 17 1/2. With facsimile signature and date. Folded twice. Slightly discoloured and a little creased, but suitable for framing. Depicts Mr Punch, with his dog Toby, sitting atop a pile of the 'evolutions of the century' (including a bicycle and typewriter), and waving to 116 of the century's worthies, including Bismark, General Tom Thumb and the jockey Fred Archer, but without Karl Marx.

Dimensions of plate roughly four and a half inches by six and a half wide. Dimensions of paper roughly five inches by seven wide. Clear image on stained, grubby laid paper. Shows mythological figure with helmet and shield holding up a book, within a monumental border with coins, ivy, statuary, etc. This bookplate has been found in conjunction with another reading "Ex Libris Alexandri Torrigiani Med. Doct. Coll. Parmensis", and this may provide a clue to the provenance.

Dimensions of paper roughly eleven and a half inches by eight wide. A good clean impression on grubby and lightly foxed paper. A meticulous head and shoulders view of a seated Hearne, in profile, facing to his left. One of the 72 engravings from chalk portraits by Dance of his friends which were published between 1808 and 1814.

The word 'Proof' is engraved in the bottom right-hand corner. Dimensions of paper roughly ten inches by seven and a half. Good clean image on lightly aged paper. Head and shoulders portrait, in which a dolorous old biddy in cap stares vacantly at the viewer. Presumably a companion piece to an engraving in the National Portrait Gallery by Isaac W. Slater of a drawing by Scriven of Henrietta Maria Slater, published by Colnaghi in July 1830. This item is not present in the National Portrait Gallery online catalogue.

Two pages, 12mo. Very good on lightly-foxed blue paper. He has sent his correspondent's letter to the naval correspondent of The Times, and hopes 'that some good may come of it.' Would like to receive 'any more snippets you have from time to time. I didn't know, for instance, that the racing whaler had Sussex until the other day, otherwise I should have tried to make a song about it!' Sends seasons greetings, and wishes him the 'Best of luck'.

On piece of paper four inches by three and a half, neatly mounted on slightly larger piece of blue paper, docketed 'FLOTSAM & JETSAM | 2 POPULAR ENTERTAINERS'. The crude caricatures (probably by Hilliam rather than McEachern) consist of a crude and highly-stylised image of the heads and shoulders of the two, looking to the left, in hat and cap and both smoking pipes. Beneath is 'Yours very sincerely | [signed] Flotsam and [signed] Jetsam'. Among the duo's recordings is a comic song entitled 'What was the matter with Rachmaninov?' (1927).

Dimensions of print roughly ten inches by six and a half wide. Mounted on a slightly larger piece of laid paper. Rubbed, worn and heavily aged, with small wormhole at foot. Ornate tomb with sphinxes, ivy, masks, palette, laurel wreath, etc. Central head and shoulders image of Carracci, above caption 'ANNIBALI CARRACCIO BONON. AETATIS SVAE ANN.XLIX Romae MDCXLVI'. 'A. Del.' in bottom left-hand corner. This is NOT the engraving by Pietro Aquila, after Carlo Maratta, in Aquila's 'Galeriae Farnesianae Icones' (1674).